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[摇滚] [SACD-R] [OF] Pink Floyd - Wish You Were Here - 1975/2011 (Progressive Rock)

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发表于 2020-12-8 15:38:25 | 显示全部楼层 |阅读模式
Pink Floyd - Wish You Were Here
Жанр: Progressive Rock
Год выпуска альбома: 1975
Год выпуска диска: 2011
Производитель диска: EU - EMI - 50999 522433 2 5
Аудио кодек: DST 2.0, 5.1
Тип рипа: image (ISO)
Битрейт аудио: 2,8224 MHz
Продолжительность (2.0 / 5.1): 44:13 / 44:19
Треклист:
1. Shine On You Crazy Diamond (parts I - V) [13:31] / [13:36]
Saxophone – Dick Parry
Written-By – David Gilmour, Richard Wright, Roger Waters
2. Welcome To The Machine [7:25] / [7:26]
Written-By – Roger Waters
3. Have A Cigar [5:08] / [5:08]
Vocals – Roy Harper
Written-By – Roger Waters
4. Wish You Were Here [5:33] / [5:34]
Written-By – David Gilmour, Roger Waters
5. Shine On You Crazy Diamond (parts VI - IX) [12:36] / [12:35]
Written-By – David Gilmour, Richard Wright, Roger Waters
Описание:
Wish You Were Here - девятый студийный альбом английской рок-группы Pink Floyd, выпущенный в сентябре 1975 года. Материал для пластинки собирался в ходе концертного тура по Европе, а запись после множественных сессий была произведена в лондонской студии Эбби Роуд.
Wish You Were Here затрагивает темы отчуждения, проблемы музыкальной индустрии и личность бывшего участника группы Сида Барретта, покинувшего коллектив из-за нестабильного психического состояния, вызванного злоупотреблением наркотиками. Первые сессионные записи давались тяжело и проходили в напряжённом режиме, концепцию альбома предложил Роджер Уотерс, решив разделить главную композицию «Shine On You Crazy Diamond» на две части и добавить к ней ещё три новые песни. Заглавная песня явилась данью уважения к Барретту, который по иронии судьбы экспромтом посетил студию прямо во время записи. Визит оказался настолько неожиданным, и внешность музыканта так сильно изменилась, что участники группы не сразу признали в нём своего старого товарища.
Так же как и в предыдущей своей работе, альбоме The Dark Side of the Moon, музыкантами использовались различные студийные эффекты и синтезаторы. На роль вокалиста в песне «Have a Cigar» специально был приглашён Рой Харпер. Оформителем обложки альбома снова выступил Сторм Торгерсон, разработкой оригинального дизайна занималась студия Hipgnosis. Презентация прошла на музыкальном фестивале в городе Небворт (графство Хартфордшир), несколькими месяцами позднее в сентябре состоялся релиз. Сразу же с момента издания альбом стал настолько популярным, и спрос на него оказался настолько больши́м, что звукозаписывающая компания EMI не успевала штамповать копии пластинки для всех желающих её приобрести. Удостоившись смешанных отзывов, журналом Rolling Stone альбом всё же был поставлен на 209-е место в списке пятисот величайших альбомов всех времён. Ричард Райт и Дэвид Гилмор назвали Wish You Were Here своим любимым альбомом, записанным в составе Pink Floyd.

