Ludwig van Beethoven - Piano Concertos Nos. 4 & 5
Формат записи/Источник записи: [DXD][OF]
Наличие водяных знаков: Нет
Год издания: 2015
Жанр: Classical, Orchestral
Издатель (лейбл): Challenge Classics
Продолжительность: 01:10:19
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/352
Формат: DXD
Количество каналов: 2.0
Источник (релизер): spiritofturtle.comТреклист:
Piano Concerto no. 4 op. 58 in G major (1807)
1. Allegro moderato [17:23]
2. Andante con moto [4:52]
3. Rondo. Vivace [10:16]
Piano Concerto no. 5 op. 73 in E flat major (‘Emperor’) (1809)
4. Allegro [20:04]
5. Adagio un poco mosso [7:12]
6. Rondo. Allegro [10:28]Hannes Minnaar, piano
Jan Willem de Vriend, conductor and artistic director
THE NETHERLANDS SYMPHONY ORCHESTRA
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-08-17 15:39:46
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Analyzed: Hannes Minnaar, The Netherlands Symphony Orchestra, Jan Willem de Vriend / Beethoven: Piano Concertos Nos. 4 & 5 - Complete Piano Concertos, Vol. 1
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DR Peak RMS Duration Track
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DR16 -0.27 dB -23.04 dB 17:23 01-Piano Concerto No. 4 in G major, Op. 58: I. Allegro moderato
DR15 -5.86 dB -28.30 dB 4:52 02-Piano Concerto No. 4 in G major, Op. 58: II. Andante con moto
DR15 -0.10 dB -21.27 dB 10:16 03-Piano Concerto No. 4 in G major, Op. 58: III. Rondo: Vivace
DR16 -0.10 dB -20.62 dB 20:04 04-Piano Concerto No. 5 in E flat major, Op. 73 'Emperor': I. Allegro moderato
DR16 -7.46 dB -30.99 dB 7:13 05-Piano Concerto No. 5 in E flat major, Op. 73 'Emperor': II. Adagio un poco mosso
DR15 -0.26 dB -20.37 dB 10:28 06-Piano Concerto No. 5 in E flat major, Op. 73 'Emperor': III. Rondo: Allegro
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Number of tracks: 6
Official DR value: DR15
Samplerate: 352800 Hz
Channels: 2
Bits per sample: 24
Bitrate: 6920 kbps
Codec: FLAC
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Об альбоме (сборнике)
Towards the end of the 19th century, the concerto genre had reached a flourishing stage after Mozart had thoroughly contributed to the foundation of the genre. In the first concerts, as well as in the other genres (symphonies, sonatas, quartets) Mozart’ and Haydn’s influence is evident. The characteristics of Beethoven’s sensibility were to become evident starting with his third piano concerto. In the following concerts a new relation is established between the piano as unaccompanied instrument and the orchestra that covers a greater role, not being reduced to the simple function of accompanying the soloist.
At the age of 14, in 1784, Beethoven tries to write a piano concerto in E flat major, of which only the piano part was kept. In 1790 he tries to compose a new concerto, this time in D major, of which only the first part remained. The first instrumental concerto composition was made in 1795 when he wrote The piano concerto in B flat major op. 19, about the same time he composed The piano concerto in C major op. 15 and The rondo for piano and orchestra.
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发表于 2020-12-8 15:06:41
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