Joseph Haydn: An Imaginary Orchestral Journey
London Symphony Orchestra, Simon Rattle
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2018
Жанр: Classical/Orchestral
Издатель (лейбл): LSO Live
Продолжительность: 00:51:18
Наличие сканов в содержимом раздачи: Буклет PDFТреклист:
Joseph Haydn (1732-1809)
An Imaginary Orchestral Journey (compiled by Sir Simon Rattle)
01. I. Introduction: Representation of Chaos: Largo 5’59’’
from The Creation, Hob.XXI:2
02. II. The Earthquake: Presto e con tutta la forza 1’35’’
from The Seven Last Words of our Saviour on the Cross , Hob.XX:1
03. IIIa. Sinfonia: Largo – Vivace assai 4’00’’
from L’isola disabitata, Hob.Ia:13
04. IIIb. Sinfonia: Allegretto – Vivace 2’22’’
from L’isola disabitata, Hob.Ia:13
05. IV. Largo 6’07’’
from Symphony No. 64 in A major, Hob.I:64
06. V. Minuet & Trio 4’11’’
from Symphony No. 6 in D major, Hob.I:6
07. VI. Finale: Presto 4’10’’
from Symphony No. 46 in B major, Hob.I:46
08. VII. Finale: Prestissimo 1’29’’
from Symphony No. 60 in C major, Hob.I:60
09. VIII. Introduction to Winter (Original Version) 4’10’’
from The Seasons, Hob.XXI:3
10. IXa. Finale: Presto 2’58’’
from Symphony No. 45 in F-sharp minor, Hob.I:45
11. IXb. Finale: Adagio 4’09’’
from Symphony No. 45 in F-sharp minor, Hob.I:45
12. X. Music for Musical Clocks 2’24’’
from Flötenuhrstücke, Hob.XIX:1-32
13. XI. Finale: Allegro assai 7’53’’
from Symphony No. 90 in C major, Hob.I:90Musicians:
London Symphony Orchestra
Sir Simon Rattle conductorКонтейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Recorded:
Live in DSD 128fs, 11 & 12 July 2017 at the Barbican, London.
LSO Live 0808 (2018)
DSF 2ch DSD64/2.82MHz (2.04GB)
Источник (релизер): wardrobemalfunction (PS³SACD) https://lsolive.nativedsd.com/albums/LSO0808-haydn-an-imaginary-orchestral-journey
DR
========================================================================================================
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-08-13 22:55:01
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Analyzed: London Symphony Orchestra, Sir Simon Rattle / Haydn: An Imaginary Orchestral Journey
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DR Peak RMS Duration Track
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DR16 -5.42 dB -27.37 dB 5:59 01-I. Introduction. Representation of Chaos. Largo (From The Creation, Hob.XXI.2)
DR14 -6.22 dB -23.65 dB 1:35 02-II. The Earthquake. Presto e con tutta la forza (From The Seven Lost Worlds of our Saviour on the Cross, Hob.XX:1)
DR14 -9.84 dB -27.28 dB 4:00 03-IIIa. Sinfonia. Largo - Vivace assai (From L'isola disabitata, Hob.Ia.13)
DR13 -10.12 dB -28.61 dB 2:22 04-IIIb. Sinfonia. Allegretto - Vivace (From L'isola disabitata, Hob.Ia.13)
DR15 -10.32 dB -30.20 dB 6:07 05-IV. Largo (From Symphony No. 64 in A Major, Hob.I.64)
DR13 -11.75 dB -28.87 dB 4:11 06-V. Minuet & Trio (From Symphony No. 6 in D Major, Hob.I.6)
DR14 -8.85 dB -27.95 dB 4:10 07-VI. Finale. Presto (From Symphony No. 46 in B Major, Hob.I.46)
DR14 -5.80 dB -25.42 dB 1:29 08-VII. Finale. Prestissimo (From Symphony No. 60 in C Major, Hob.I.60)
DR14 -11.21 dB -29.57 dB 4:10 09-VIII. Introduction to Winter (Original version) (From The Seasons, Hob.XXI.3)
DR14 -9.02 dB -26.67 dB 2:58 10-IXa. Finale. Presto (From Symphony No. 45 in F-Sharp Minor, Hob.I.45)
DR14 -13.04 dB -30.43 dB 4:08 11-IXb. Finale. Adagio (From Symphony No. 45 in F-Sharp Minor, Hob.I.45)
DR12 -18.67 dB -31.14 dB 2:24 12-X. Music for Musical Clocks (From Flötenuhrstücke, Hob.XIX.1-32)
DR15 -3.86 dB -25.39 dB 7:53 13-XI. Finale. Allegro assai (From Symphony No. 90 in C Major, Hob.I.90)
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Number of tracks: 13
Official DR value: DR14
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
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Об альбоме (сборнике)
Most general histories of music emphasise Joseph Haydn’s achievements as a composer of instrumental works, a pioneer of the string quartet genre, & the so-called ‘father of the symphony’. In short, he was 1 of the most versatile & influential composers of his age.
An Imaginary Orchestral Journey is a sequence that was devised by Sir Simon Rattle for a concert with the Berlin Philharmonic Orchestra. Two of the excerpts are from the large-scale oratorios in German with which Haydn crowned his long career during his last years in Vienna. Two more come from a unique sacred orchestral work & an unusual opera. The rest are from symphonies, mostly written for the tiny court orchestra of the Esterházy family at the family’s palace in Eisenstadt & its summer palace of Eszterháza on the remote Hungarian marshes – where, as Haydn famously said, ‘there was no one near to confuse me, so I was forced to become original’.
Some of these works are certainly “original”, from the end of the ‘Farewell Symphony’ – where the players leave the stage 1 by 1 during an extended coda (a hint by Haydn to his employer that his musicians were still working when they should have left already for their holiday break) – to his finale from Symphony #90, where he writes into the music a cunning trap for an audience eager to applaud. Of all of Haydn’s output, though, the most unusual example included here is the Music for Musical Clocks – excerpts from his works for mechanical organ, in which clockwork turns a barrel studded with pins that operate miniature organ pipes. Haydn wrote or arranged a number of pieces for instruments of this type that were constructed by his orchestral librarian, Father Primitivus Niemecz.
Sir Simon Rattle & the LSO revel in this eclectic musical collection by Haydn the musician, composer, innovator, & pioneer.