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[古典] [Tr24] [OF]伯尔尼斯坦 - 3个交响乐(乐团Dellaccademia Nazionale di Santa Cecilia,Antonio Pappano) - 2018(古典,管弦乐)

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发表于 2020-12-8 15:05:27 | 显示全部楼层 |阅读模式
Bernstein: Symphonies Nos. 1-3, Prelude, Fugue & Riffs
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2018
Жанр: Classical, Orchestral
Издатель (лейбл): Warner Classics
Продолжительность: 01:52:33
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestoclassical.co.uk
Треклист:
Symphony No. 1, “Jeremiah”
1. I. Prophecy: Largamente
2. II. Profanation: Vivace con brio
3. III. Lamentation: Lento
Symphony No. 2, “The Age of Anxiety”
Part I
4. The Prologue: Lento moderato
The Seven Ages
5. Variation 1: L’istesso tempo
6. Variation 2: Poco più mosso
7. Variation 3: Largamente, ma mosso
8. Variation 4: Più mosso
9. Variation 5: Agitato
10. Variation 6: Poco meno mosso
11. Variation 7: L’istesso tempo
The Seven Stages
12. Variation 8: Molto moderato, ma movendo
13. Variation 9: Più mosso (Tempo di valse)
14. Variation 10: Più mosso
15. Variation 11: L’istesso tempo
16. Variation 12: Poco più vivace
17. Variation 13: L’istesso tempo
18. Variation 14: Poco più vivace
Part II
19. The Dirge: Largo
20. The Masque: Extremely fast
21. The Epilogue: L’istesso tempo
Symphony No. 3, “Kaddish”
Revised Speaker’s text by Leonard Bernstein (1977)
22. I. a. Invocation: Adagio
23. b. Kaddish 1: L’istesso tempo — Allegro molto
24. II. a. Din-Torah: Di nuovo adagio
25. b. Kaddish 2: Andante con tenerezza
26. III. a. Scherzo: Presto scherzando, sempre pianissimo
27. b. Kaddish 3
28. c. Finale: Adagio come nel “Din-Torah” —
29. Fuga: Allegro vivo con gioia
Prelude, Fugue and Riffs for clarinet and jazz ensemble (original version)
30. Prelude for the Brass
31. Fugue for the Saxes
32. Riffs for Everyone

Исполнители:
Nadine Sierra, soprano
Marie-Nicole Lemieux, mezzo-soprano
Beatrice Rana, piano
Josephine Barstow, speaker
Alessandro Carbonare, clarinet
Orchestra dell’Accademia Nazionale Di Santa Cecilia
Sir Antonio Pappano, conductor

