Nickel Creek – This Side (2002)
Жанр: Pop/Rock, Bluegrass
Носитель: SACD
Год издания: 2002
Издатель: Sugar Hill Records
Номер по каталогу: SUG-SACD-3969
Аудиокодек: DSD64 2.0, DST64 5.1
Тип рипа: image (iso)
Продолжительность: 00:50:05
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Треклист:
01.Smoothie Song 03:20
02.Spit On A Stranger 02:35
03.Speak 04:02
04.Hanging By A Thread 04:06
05.I Should’ve Known Better 04:28
06.This Side 03:33
07.Green And Gray 03:37
08.Seven Wonders 04:10
09.House Carpenter 05:31
10.Beauty And The Mess 02:52
11.Sabra Girl 04:05
12.Young 03:29
13.Brand New Sidewalk 04:18
SACD+Back
This Side
This Side is the Grammy-winning fourth album by the progressive bluegrass band Nickel Creek, released on Sugar Hill in the summer of 2002. It gained some notoriety in indie rock circles due to the group’s recording of a Pavement song, Spit on a Stranger. Alison Krauss acted as a producer for the album.
All Music Review
This Side, Nickel Creek’s sophomore release, finds bandmembers Chris Thile, Sara Watkins, and Sean Watkins out of their teens and into their twenties after playing together for 12 years. The southern California band’s self-titled debut received wide critical acclaim for welding jazz, rock, and classical music to a bluegrass base. But This Side solidifies Nickel Creek’s position as the single most original and inventive bluegrass band to emerge in the early ’00s. Hardcore bluegrass fans wary of experimentation or even progressive bluegrass may scoff at this claim. But, when it comes down to it, the gorgeous, open production by Alison Krauss gives Nickel Creek’s guitars, mandolins, and fiddles the space to dance through sparkling and genuine arrangements. Covers of everything from Pavement’s rollicking Terror Twilight highlight, “Spit on a Stranger,” to Carrie Newcomer’s scathing folk “Should’ve Known Better” to the traditional “House Carpenter” are given elegant and unique twists. Plus, Thile and the Watkins siblings’ originals, like the sleepy, subtle “Speak” and the darker “Beauty and the Mess,” easily outdo the likes of folk-rockers Dave Matthews and Hootie & the Blowfish, while forging a new style to rejuvenate a genre that has always been a bit of a dark horse. It’s decidedly more pop than post-rock-gone-folk outfits like Papa M, David Grubbs, Palace, and Miighty Flashlight, and lacks the rock & roll flash of Ryan Adams. But Nickel Creek’s music is endlessly rewarding nonetheless, and accessible to just about everyone.