Schumann | Reimann | Mendelssohn - Intermezzo
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2018
Жанр: Classical, Vocal
Издатель (лейбл): Berlin Classics
Продолжительность: 01:04:13
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.comТреклист
Robert Schumann (1810-1856)
String Quartet in A Minor, Op. 41 No. 1
01. I. Introduzione. Andante espressivo-Allegro
02. II. Scherzo. Presto
03. III. Adagio
04. IV. Presto
Aribert Reimann (1936- )
05. Adagio zum Gedenken an Robert Schumann
Robert Schumann
6 songs, Op. 107
06. I. Herzeleid
07. II. Die Fensterscheibe
08. III. Der Gärtner
09. IV. Die Spinnerin
10. V. Im Wald
11. VI. Abendlied
Felix Mendelssohn Bartholdy (1809-1847)
String Quartet in E-Flat Major, Op. 12
12. I. Adagion non troppo-Allegro
13. II. Canzonetta. Allegro-più mosso
14. III. Andante espressivo
15. IV. Molto allegro e vivaceSchumann Quartett
Anna Lucia Richter, soprano
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-11-27 21:52:16
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Analyzed: Schumann Quartett, Anna Lucia Richter / Intermezzo
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DR Peak RMS Duration Track
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DR17 -0.86 dB -22.57 dB 8:50 01-String Quartet in A Minor, Op. 41 No. 1: I. Introduzione. Andante espressivo-Allegro
DR15 -0.95 dB -21.68 dB 3:47 02-String Quartet in A Minor, Op. 41 No. 1: II. Scherzo. Presto
DR17 -1.44 dB -24.95 dB 5:38 03-String Quartet in A Minor, Op. 41 No. 1: III. Adagio
DR14 -0.47 dB -18.88 dB 5:52 04-String Quartet in A Minor, Op. 41 No. 1: IV. Presto
DR15 -0.53 dB -21.06 dB 7:37 05-Adagio zum Gedenken an Robert Schumann
DR12 -4.07 dB -23.49 dB 1:37 06-6 songs, Op. 107: I. Herzeleid
DR13 -1.63 dB -20.76 dB 1:53 07-6 songs, Op. 107: II. Die Fensterscheibe
DR12 -1.87 dB -18.89 dB 1:25 08-6 songs, Op. 107: III. Der Gärtner
DR12 -2.78 dB -19.92 dB 1:16 09-6 songs, Op. 107: IV. Die Spinnerin
DR14 -4.86 dB -22.86 dB 1:59 10-6 songs, Op. 107: V. Im Wald
DR13 -4.08 dB -22.51 dB 2:40 11-6 songs, Op. 107: VI. Abendlied
DR13 -1.87 dB -21.63 dB 6:51 12-String Quartet in E-Flat Major, Op. 12: I. Adagion non troppo-Allegro
DR14 -8.30 dB -29.43 dB 3:34 13-String Quartet in E-Flat Major, Op. 12: II. Canzonetta. Allegro-più mosso
DR14 -2.95 dB -23.29 dB 3:57 14-String Quartet in E-Flat Major, Op. 12: III. Andante espressivo
DR14 -1.36 dB -20.58 dB 7:28 15-String Quartet in E-Flat Major, Op. 12: IV. Molto allegro e vivace
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Number of tracks: 15
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2635 kbps
Codec: FLAC
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Об альбоме (сборнике)
Their point of departure and focus is his String Quartet no. 1 in A minor. Robert Schumann always had difficulty with this particular genre, and in 1842 he brought his "attempts at writing quartets" to an end in a headlong burst of creativity that produced his opus 41, comprising three quartets. The Schumann Quartet musicians concentrate unconditionally on the vocal part-writing, and rather than merely overcoming the technical challenges choose to simply ignore them. The music of Felix Mendelssohn is suffused with what Schumann envied as "ease" or "facility".
The String Quartet no. 1 in E flat major was written in the late summer of 1829, when the younger composer was not yet 20. The correlations, corresponding references and tributes are all in evidence – Mendelssohn's string quartet is the perfect match for Schumann's equivalent work. There is a kind of cross-fertilization between the attention to detail and fresh approach taken by the Schumann Quartet and the modernity of the almost youthful Mendelssohn; the result is encapsulated in the unrestrained joy of music-making in the fourth movement. Schumann and Mendelssohn provide the framework into which Aribert Reimann then sets "his" Schumann. Reimann is one of today's most successful composers and is linked to the composer of the Romantic era born in Zwickau, Saxony, by more than music. He is in fact a direct descendant of the physician who treated Schumann at the psychiatric hospital in Endenich and has therefore had access to the patient file detailing the precarious balance of Schumann’s emotional state. His attitude to Schumann is therefore a reflection of those impressions. The Adagio zum Gedenken an Robert Schumann (adagio to the memory of Robert Schumann) based on two unfinished chorales without words was composed as a result of intensive and personal cooperation between the quartet and Reimann.
In Reimann's arrangement of the 6 Gesänge op. 109, the ensemble succeeds, in harmony with the soprano Anna Lucia Richter, in fulfilling Schumann’s wish for an "additional, fully-formed accompanying instrument". Reimann's skill in handling the original brings out the fine features and nuances of the lyrics. The quartet and singer complement each other so effortlessly that the unusual combination sounds like a quintet that has been working together for many years.
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发表于 2020-12-8 15:06:32
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