Цитата:
The Most Anticipated SACD Release Since The Dark Side Of The Moon! Easily The Biggest SACD Title In The Analogue Productions Catalog!
Wish You Were Here is a multitrack masterpiece. Now, to have it mixed for 5.1 surround sound and stereo from the original analog master tapes by Pink Floyd's Producer/Engineer James Guthrie is, well, pretty damn exciting.
Музыканты и создатели:
Backing Vocals - Carlena Williams, Venetta Fields
Bass Guitar, Vocals, Lyrics By - Roger Waters
Drums - Nick Mason
Guitar, Vocals - David Gilmour
Keyboards, Piano, Vocals - Richard Wright
Mastered By - James Guthrie, Joel Plante
5.1 surround mix by James Guthrie
Assistant engineer Joel Plante
Mixed and mastered at das boot recording
DSD authoring for SACD by Gus Skinas
Подробнее об издании и звуке
Is this the biggest SACD reissue in the history of the format? Time will tell, but don't bet against it.
Wish You Were Here(?) Now you can be. Total lifelike recreation of a chart-topping, pioneering, way-ahead-of-its-time blockbuster.
You talk about a title made for multichannel SACD! It's as if they knew 35 years ago that this format would be available. Finally, technology caught up with Pink Floyd. And oh how lucky we all are to still be around to hear this legendary studio recording in its full potential.
Pink Floyd chose Acoustic Sounds and Analogue Productions to handle the exclusive distribution of this monumental SACD and we are honored and thrilled to be a part of EMI's huge Why Pink Floyd...? campaign that includes remastered CDs, Blu-rays, DVDs, LPs, memorabilia box sets and this, the first-ever multichannel presentation of Wish You Were Here. The SACD also of course includes a stunning stereo mix. And as this is a hybrid disc, the record is of course also playable on a standard CD player.
On its release in 1975 Wish You Were Here topped the album charts in both the UK and the U.S. Reflecting the band's thoughts of the time on the music business and exploring themes of absence, Wish You Were Here contains the classic cut "Shine On You Crazy Diamond," a tribute to founding band member Syd Barrett.
In fact, Barrett, who'd long been absent from the lives of Pink Floyd's band members, stopped by the Wish You Were Here recording sessions at London's Abbey Road Studios unannounced. The reunion - with Barrett reportedly appearing in poor mental condition - is said to have been an emotionally stirring event for the band, and apparently that encounter would be the last any of the band members were ever to see of Barrett, who died in 2006.
As they did with their previous release, Dark Side of the Moon, Pink Floyd made great use of studio effects for this, their ninth album overall. The record's winding soundscapes are perfect for the canvas of multichannel SACD. Spacious and airy, the record breathes like a living being.
Wish You Were Here was selected by Rolling Stone as No. 209 on their list of "The 500 Greatest Albums of All Time". And that's before they heard it like this!"...There really aren't words for how spectacular, and how musically right, Guthrie's remix was and the quality imbued in every bit of this production...I have been hearing this music since the day it arrived in my local record store 35 years ago and never imagined anything like this. Guthrie's expert, musically impeccable multichannel remix added depth and clarity to the superb original, and how he got Richard Wright's ARP string to orbit the room several feet above my heard has to be the result of some sort of voodoo...Mind-boggling." - Paul Bolin, The Audio Beat, November 3, 2011"...If ever an album was made for surround replay, Wish You Were Here was it. Originally conceived with a Quad mix in mind, the massive scale and bandwidth demands of the album reinforce the benefits of the multichannel format. If ever a record should have been labeled 'PLAY LOUD,' this was it, and five channels of amplification, five speakers and the underpinning of a serious subwoofer might not be essential, but they certainly add to the effect. Regular Floyd producer Guthrie has created a tasteful and effective 5.1 mix that actually succeeds in adding to the music, the special embellishments and immersive quality simply extending the sense and impact of the event...I can assure you that you'll not be disappointed...For once we have a reissue that stands up to the hype." Music = 5/5, Sound = 4.5/5 - Roy Gregory, The Audio Beat, November 2011"...The music may be almost 40 years old, but it sounded fresh because of the mix, which used the center and rear channels very effectively, creating a true soundscape that was startling at points - especially immediately before the lyrics began to 'Shine On You Crazy Diamond' - and mindblowing at others. This demo was a potent reminder of how innovative and expertly constructed this music was - and that David Gilmour's greatness cannot be overestimated. Only such a promising demo could pack a room with press during the opening minutes of the show." - Mark Mickelson, The Audio Beat, October 2011

Другие отзывы об издании
Just finished listening to it. Unbelievable. Every fan of multichannel audio should have this SACD. The best two tracks in my honest opinion, in terms of how they were mixed, not in song preference, are Welcome To The Machine and Have a Cigar. All the crazy effects in Machine are placed so well and balanced, tons of action in the surrounds but do not take away from the fronts AT all.
The mix honestly feels so natural, unforced, as if it was originally recorded with the purpose of being listened to in multichannel. The front soundstage sounds so full with unbelievable separation.
Now to listen to the original quad! I've never heard it but I really cannot imagine it is better.
The packaging is easily the nicest out of any SACD I own. Hands down. I have a bunch of SHM-SACDs and those have great packaging with the foldouts but they don't compare to this. The artwork is top notch with postcards of the original artwork for the album on it.
The whole thing is unreal. I can't recommend it enough. Any fan of multichannel audio needs to be buy this.I would have to agree with the first reviewer on all accounts. I also splurged on the Immersion set which includes both the 5.1 and 4.0 (quad) mix. This multichannel mix on this release can be both subtle and aggressive at times, but the balance is just right and not overbearing to either extreme. Some of the more interesting moments occur during Welcome to the Machine where the sound effects in the song's intro really come to life in a way I've never experienced. Simply phenomenal surround effects! The transition between Have a Cigar and Wish You Were here is equally compelling. If possible, I recommend playing this above standard listening levels in order to become completely immersed in the sound and get the most out of the surround effects. The music is not harsh or strident in the least, but rather a nice organic sound with plenty of depth and a well extended low end. The music just seems to come to life like never before and I can't imagine a better way to experience one of the greatest albums of all time. Sonic euphoria. Highly recommended.
After listening to the redbook layer I feel I should add my impressions on it as well (initially posted on SHMF). Up until today the Mastersound was my go-to redbook. I compared it to the redbook layer of the AP SACD and came away preferring the SACD mastering overall. It just seemed more natural to me. Very smooth sounding and easy on the ears. I was never displeased with the Columbia 5 track or any other redbook CD I have of this album (Shine On, OBTW box, 2011 remaster), but this SACD essentially negates the need to own multiple versions of this album. You get an incredible MC mix, 2 ch stero mix, and a first class redbook layer. I could sell every other incarnation I have of this album and be plenty satisfied with just this SACD alone. This release is a winner on all levels. $35 today will seem like chump change when this limited edition release is out of print and demanding ridiculous prices in the used market. Better grab it while you can.
Сканы обложек к изданию: http://narod.ru/disk/41061430001/Pink_Wish.rar.html
Доп. информация:
О релизе: рип от bambasm (aka abryk) (SACD - Sony PS3 - SACD.ISO)
Подробно о диске:

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