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[古典] [Tr24] [OF]格里格,丽斯茨,巴特克,Lipatti - 钢琴协奏曲,Vol。 3 - Dinu Lipatti,Philharmonia Orchestra,Alceo Galliera,Orchester de La Suisse Romande,Ernest Ansermet(Remasted) - 2020(古典)

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发表于 2020-12-8 15:05:20 | 显示全部楼层 |阅读模式
Grieg · Liszt · Bartok · Lipatti - Piano Concertos, Vol. 3
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2020
Жанр: Classical
Издатель (лейбл): Archiphon
Продолжительность: 01:31:41
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.com
Треклист:
Edvard Grieg
Piano Concerto in A minor, Op. 16
01. I. Allegro molto moderato
02. II. Adagio
03. III. Allegro moderato marcato
Franz Liszt
Piano Concerto No. 1 in E flat major, S124
04. I. Allegro maestoso
05. II. Quasi adagio
06. III. Allegro vivace - Allegro animato
07. IV. Allegro marziale animato
08. Applause
Béla Bartók
Piano Concerto No. 3, BB 127, Sz. 119
I. Allegretto
II. Adagio religioso
III. Allegro vivace
Dinu Lipatti
Concertino en style classique, Op. 3
I. Allegro maestoso
II. Adagio molto
III. Allegretto
IV. Allegro molto

Исполнители:
Dinu Lipatti, piano
Philharmonia Orchestra
Alceo Galliera, conductor
Orchestre de la Suisse Romande
Ernest Ansermet, conductor
Orchester des Südwestdeutschen Rundfunks
Paul Sacher, conductor

Лог проверки качества

foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2020-01-03 08:57:07
--------------------------------------------------------------------------------
Analyzed: Dinu Lipatti / Dinu Lipatti Plays Piano Concertos, Vol. 3:  Grieg, Liszt, Bartók &, Lipatti (Live)
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR12       0.00 dB   -16.81 dB     12:24 01-I. Allegro molto moderato
DR13      -2.35 dB   -21.84 dB      6:21 02-II. Adagio
DR11       0.00 dB   -15.79 dB      9:53 03-III. Allegro moderato marcato
DR10       0.00 dB   -15.27 dB      6:01 04-I. Allegro maestoso (Live)
DR14      -1.63 dB   -21.94 dB      5:07 05-II. Quasi adagio (Live)
DR10       0.00 dB   -14.17 dB      4:18 06-III. Allegro vivace - Allegro animato (Live)
DR12       0.00 dB   -16.57 dB      4:08 07-IV. Allegro marziale animato (Live)
DR9       -7.39 dB   -25.63 dB      0:09 08-Applause (Live)
DR11       0.00 dB   -15.88 dB      7:48 09-I. Allegretto (Live)
DR14       0.00 dB   -18.79 dB     10:27 10-II. Adagio religioso (Live)
DR10       0.00 dB   -14.95 dB      7:23 11-III. Allegro vivace (Live)
DR13       0.00 dB   -18.05 dB      4:28 12-I. Allegro maestoso (Live)
DR14       0.00 dB   -20.94 dB      4:33 13-II. Adagio molto (Live)
DR13      -2.45 dB   -23.16 dB      3:26 14-III. Allegretto (Live)
DR14      -2.34 dB   -22.27 dB      5:21 15-IV. Allegro molto (Live)
--------------------------------------------------------------------------------
Number of tracks:  15
Official DR value: DR12
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1806 kbps
Codec:             FLAC
================================================================================


Об исполнителе
Born: March 19, 1917; Bucharest, Romania Died: December 2, 1950; Geneva, Switzerland
Dinu Lipatti is regarded as a legend among twentieth century pianists. Alfred Cortot thought Lipatti's playing "perfection," while Clara Haskil once wrote to him, "How I envy your talent. The devil take it. Why must you have so much talent and I so little? Is this justice on earth?" Was it justice that such a talented musician had such a short life? Both Lipatti's parents were musicians: his father was a violinist who had studied with Sarasate and Flesch, his mother a pianist. They, and Lipatti's godfather Georges Enescu, nurtured his talents early. Lipatti attended the Bucharest Conservatory, working with Floria Musicescu from 1928 to 1932. Cortot was one of the judges at the 1934 Vienna International Piano Competition, where Lipatti was awarded second prize. Cortot, who thought Lipatti should have won first prize, resigned from the jury and took Lipatti to Paris to study with him and his assistant Yvonne Lefébure. Lipatti also studied conducting with Charles Münch and composition with Nadia Boulanger and Paul Dukas. Lipatti recitals and concerts in Paris in the late 1930s secured his reputation as a performer. He was known for his self-discipline and thoroughness, taking years to learn a concerto before performing it in public. Those who heard him play assumed that either he had studied the music with a composer's eye or he instinctively knew how to make whatever he played sound so obviously what the composer intended, whether it was Bach or Schubert or Ravel. He returned to Bucharest in 1939 to spend the war years teaching, composing, and writing criticism. Just before the end of the war, he was diagnosed with a rare form of leukemia. His illness was relieved somewhat by new medicines in 1946, enough for him to make recordings for Columbia at his home in Geneva. He took a post teaching at the Geneva Conservatory in 1949 and also recorded the Schumann Piano Concerto with Herbert von Karajan in London. The next year, however, he had to cancel tours of Australia and North and South America and cut back his European performance engagements. Just three months before his death at the age of 33, he gave one last recital in Besançon, fortunately recorded for posterity, his playing still unsurpassed despite his illness.
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