Лог проверки качества

foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-08-12 07:46:53
--------------------------------------------------------------------------------
Analyzed: Alessandro Carbonare, Orchestra dell’Accademia Nazionale Di Santa Cecilia & Antonio Pappano / Bernstein: Symphonies Nos 1-3, Prelude, Fugue & Riffs (1-3)
          Beatrice Rana, Orchestra dell’Accademia Nazionale Di Santa Cecilia & Antonio Pappano / Bernstein: Symphonies Nos 1-3, Prelude, Fugue & Riffs (4-21)
          Dame Josephine Barstow, Orchestra dell’Accademia Nazionale Di Santa Cecilia & Antonio Pappano / Bernstein: Symphonies Nos 1-3, Prelude, Fugue & Riffs (22-27)
          Marie-Nicole Lemieux, Orchestra dell’Accademia Nazionale Di Santa Cecilia & Antonio Pappano / Bernstein: Symphonies Nos 1-3, Prelude, Fugue & Riffs (28)
          Nadine Serra, Dame Josephine Barstow, Orchestra dell’Accademia Nazionale Di Santa Cecilia & Antonio Pappano / Bernstein: Symphonies Nos 1-3, Prelude, Fugue & Riffs (29)
          Nadine Serra, Orchestra dell’Accademia Nazionale Di Santa Cecilia & Antonio Pappano / Bernstein: Symphonies Nos 1-3, Prelude, Fugue & Riffs (30)
          Orchestra dell’Accademia Nazionale Di Santa Cecilia & Antonio Pappano / Bernstein: Symphonies Nos 1-3, Prelude, Fugue & Riffs (31-32)
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR12      -0.63 dB   -17.43 dB      1:49 30-Prelude, Fugue & Riffs- I. Prelude for the Brass
DR14      -5.96 dB   -25.61 dB      1:47 31-Prelude, Fugue & Riffs- II. Fugue for the Saxes
DR9       -0.63 dB   -14.68 dB      4:25 32-Prelude, Fugue & Riffs- III. Riffs for Everyone
DR11     -18.43 dB   -37.64 dB      2:26 04-Symphony No. 2, 'The Age of Anxiety'- Pt. 1. The Prologue (Lento moderato)
DR10     -18.55 dB   -38.15 dB      1:03 05-Symphony No. 2, 'The Age of Anxiety'- Pt. 1. The Seven Ages - Variation 1 (L' istesso tempo)
DR11      -2.07 dB   -20.77 dB      1:45 06-Symphony No. 2, 'The Age of Anxiety'- Pt. 1. The Seven Ages - Variation 2 (Poco piu mosso)
DR11      -7.75 dB   -23.43 dB      1:22 07-Symphony No. 2, 'The Age of Anxiety'- Pt 1. The Seven Ages - Variation 3 (Largamente, ma mosso)
DR12      -1.07 dB   -18.19 dB      0:54 08-Symphony No. 2, 'The Age of Anxiety'- Pt. 1. The Seven Ages - Variation 4 (Piu mosso)
DR11      -1.65 dB   -16.49 dB      0:48 09-Symphony No. 2, 'The Age of Anxiety'- Pt. 1. The Seven Ages - Variation 5 (Agitato)
DR15      -9.84 dB   -32.17 dB      1:20 10-Symphony No. 2, 'The Age of Anxiety'- Pt. 1. The Seven Ages - Variation 6 (Poco meno mosso)
DR12     -12.33 dB   -34.87 dB      1:55 11-Symphony No. 2, 'The Age of Anxiety'- Pt. 1. The Seven Ages - Variation 7 (Listesso tempo)
DR12      -6.26 dB   -24.29 dB      1:56 12-Symphony No. 2, 'The Age of Anxiety'- Pt. 1. The Seven Stages - Variation 8 (Molto moderato, ma movendo)
DR12      -1.55 dB   -17.46 dB      1:22 13-Symphony No. 2, 'The Age of Anxiety'- Pt. 1. The Seven Stages - Variation 9 (Piu mosso - Tempo di valse)
DR11      -4.83 dB   -19.79 dB      0:29 14-Symphony No. 2, 'The Age of Anxiety'- Pt. 1. The Seven Stages - Variation 10 (Piu mosso)
DR12      -1.54 dB   -18.22 dB      0:51 15-Symphony No. 2, 'The Age of Anxiety'- Pt. 1. The Seven Stages - Variation 11 (L' istesso tempo)
DR13     -10.42 dB   -28.07 dB      0:14 16-Symphony No. 2, 'The Age of Anxiety'- Pt. 1. The Seven Stages - Variation 12 (Poco piu vivace)
DR9       -0.14 dB   -12.88 dB      0:39 17-Symphony No. 2, 'The Age of Anxiety'- Part 1. The Seven Stages - Variation 13 (L' istesso tempo)
DR9       -0.14 dB   -14.07 dB      0:35 18-Symphony No. 2, 'The Age of Anxiety'- Part 1. The Seven Stages - Variation 14 (L'istesso tempo)
DR13      -0.14 dB   -18.67 dB      7:18 19-Symphony No. 2, 'The Age of Anxiety'- Pt 2. The Dirge (Largo)
DR13      -1.10 dB   -21.01 dB      4:50 20-Symphony No. 2, 'The Age of Anxiety'- Pt. 2. The Masque (Extremely fast)
DR12      -0.14 dB   -17.85 dB      8:39 21-Symphony No. 2, 'The Age of Anxiety'- Pt. 2. The Epilogue (L'istesso tempo)
DR14      -3.44 dB   -26.67 dB      3:02 22-Symphony No. 3 'Kaddish'- Ia. Invocation (Adagio)
DR10      -0.83 dB   -15.82 dB      5:29 23-Symphony No. 3 'Kaddish'- Ib. Kaddish 1 (L' istesso tempo - Allegro molto)
DR12      -0.83 dB   -17.80 dB      6:51 24-Symphony No. 3 'Kaddish'- IIa. Din - Torah - Di nuovo adagio
DR16      -0.83 dB   -22.05 dB      5:04 26-Symphony No. 3 'Kaddish'- IIIa. Scherzo - Presto scherzando, sempre pianissimo
DR11      -0.83 dB   -17.46 dB      2:55 27-Symphony No. 3 'Kaddish'- IIIb. Kaddish 3
DR16      -0.89 dB   -23.61 dB      5:32 28-Symphony No. 3 'Kaddish'- IIIc. Finale - Adagio come nel Din-Torah
DR13      -0.14 dB   -19.43 dB     11:05 03-Symphony No. 1 'Jeremiah'- III. Lamentation (Lento)
DR15      -0.83 dB   -21.36 dB      7:31 25-Symphony No. 3 'Kaddish'- IIb. Kaddish 2 - Andante con tenerezza
DR10      -0.83 dB   -15.35 dB      4:31 29-Symphony No. 3 'Kaddish'- Fuga - Allegro vivo con gioia
DR12      -0.14 dB   -18.20 dB      7:14 01-Symphony No. 1 'Jeremiah'- I. Prophecy (Largamente)
DR11      -0.14 dB   -15.40 dB      7:15 02-Symphony No. 1 'Jeremiah'- II. Profanation (Vivace con brio)
--------------------------------------------------------------------------------
Number of tracks:  32
Official DR value: DR12
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2770 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
Marking Leonard Bernstein’s centenary, Sir Antonio Pappano conducts the American composer’s three symphonies and Prelude, Fugue and Riffs. The Orchestra dell’Accademia Nazionale di Santa Cecilia had a long association with Bernstein, who first conducted the orchestra in 1948. “I find these symphonies revelatory in the true sense of the word,” says Pappano. “They are hugely emotive and personal … At heart, Lenny was filled with the desire for the brotherhood of man to be something real and concrete … As a great Renaissance man, he was trying to make the world good.”
                                                                                       
                       
                       
                       
                       
                       
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