Hector Berlioz
Symphonie fantastique
Los Angeles Philharmonic · Gustavo Dudamel
Год издания: 2014
Жанр: Classical
Издатель (лейбл): Deutsche Grammophon
Продолжительность: 01:00:51
Наличие сканов: Sleeve, Digital Booklet
Hector Berlioz (1803-1869)
Symphonie fantastique, Op.14
01. 1. Rêveries. Passions (14:57)
02. 2. Un bal (6:39)
03. 3. Scène aux champs (17:58)
04. 4. Marche au supplice (6:39)
05. 5. Songe d'une nuit du Sabbat (9:44)
Bonus: Steven Stucky talks about Berlioz’ Symphonie fantastique
(including musical excerpt)
06. Upbeat Live - Pre-Concert Lecture (4:53)
Los Angeles Philharmonic
Gustavo Dudamel, conductor
Steven Stucky, speaker
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24bit / 96kHz
Количество каналов: 2.0
О релизе
In his “Fantastic Symphony in Five Parts,” a literal translation of the composer’s final title, Berlioz tells a musical tale with himself as the central character – creating not only a mood (as in Liszt’s symphonic poems), but states of mind and precise, physical situations. Nothing like it had been attempted on this scale before.
Berlioz’s new concept of how far one could go in dramatic music without resorting to a vocal text once caused considerable polemicizing over whether such music was viable without reference to the “story.” Wagner’s great friend and champion, Eduard Dannreuther, took the negative tack: “The Symphonie fantastique, particularly its finale, is sheer nonsense when the hearer has no knowledge of the program.”
„Dudamel is an excellent colorist . . . [his] colors are extremely vivid, and help with something else this conducting is very good at: maintaining great clarity of secondary lines, without muddying the primary melody. This is especially evident in the first movement her. Dudamel and the orchestra maintain a lovely, singing line through material that can otherwise seem merely introductory or transitional. Dudamel takes the movement's 'Passions' as seriously as the earlier 'dreams', perhaps even more so, with very strong accents and eruptive phrase launches in the more dynamic sections. The second-movement ball scene benefits from very flexible phrasing, and lots of feline portamento in the repeated opening material. The third movement is nicely bucolic . . . Then Dudamel and the LA Phil really take off in the 'Marc to the Scaffold', everything crackling with energy and played with a jolly snarl (and repeat) . . .“ (James Reel, Fanfare)
Recorded: March 28-30, 2008
Producer: David Frost
Recording engineer: Fred Vogler
Editing engineers: David Frost and Fred Vogler
Mastering engineers: Tim Martyn and Scott Sedillo
Отчёты
Динамический диапазон
foobar2000 1.2.2 / Dynamic Range Meter 1.1.1
log date: 2015-05-02 17:07:18
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Analyzed: Los Angeles Philharmonic, Gustavo Dudamel / Berlioz: Symphonie fantastique
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DR Peak RMS Duration Track
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DR15 -2.79 dB -23.68 dB 14:57 ?-Symphonie fantastique, Op.14: 1. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai)
DR13 -3.60 dB -23.53 dB 6:39 ?-Symphonie fantastique, Op.14: 2. Un bal (Valse: Allegro non troppo)
DR17 -2.53 dB -26.92 dB 17:58 ?-Symphonie fantastique, Op.14: 3. Scène aux champs (Adagio)
DR13 0.00 dB -18.11 dB 6:39 ?-Symphonie fantastique, Op.14: 4. Marche au supplice (Allegretto non troppo)
DR13 -0.12 dB -18.23 dB 9:44 ?-Symphonie fantastique, Op.14: 5. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso)
DR16 -4.28 dB -23.51 dB 4:53 ?-Upbeat Live - Pre-Concert Lecture (Steven Stucky)
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Number of tracks: 6
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1859 kbps
Codec: FLAC
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