Duel. Porpora and Handel in London
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Classical, Vocal
Издатель (лейбл): Arcana
Продолжительность: 01:05:43
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/88.2
Формат: PCM
Количество каналов: 2.0
Источник (релизер): qobuz.com
Треклист:
Georg Friedrich Händel (1685 - 1759)
Alcina, HWV 34
01. Sta nell'ircana pietrosa tana
Nicola Antonio Porpora (1686 - 1768)
Arianna in Naxo
02. Nume che reggi 'l mare
David e Bersabea
03. Dolce è su queste alte mie logge a sera
04. Fu del braccio onnipotente
Polifemo, ouverture
05. I. Ouverture
06. II. Allegro
07. III. [...]
Calcante e Achille
08. A questa man verrà
Georg Friedrich Händel
Ariodante, HWV 33
09. Scherza infida
Nicola Antonio Porpora
Polifemo
10. Il gioir qualor s'aspetta
Georg Friedrich Händel
Ariodante, HWV 33, suite de ballet
11. I. Entrée des songes agréables
12. II. Entrée des songes funestes
13. III. Entrée des songes agréables effrayés
14. IV: Le combat des songes funestes et agréables
Nicola Antonio Porpora
Mitridate
15. Alza al soglio i guardi
Georg Friedrich Händel
Tolomeo, HWV 25
16. Inumano fratel, barbara madre
17. Stille amare, già vi sento
Catone in Utica, HWV A7
18. Quando piomba improvvisa saetta
Исполнители:
Giuseppina Bridelli, mezzo-soprano
Le Concert de l'Hostel Dieu
Franck-Emmanuel Comte, harpsichord & conducting
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-04-06 09:12:30
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Analyzed: Giuseppina Bridelli / Duel. Porpora and Handel in London (1-11)
Le Concert de l'Hostel Dieu / Duel. Porpora and Handel in London (12-18)
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DR Peak RMS Duration Track
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DR13 -0.37 dB -17.28 dB 5:29 01-Alcina, HWV 34: Sta nell'ircana pietrosa tana
DR14 -3.97 dB -23.55 dB 7:13 02-Arianna in Naxo: Nume che reggi 'l mare
DR14 -7.05 dB -25.04 dB 2:17 03-David e Bersabea: Dolce è su queste alte mie logge a sera
DR15 -4.96 dB -23.93 dB 5:58 04-David e Bersabea: Fu del braccio onnipotente
DR14 -0.85 dB -19.82 dB 4:12 08-Calcante e Achille: A questa man verrà
DR14 -2.06 dB -22.36 dB 9:17 09-Ariodante, HWV 33: Scherza infida
DR15 -3.99 dB -22.46 dB 5:46 10-Polifemo: Il gioir qualor s'aspetta
DR13 -5.07 dB -23.90 dB 4:14 15-Mitridate: Alza al soglio i guardi
DR14 -5.81 dB -24.73 dB 1:49 16-Tolomeo, HWV 25: Inumano fratel, barbara madre
DR14 -9.78 dB -27.90 dB 4:15 17-Tolomeo, HWV 25: Stille amare, già vi sento
DR14 -3.06 dB -21.59 dB 4:12 18-Catone in Utica, HWV A7: Quando piomba improvvisa saetta
DR13 -4.57 dB -19.46 dB 1:27 05-Polifemo, ouverture: I. Ouverture
DR12 -5.48 dB -21.66 dB 1:52 06-Polifemo, ouverture: II. Allegro
DR11 -4.19 dB -18.25 dB 2:21 07-Polifemo, ouverture: III. [...]
DR12 -12.25 dB -30.20 dB 1:25 11-Ariodante, HWV 33, suite de ballet: I. Entrée des songes agréables
DR13 -8.07 dB -23.75 dB 1:52 12-Ariodante, HWV 33, suite de ballet: II. Entrée des songes funestes
DR12 -14.13 dB -33.51 dB 0:41 13-Ariodante, HWV 33, suite de ballet: III. Entrée des songes agréables effrayés
DR12 -7.42 dB -24.95 dB 1:30 14-Ariodante, HWV 33, suite de ballet: IV: Le combat des songes funestes et agréables
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Number of tracks: 18
Official DR value: DR13
Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2396 kbps
Codec: FLAC
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Об альбоме (сборнике)
Despite the rivalry between the operatic companies leaded by Haendel and Porpora in London (1734-1737), much has to be said about the real nature of the connection between the two composers. Both the musicians were considered outstandingly original for their aesthetic choices. Both admired each other's music. The few whirlwind years of their defiance in Great Britain produced memorable scores: among them, Ariodante by Haendel and Polifemo by Porpora, performed with simultaneous runs in the city theaters. The fight between the two operatic company was an opportunity for the composers to meet and discover each other, to deal with the taste of the audience and to experiment new ideas, getting strength from the incredible skills of the members of the vocal casts (Farinelli, Senesino, Carestini, etc.). This CD tries to capture the soul of such a complicated intellectual relationship, presenting significant exemples of the composers' style and outlining the borders of the mutual esteem between two giants in the history of music. On her debut solo album, the young talented mezzosoprano Giuseppina Bridelli performs with effortless bravery the difficult pages written for some of the most famous singers of the 18th century: between them, a version with original variations of Haendel Scherza infida.