Sturm und Drang, Vol. 2: Haydn, Gluck, Vanhal
Ida Ränzlöv (mezzo), Ian Page, The Mozartists
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2020
Жанр: Classical
Издатель (лейбл): Signum
Продолжительность: 01:11:38
Наличие сканов в содержимом раздачи: Буклет PDFТреклист:
Haydn: Symphony No. 39 in G Minor, Hob 1 19:38
The Mozartists
Ian Page
1. 39: I. Allegro assai 5:50
2. 39: II. Andante 5:37
3. 39: III. Menuet e Trio 3:26
4. 39: IV. Finale: Allegro di molto 4:45
Excerpt, Gluck: Paride ed Elena 8:22
Ida Evelina Ränzlöv, The Mozartists
Ian Page
5. O del mio dolce ardor 3:10
6. Tutto qui mi sorprende 1:10
7. Le belle immagini 4:02
Vanhal: Symphony in D Minor, Bryan D1 21:46
The Mozartists
Ian Page
8. I. Allegro 5:33
9. II. Andante arioso 6:25
10. III. Menuetto e Trio 3:53
11. IV. Presto 5:55
12. Haydn: Stabat Mater: Fac me vere tecum flere 5:22
Ida Evelina Ränzlöv, The Mozartists
Ian Page
13. Myslivecek: Semiramide: Tu mi disprezzi ingrato 2:50
Ida Evelina Ränzlöv, The Mozartists
Ian Page
Bach, J C: Symphony in G Minor, Op. 6 No. 6 13:32
The Mozartists
Ian Page
14. I. Allegro 3:16
15. II. Andante più tosto Adagio 7:48
16. III. Allegro molto 2:28Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0Источник (релизер): WEB https://www.prestomusic.com/classical/products/8798745--sturm-und-drang-vol-2-haydn-gluck-vanhal
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2020-10-08 12:27:14
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Анализ: Ian Page, The Mozartists & Ida Ränslöv / Sturm und Drang, Vol. 2: Haydn, Gluck, Vanhal, Mysliveček, Jc Bach (1-5)
The Mozartists & Ian Page / Sturm und Drang, Vol. 2: Haydn, Gluck, Vanhal, Mysliveček, Jc Bach (6-16)
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DR Пики RMS Продолжительность трека
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DR12 -1.46 дБ -19.41 дБ 3:10 05-Paride ed Elena: "o del mio dolce ardor"
DR12 -3.11 дБ -19.92 дБ 1:11 06-Paride ed Elena: "tutto qui mi sorprende"
DR12 -0.50 дБ -17.81 дБ 4:03 07-Paride ed Elena: "le belle immagini"
DR13 -3.34 дБ -22.12 дБ 5:23 12-Stabat Mater: "fac me vere tecum flere"
DR12 -0.62 дБ -15.81 дБ 2:50 13-Semiramide: "tu mi disprezzi ingrato"
DR12 -1.30 дБ -16.79 дБ 5:50 01-Symphony No. 39 in G Minor, Hob 1:39: I. Allegro assai
DR16 -2.46 дБ -23.80 дБ 5:38 02-Symphony No. 39 in G Minor, Hob 1:39: Ii. Andante
DR11 -2.62 дБ -18.10 дБ 3:27 03-Symphony No. 39 in G Minor, Hob 1:39: Iii. Menuet e Trio
DR11 -0.91 дБ -15.58 дБ 4:45 04-Symphony No. 39 in G Minor, Hob 1:39: Iv. Finale. Allegro di molto
DR12 -1.29 дБ -16.65 дБ 5:33 08-Symphony in D Minor, Bryan D1: I. Allegro
DR12 -4.46 дБ -20.95 дБ 6:25 09-Symphony in D Minor, Bryan D1: Ii. Andante arioso
DR13 -1.93 дБ -18.40 дБ 3:54 10-Symphony in D Minor, Bryan D1: Iii. Menuetto e Trio
DR12 -1.03 дБ -16.43 дБ 5:56 11-Symphony in D Minor, Bryan D1: Iv. Presto
DR13 -1.91 дБ -19.57 дБ 3:16 14-Symphony in G Minor, Op. 6, No. 6: I. Allegro
DR15 -4.78 дБ -24.43 дБ 7:49 15-Symphony in G Minor, Op. 6, No. 6: Ii. Andante più tosto Adagio
DR12 -2.39 дБ -17.88 дБ 2:28 16-Symphony in G Minor, Op. 6, No. 6: Iii. Allegro molto
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Количество треков: 16
Реальные значения DR: DR13
Частота: 96000 Гц
Каналов: 2
Разрядность: 24
Битрейт: 2963 кбит/с
Кодек: FLAC
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Об альбоме (сборнике)
This recording is the second in a projected seven-volume series exploring the so-called ‘Sturm und Drang’ movement that swept through music and other art forms between the early 1760s and the early 1780s. In its strictest sense this was an exclusively literary movement which developed in Germany during the 1770s, and which owes its name to the title of a play written in 1776 by Maximilian Klinger. Its general objectives were to frighten and perturb through the use of a wildly subjective and emotional means of expression, and, taking as its model the recently revived and revered plays of Shakespeare, the movement sought to evoke ground-breaking extremes of passion and sentimentality. A leading figure was the young Goethe, whose Sorrows of the Young Werther (1774) anticipated the sombre world-weariness of the next century’s young Romantics, and the movement is generally considered to have reached its peak with Schiller’s play Die Räuber (1780-81).
Not surprisingly, the ‘Sturm und Drang’ movement was mirrored in other art forms; the evocation of fear and terror was reflected in the fashion for storms and shipwrecks in paintings of the period by such artists as Joseph Vernet and Philip James de Loutherbourg, while in music there suddenly, and often quite independently, emerged a profusion of intensely dramatic and turbulent minor-key works. It is interesting to observe, though, that the most concentrated period of musical ‘Sturm und Drang’ actually predated the literary movement, suggesting less a conscious and deliberate ‘movement’ than a latent emotional mood. Indeed, it was perhaps inevitable and natural that there should at some point be a reaction to the superficial charm and gentility of the rococo style of the mid-eighteenth century.
This series of ‘Sturm und Drang’ recordings incorporates iconic compositions by Mozart, Gluck and, above all, Joseph Haydn, but it also includes largely forgotten or neglected works by less familiar names. All of the music featured on this second recording in the series was composed between 1765 and 1770, with three turbulent minor-key symphonies alternating with sacred and operatic arias.
Vol.1 здесь
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发表于 2020-12-8 15:06:21
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