The Netherlands Radio Philharmonic Orchestra, James Gaffigan - Prokofiev: Symphony Nos. 3 & 4 (first version)
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания: 2015
Жанр: Classical, Orchestral
Издатель (лейбл): Challenge Classics
Продолжительность: 57:39
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: DSF(*.dsf)
Тип рипа: трацкс
Разрядность: 128(5,6 MHz/1 Бит)
Формат: DSD
Количество каналов: 2.0
Источник (релизер): spiritofturtle.comТреклист:
Symphony no. 3 op. 44 in C minor (1928)
1. Moderato
2. Andante
3. Allegro agitato
4. Andante mosso
Symphony no. 4 op. 47 in C major (1929)
First version
1. Andante assai – Allegro eroico
2. Andante tranquillo
3. Moderato, quasi Allegretto
4. Allegro risoluto – Moderato – CodaExecutive producers: Anne de Jong & Marcel van den Broek
Recorded at: Studio 5, MCO, Hilversum, Holland
Recording dates: 5-6 November 2013 (Symphony no. 3), 6-8 May 2014 (Symphony no. 4)
Recording producer, recording engineer: Bert van der Wolf
Mixed, editing & mastering: Bert van der Wolf
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-08-05 18:22:54
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Analyzed: Netherlands Radio Philharmonic Orchestra, James Gaffigan / Prokofiev: Symphonies Nos. 3 & 4 (first version)
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DR Peak RMS Duration Track
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DR15 -6.11 dB -25.92 dB 12:21 01-Symphony No. 3 in C minor, Op. 44: I. Moderato
DR15 -14.63 dB -37.05 dB 6:15 02-Symphony No. 3 in C minor, Op. 44: II. Andante
DR16 -6.12 dB -28.50 dB 8:20 03-Symphony No. 3 in C minor, Op. 44: III. Allegro agitato
DR11 -6.11 dB -22.11 dB 5:42 04-Symphony No. 3 in C minor, Op. 44: IV. Andante mosso
DR16 -6.11 dB -26.95 dB 6:46 05-Symphony No. 4 in C major, Op. 47: I. Andante assai – Allegro eroico
DR14 -12.52 dB -34.55 dB 6:45 06-Symphony No. 4 in C major, Op. 47: II. Andante tranquillo
DR14 -13.87 dB -34.68 dB 4:11 07-Symphony No. 4 in C major, Op. 47: III. Moderato, quasi Allegretto
DR17 -6.12 dB -28.93 dB 7:18 08-Symphony No. 4 in C major, Op. 47: IV. Allegro risoluto – Moderato – Coda
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Number of tracks: 8
Official DR value: DR15
Samplerate: 5644800 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 11290 kbps
Codec: DSD128
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Об альбоме (сборнике)
Sergei Prokofiev has a large reputation, although many of his works are seldom heard. The reason for this is that his music has a certain image, one created to some extent by the composer himself and one from which he found it difficult in later years to distance himself, no matter how hard he tried. One might summarise this image as that of a poker-faced comedian. Compositions that confirm this impression, such as the Classical Symphony, the Third Piano Concerto and some of his early piano works are amongst his best-known works.
He shows a different side in his works for voice; a side that is clearly close to his heart, since even though most of his operas enjoyed little in the way of success during his lifetime, he wrote at least eight of them, with lyricism to the fore and a tendency for declamation and unpredictable forms. The less popular of these include L’Ange de feu, based on the 1907 novel by the writer Bryusov, setting a 16th century tale of the passionate young girl Renata, who becomes obsessed by the devil. She vacillates between fascination and rejection. She can neither circumvent nor defy her own sorcery and is ultimately condemned to death. Prokofiev worked on this piece almost throughout the 1920s. When he realised that a performance was unlikely at the time, and because he was unaccustomed to leaving his musical inventions unperformed, he rearranged the material from the opera into a new symphony, his Third.
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