Mauro Valli - Bach in Bologna
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Classical, Chamber
Издатель (лейбл): Arcana
Продолжительность: 03:15:14
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): qobuz.com
Треклист:
Domenico Gabrielli (1659 - 1690)
01. Ricercar No. 1 in G Minor
02. Ricercar No. 6 in G Major
Johann Sebastian Bach (1685 - 1750)
Cello Suite No. 1, BWV 1007
03. I. Prélude
04. II. Allemande
05. III. Courante
06. IV. Sarabande
07. V. Menuet I - II
08. VI. Gigue
Domenico Gabrielli
09. Ricercar No. 3 in D Major
Johann Sebastian Bach
Cello Suite No. 6, BWV 1012
10. I. Prélude
11. II. Allemande
12. III. Courante
13. IV. Sarabande
14. V. Gavotte I - II
15. VI. Gigue
Domenico Gabrielli
16. Canon a due violoncelli in D Major
17. Ricercar No. 7 in D Minor
Johann Sebastian Bach
Cello Suite No. 2, BWV 1008
18. I. Prélude
19. II. Allemande
20. III. Courante
21. IV. Sarabande
22. V. Menuet I - II
23. VI. Gigue
Domenico Gabrielli
24. Ricercar No. 4 in E-Flat Major
Johann Sebastian Bach
Cello Suite No. 4, BWV 1010
25. I. Prélude
26. II. Allemande
27. III. Courante
28. IV. Sarabande
29. V. Bourrée I - II
30. VI. Gigue
Domenico Gabrielli
31. Ricercar No. 5 in C Major
Johann Sebastian Bach
Cello Suite No. 3, BWV 1009
32. I. Prélude
33. II. Allemande
34. III. Courante
35. IV. Sarabande
36. V. Gavotte I - II
37. VI. Gigue
Domenico Gabrielli
38. Ricercar No. 2 in A Minor
Johann Sebastian Bach
Cello Suite No. 5, BWV 1011
39. I. Prélude
40. II. Allemande
41. III. Courante
42. IV. Sarabande
43. V. Gavotte I - II
44. VI. Gigue
Исполнители:
Mauro Valli, cello
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-02-14 21:00:52
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Analyzed: Mauro Valli / Bach in Bologna
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DR Peak RMS Duration Track
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DR11 -0.76 dB -17.64 dB 4:10 01-Ricercar No. 1 in G Minor
DR12 -0.10 dB -16.30 dB 6:30 02-Ricercar No. 6 in G Major
DR11 -0.10 dB -15.16 dB 3:15 03-Cello Suite No. 1, BWV 1007 - I. Prelude
DR12 -0.10 dB -16.38 dB 4:57 04-Cello Suite No. 1, BWV 1007 - II. Allemande
DR13 -0.10 dB -16.19 dB 2:57 05-Cello Suite No. 1, BWV 1007 - III. Courante
DR14 -2.84 dB -21.41 dB 4:14 06-Cello Suite No. 1, BWV 1007 - IV. Sarabande
DR13 -0.10 dB -16.51 dB 3:24 07-Cello Suite No. 1, BWV 1007 - V. Menuet I - II
DR12 -0.10 dB -16.07 dB 2:01 08-Cello Suite No. 1, BWV 1007 - VI. Gigue
DR12 -0.28 dB -15.27 dB 4:16 09-Ricercar No. 3 in D Major
DR10 -0.10 dB -12.90 dB 5:06 10-Cello Suite No. 6, BWV 1012 - I. Prelude
DR11 -3.42 dB -18.57 dB 9:12 11-Cello Suite No. 6, BWV 1012 - II. Allemande
DR11 -0.10 dB -14.25 dB 4:05 12-Cello Suite No. 6, BWV 1012 - III. Courante
DR13 -0.10 dB -16.46 dB 5:19 13-Cello Suite No. 6, BWV 1012 - IV. Sarabande
DR11 -0.10 dB -14.92 dB 5:07 14-Cello Suite No. 6, BWV 1012 - V. Gavotte I - II
DR11 -0.10 dB -14.47 dB 4:31 15-Cello Suite No. 6, BWV 1012 - VI. Gigue
DR12 -0.10 dB -13.69 dB 2:17 16-Canon a due violoncelli in D Major
DR13 -0.21 dB -17.07 dB 7:07 17-Ricercar No. 7 in D Minor
DR11 -0.16 dB -15.92 dB 3:36 18-Cello Suite No. 2, BWV 1008 - I. Prelude
DR12 -0.11 dB -15.77 dB 3:24 19-Cello Suite No. 2, BWV 1008 - II. Allemande
DR12 -0.20 dB -15.28 dB 2:13 20-Cello Suite No. 2, BWV 1008 - III. Courante
