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[古典] [TR24] [OF] Saint-Saens - 钢琴协奏曲2和5​​,Solo Piano Works - Bertrand Chamayou,Orchester National De France,Emmanuel Krivine - 2018(古典,钢琴,协奏曲)

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发表于 2020-12-8 15:06:10 | 显示全部楼层 |阅读模式
Saint-Saëns - Piano Concertos 2 & 5 | Solo Piano Works
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2018
Жанр: Classical, Piano, Concertos
Издатель (лейбл): Erato
Продолжительность: 01:17:44
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestoclassical.co.uk
Треклист:
Piano Concerto No. 2 in G Minor, Op. 22
1. I. Andante sostenuto
2. II. Allegro scherzando
3. III. Presto
Piano Concerto No. 5 in F Major, Op. 103, "Egyptian"
4. I. Allegro animato
5. II. Andante
6. III. Molto allegro
6 Etudes, Op. 111
7. IV. Les Cloches de Las Palmas
6 Etudes, Op. 52
8. VI. En forme de valse
9. Mazurka No. 3 in B Minor, Op. 66
6 Etudes, Op. 111
10. I. Tierces majeures et mineures
11. Allegro appassionato, Op. 70
6 Etudes, Op. 52
12. II. Pour l'indépendance des doigts
13. Valse nonchalante in D-Flat Major, Op. 110

Исполнители:
Bertrand Chamayou piano
Orchestre National de France
Emmanuel Krivine

Лог проверки качества

foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-09-10 21:16:57
--------------------------------------------------------------------------------
Analyzed: Bertrand Chamayou / Saint-Saëns: Piano Concertos Nos 2, 5 & Piano Works
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR12      -1.83 dB   -17.99 dB     10:15 01-Piano Concerto No. 2 in G Minor, Op. 22 - I. Andante sostenuto
DR14      -1.83 dB   -20.38 dB      5:35 02-Piano Concerto No. 2 in G Minor, Op. 22 - II. Allegro scherzando
DR10      -1.82 dB   -15.65 dB      6:37 03-Piano Concerto No. 2 in G Minor, Op. 22 - III. Presto
DR13      -1.83 dB   -18.32 dB     10:14 04-Piano Concerto No. 5 in F Major, Op. 103, 'Egyptian' - I. Allegro animato
DR14      -1.83 dB   -20.58 dB     10:30 05-Piano Concerto No. 5 in F Major, Op. 103, 'Egyptian' - II. Andante
DR10      -1.82 dB   -15.36 dB      5:56 06-Piano Concerto No. 5 in F Major, Op. 103, 'Egyptian' - III. Molto allegro
DR12      -6.75 dB   -23.64 dB      4:03 07-6 Etudes, Op. 111 - IV. Les Cloches de Las Palmas
DR12      -1.83 dB   -17.58 dB      4:51 08-6 Etudes, Op. 52 - VI. En forme de valse
DR13      -1.83 dB   -20.87 dB      4:40 09-Mazurka No. 3 in B Minor, Op. 66
DR13      -4.56 dB   -22.27 dB      2:29 10-6 Etudes, Op. 111 - I. Tierces majeures et mineures
DR15      -1.83 dB   -21.60 dB      5:50 11-Allegro appassionato, Op. 70
DR14      -7.09 dB   -25.36 dB      2:49 12-6 Etudes, Op. 52 - II. Pour l'independance des doigts
DR14      -2.11 dB   -22.84 dB      4:02 13-Valse nonchalante in D-Flat Major, Op. 110
--------------------------------------------------------------------------------
Number of tracks:  13
Official DR value: DR13
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1956 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
Following his award-winning survey of Ravel’s complete solo piano works, Bertrand Chamayou takes on some of the most brilliant yet fiendishly virtuosic music in the French Romantic repertoire on his new Saint-Saëns album, drawing together the two most famous of the composer-pianist’s five piano concertos – the epic No.2 and the irresistibly exotic No.5 ‘The Egyptian’ – alongside a bouquet of lesser-known solo pieces and études that will delight pianophiles. These include the effervescent yet notoriously difficult Étude en forme de Valse with its breathtaking bravura finale, and the entrancing Les Cloches de Las Palmas inspired by the bells Saint-Saëns heard ringing out in the Canary Islands. ‘I’m always charmed by Saint-Saëns,’ says Chamayou. ‘There’s an attraction to the exotic, the bizarre, sensual fantasy, that’s very curious for a composer that we think of as so academic. And there’s a real sense of voyage in the music of Saint-Saëns that I find fascinating.’ He is joined by the Orchestre National de France and its formidable conductor Emmanuel Krivine for an album that promises fireworks, champagne and just a few puffs of opium.
                                                                                       
                       
                       
                       
                       
                       
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