Epica / Consign To Oblivion
Жанр: Symphonic Power / Gothic Metal
Носитель: SACD
Год издания: 2005
Издатель (лейбл): Netherlands
Аудиокодек: DSD 2.0/DST 5.1
Тип рипа: image+.iso
Битрейт аудио: DSD 2.8 MHz
Продолжительность: 63:41 min
Наличие сканов в содержимом раздачи: да
Треклист:
Hunab k’u [1:44]
Dance Of Fate [5:13]
The Last Crusade [4:23]
Solitary Ground [4:24]
Blank Infinity [4:02]
Force Of The Shore [4:02]
Quietus [3:48]
Mother Of Light [5:56]
Trois vierges [4:43]
Another Me “In Lack’ech” [4:40]
Consign To oblivion [9:47]
Доп. информация
en.wikipedia.org
Consign To Oblivion is the second studio-album by Dutch symphonic metal band Epica, and was released in April 2005. “Trois vierges” features a guest appearance by former Kamelot vocalist Roy Khan. The album’s lyrics are heavily influenced by Mayan Civilization. The CD was released with copy control on it. This CD started a new “saga”, called A New Age Dawns. This saga is continued on the album Design Your Universe.
Stylistically, the album is more focused towards orchestration than other Epica releases and features heavy use of a chorus. Additionally, Mark Jansen‘s death growls appear less frequently, occurring on only three songs, “Force Of The Shore”, “Mother Of Light” and “Consign To Oblivion”. But a bonus track, the Death cover “Crystal Mountain” includes grunts, and a grunt version of “Quietus” was released on the “Quietus (Silent Reverie)” single, making it five songs with grunts.
allmusic.com (Eduardo Rivadavia)
For all its ambitious plotting, baroque soundscapes, and unquestionable technical merits, Epica‘s first album was distinctly lacking in the most crucial of categories: songwriting. In fact, it pretty much proved the point that musical education doesn’t necessarily guarantee musical inspiration, ultimately achieving surprisingly little purchase in one’s memory banks for an album so rife with Strum und Drang. In retrospect, it may also have been somewhat rushed in its construction, what with guitarist and creative leader Mark Jansen possibly being a little too anxious to prove his own mettle after quitting After Forever — the band founded with his sister Floor, and who in fact helped pioneer the symphonic/progressive/power metal style still on dominant display here. Longer preparation has certainly had a positive effect on the sophomore effort, but, if anything, Epica remain more committed to that original vision than the increasingly modern-sounding (though no less progressive) After Forever, insisting on employing human choirs and orchestras throughout Consign To Oblivion, and rarely letting mezzo-soprano Simone Simons stray from an operatically correct delivery. Jansen‘s death growls have also taken a noticeable back seat this time around, but that’s not to say that typical offerings such as “Dance of Fate,” “Blank Infinity,” and “Force of the Shore” fail to provide plenty of heavy staccato guitar riffing and hyperactive double kick drums. Single candidate “Solitary Ground,” on the other hand, finds an adequate middle ground between rocker and ballad; “Quietus” pretty much waltzes away from start to finish; and the symphonic overkill is finally toned down for the surprisingly pop-campy, harpsichord-led ballad “Trois vierges” (big-time Nightwish influence), on which Simons is joined by Kamelot vocalist Roy Kahn. And don’t forget the four different movements of a fatalistic suite subtitled “A New Age Dawns” (partly sung in Latin, and decrying man’s folly with nature — you know the drill), which are strewn about the album in somewhat arbitrary fashion, and may only confuse things further. Nevertheless, Consign To Oblivion‘s overall presentation is as immaculate as its predecessor’s, and definitely an improvement from a compositional perspective, promising better things to come in Epica‘s future.
Состав
Benjamin Spillner – violin
Andreas Pfaff – violin
Tobias Rempe – violin
Gregor Dierk – violin
Swantje Tessman – viola
Patrick Sepec – viola
Astrid Müller – viola
Jörn Kellermann – cello
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发表于 2020-12-8 15:36:33
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