DR13 -0.19 dB -17.85 dB 4:34 21-Cello Suite No. 2, BWV 1008 - IV. Sarabande
DR13 -0.55 dB -17.02 dB 3:22 22-Cello Suite No. 2, BWV 1008 - V. Menuet I - II
DR12 -0.27 dB -15.21 dB 2:40 23-Cello Suite No. 2, BWV 1008 - VI. Gigue
DR13 -0.11 dB -16.01 dB 6:12 24-Ricercar No. 4 in E-Flat Major
DR11 -0.10 dB -14.61 dB 3:53 25-Cello Suite No. 4, BWV 1010 - I. Prelude
DR13 -0.10 dB -15.80 dB 4:06 26-Cello Suite No. 4, BWV 1010 - II. Allemande
DR11 -0.80 dB -14.93 dB 4:11 27-Cello Suite No. 4, BWV 1010 - III. Courante
DR11 -3.30 dB -18.35 dB 5:28 28-Cello Suite No. 4, BWV 1010 - IV. Sarabande
DR12 -0.10 dB -15.53 dB 5:29 29-Cello Suite No. 4, BWV 1010 - V. Bourree I - II
DR12 -0.34 dB -15.53 dB 3:21 30-Cello Suite No. 4, BWV 1010 - VI. Gigue
DR10 -1.37 dB -14.70 dB 2:20 31-Ricercar No. 5 in C Major
DR9 -0.10 dB -12.06 dB 3:57 32-Cello Suite No. 3, BWV 1009 - I. Prelude
DR12 -0.10 dB -14.17 dB 3:39 33-Cello Suite No. 3, BWV 1009 - II. Allemande
DR12 -0.10 dB -14.03 dB 3:42 34-Cello Suite No. 3, BWV 1009 - III. Courante
DR11 -2.21 dB -17.26 dB 5:38 35-Cello Suite No. 3, BWV 1009 - IV. Sarabande
DR12 -0.10 dB -14.19 dB 3:44 36-Cello Suite No. 3, BWV 1009 - V. Gavotte I - II
DR10 -0.10 dB -13.27 dB 3:28 37-Cello Suite No. 3, BWV 1009 - VI. Gigue
DR11 -0.10 dB -14.01 dB 11:01 38-Ricercar No. 2 in A Minor
DR12 -0.37 dB -16.48 dB 6:34 39-Cello Suite No. 5, BWV 1011 - I. Prelude
DR12 -3.38 dB -18.14 dB 5:45 40-Cello Suite No. 5, BWV 1011 - II. Allemande
DR12 -1.07 dB -15.91 dB 2:20 41-Cello Suite No. 5, BWV 1011 - III. Courante
DR10 -7.23 dB -20.73 dB 4:05 42-Cello Suite No. 5, BWV 1011 - IV. Sarabande
DR12 -1.01 dB -16.54 dB 5:10 43-Cello Suite No. 5, BWV 1011 - V. Gavotte I - II
DR12 -3.16 dB -18.17 dB 2:54 44-Cello Suite No. 5, BWV 1011 - VI. Gigue
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Number of tracks: 44
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2732 kbps
Codec: FLAC
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Об альбоме (сборнике)
Bach and Gabrielli: the focus of this recording is an unusual musical match involving the famous 6 Suites for violoncello solo by Johann Sebastian Bach and the little-known 7 Ricercari for violoncello solo (1689) by Domenico Gabrielli of Bologna, the first example of a work for unaccompanied cello in history, and thus the only precedent and possible model for the Bach masterpiece. In what ways are the two series of compositions linked? Cellist Mauro Valli is convinced that there is a connection between the two for a number of reasons, including the preponderant correspondence of the keys. Bach assiduously performed and transcribed works by Italian composers, not only those of his contemporaries but also of earlier musicians, so it is highly likely that he was familiar with Gabrielli’s works, in particular with the Ricercari. Mauro Valli provides an intriguingly new interpretation of Bach’s six masterpieces by heralding each one with the corresponding Ricercare. The outcome is strikingly fresh and original, with a wealth of courageously personal diminutions and embellishments that derive from Valli’s deep knowledge of the Italian baroque repertoire. Bach was fascinated by composers such as Frescobaldi, Albinoni and Vivaldi, and it certainly makes good sense to perform his Suites in the Italian style!