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[古典] [Tr24] [Helene Grimaud - Messenger(Mozart,Silvestrov / Silvestrov) - 2020(古典)

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发表于 2020-12-8 15:06:30 | 显示全部楼层 |阅读模式
Hélène Grimaud - The Messenger
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2020
Жанр: Classical
Издатель (лейбл): Deutsche Grammophon
Продолжительность: 01:18:46
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.com
Треклист:
Wolfgang Amadeus Mozart
1. Fantasia No. 3 in D Minor, K. 397 (5:47)
Piano Concerto No. 20 in D Minor, K. 466
2. I. Allegro (Cadenza Beethoven) (13:53)
3. II. Romance (9:01)
4. III. Rondo. Allegro assai (Cadenza Beethoven) (7:33)
5. Fantasia No. 4 in C Minor, K. 475 (11:37)
Valentin Silvestrov
6. The Messenger (For Piano and Strings) (10:27)
Two Dialogues with Postscript
7. I. Wedding Waltz (4:59)
8. II. Postlude (3:02)
9. III. Morning Serenade (2:50)
10. The Messenger (For Piano Solo) (9:37)

Исполнители:
Helene Grimaud, piano
Camerata Salzburg
Giovanni Guzzo, concertmaster

Лог проверки качества

foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2020-10-03 12:34:43
--------------------------------------------------------------------------------
Analyzed: Hélène Grimaud/Camerata Salzburg/Ludwig van Beethoven/Stephan Flock/Sid McLauchlan/Stephan Flock / The Messenger (1-2)
          Hélène Grimaud/Camerata Salzburg/Stephan Flock/Sid McLauchlan/Stephan Flock / The Messenger (3-7)
          Hélène Grimaud/Stephan Flock/Sid McLauchlan/Stephan Flock / The Messenger (8-10)
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR11      -0.52 dB   -15.74 dB     13:53 02-Piano Concerto No. 20 in D Minor, K. 466: I. Allegro (Cadenza Beethoven)
DR10      -0.52 dB   -14.54 dB      7:33 04-Piano Concerto No. 20 in D Minor, K. 466: III. Rondo. Allegro assai (Cadenza Beethoven)
DR11      -0.52 dB   -16.84 dB      9:01 03-Piano Concerto No. 20 in D Minor, K. 466: II. Romance
DR16      -2.36 dB   -25.74 dB     10:27 06-The Messenger (For Piano and Strings)
DR12      -5.67 dB   -21.70 dB      4:59 07-Two Dialogues with Postscript: I. Wedding Waltz
DR13      -7.37 dB   -26.87 dB      3:02 08-Two Dialogues with Postscript: II. Postlude
DR12      -9.61 dB   -26.30 dB      2:50 09-Two Dialogues with Postscript: III. Morning Serenade
DR14      -0.52 dB   -19.76 dB      5:47 01-Fantasia No. 3 in D Minor, K. 397
DR12      -0.52 dB   -18.49 dB     11:37 05-Fantasia No. 4 in C Minor, K. 475
DR15      -7.31 dB   -28.87 dB      9:37 10-The Messenger (For Piano Solo)
--------------------------------------------------------------------------------
Number of tracks:  10
Official DR value: DR13
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2769 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
For her latest studio album, Hélène travels to Salzburg where she creates a fascinating juxtaposition between the eternal W A Mozart and the Ukrainian composer Valentin Silvestrov (b 1937) Hélène has long had a passion for Silvestrov’s music, which some call post modernist or even neoclassical .."Like Arvo Pärt Silvestrov’s music is harmonic, which far from being a weakness, is an enlightenment in its own right and very powerful in its simplicity", says Hélène The composer’s own words hint at why this is for her so intriguing I do not write new music My music is a response to and an echo of what already exists"
In selecting the music for this album, Hélène has carefully chosen music by Mozart that fits into an overall dramaturgy from Mozart's famous unfinished D minor Fantasy, Helene transitions seamlessly into the great D minor concerto K 466 one of the most popular amongst Mozart's 27 concertos (and one of only two in a minor key) The C minor Fantasy here signals "the end of Mozart" and a new beginning The Messenger starts with a theme reminiscent of Mozart, and like a messenger, creates a connection between the present and the world that existed before Melancholy and hope, sadness and exuberance can be felt emanating from both Mozart's and Silvestrov's works The Messenger, one of Silvestrov’s most performed works, is dedicated to his wife Larissa Bondarenko who had recently passed away The Two Dialogues with Postscript that serve here as an epilogue, leave the outcome open, leading the way to Schubert, Wagner and beyond
                                                                                       
                       
                       
                       
                       
                       
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