Jeff Beck / Wired
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1976/2016
Жанр: Hard Rock; Album Rock; Fusion
Издатель (лейбл): Epic / Sony Japan
Продолжительность: 00:37:15
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
01] Led Boots
02] Come Dancing
03] Goodbye Pork Pie Hat
04] Head For Backstage Pass
05] Blue Wind
06] Sophie
07] Play With Me
08] Love Is GreenКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.1; 2.0Доп. информация: Produced by George Martin
Epic EICP 10004(2016)
SACD used the DSD master digitally translated from the original "Quadraphonic" master upgraded it to 5.1ch version.
SACD rip via PS3 to ISO (3.26 GB)
Источник (релизер): KingCrim (PS³SACD) http://www.cdjapan.co.jp/feature/JeffBeck_Wired_Japan_SACD_MultiCh_Hybrid_miniLP
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2017-03-28 13:35:37
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Анализ: Jeff Beck / Wired
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DR Пики RMS Продолжительность трека
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DR11 0.00 дБ -15.66 дБ 4:01 01-Led Boots
DR13 0.00 дБ -18.28 дБ 5:55 02-Come Dancing
DR13 0.00 дБ -19.67 дБ 5:35 03-Goodbye Pork Pie Hat
DR13 0.00 дБ -19.64 дБ 2:45 04-Head For Backstage Pass
DR12 -0.08 дБ -16.77 дБ 5:50 05-Blue Wind
DR11 0.00 дБ -16.18 дБ 6:31 06-Sophie
DR11 -0.61 дБ -17.60 дБ 4:08 07-Play With Me
DR11 -1.65 дБ -20.09 дБ 2:33 08-Love Is Green
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Количество треков: 8
Реальные значения DR: DR12
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 6
Разрядность: 24
Битрейт: 16934 кбит/с
Кодек: DST64
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Анализ: Jeff Beck / Wired
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DR Пики RMS Продолжительность трека
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DR10 0.00 дБ -11.94 дБ 4:03 01-Led Boots
DR11 0.00 дБ -13.60 дБ 5:54 02-Come Dancing
DR12 0.00 дБ -14.88 дБ 5:30 03-Goodbye Pork Pie Hat
DR11 0.00 дБ -13.08 дБ 2:42 04-Head For Backstage Pass
DR9 0.00 дБ -10.89 дБ 5:54 05-Blue Wind
DR10 0.00 дБ -12.04 дБ 6:30 06-Sophie
DR10 0.00 дБ -11.74 дБ 4:10 07-Play With Me
DR12 0.00 дБ -16.67 дБ 2:31 08-Love Is Green
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Количество треков: 8
Реальные значения DR: DR11
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
AllMusic Review
Released in 1976, Jeff Beck’s Wired contains some of the best jazz-rock fusion of the period. Wired is generally more muscular, albeit less-unique than its predecessor, Blow by Blow. Joining keyboardist Max Middleton, drummer Richard Bailey, and producer George Martin from the Blow by Blow sessions are drummer Narada Michael Walden, bassist Wilbur Bascomb, and keyboardist Jan Hammer. Beck contributed no original material to Wired, instead relying on the considerable talents of his supporting cast. Perhaps this explains why Wired is not as cohesive as Blow by Blow, seemingly more assembled from component parts. Walden’s powerful drumming propels much of Wired, particularly Middleton’s explosive opener, “Led Boots,” where Beck erupts into a stunning solo of volcanic intensity. Walden also contributes four compositions, including the funk-infused “Come Dancing,” which adds an unnamed horn section. While Walden’s “Sophie” is overly long and marred by Hammer’s arena rock clichés, his “Play With Me” is spirited and Hammer’s soloing more melodic. Acoustic guitar and piano predominate the closing ballad, “Love Is Green”; Beck’s electric solo gracefully massages the quiet timbres. Wired is well balanced by looser, riff-oriented material and Walden’s more intricate compositions. Walden and Hammer give Wired a ’70s-era jazz-rock flavor that is indicative of their work with the Mahavishnu Orchestra. Bascomb’s throw-down, “Head for Backstage Pass,” finds Bailey skillfully navigating the mixed meters while Beck counters with a dazzling, gritty solo. Hammer’s “Blue Wind” features an infectious riff over which Beck and Hammer trade heated salvos. As good as “Blue Wind” is, it would have benefited from the Walden/Bascomb rhythm section and a horn arrangement by Martin. One of Wired’s finest tracks is an arrangement of Charles Mingus’ “Goodbye Pork Pie Hat.” Beck’s playing is particularly alluring: cleanly ringing tones, weeping bends, and sculpted feedback form a resonant palette. Bailey and Middleton lend supple support. Within a two-year span, the twin towers Blow by Blow and Wired set a standard for instrumental rock that even Beck has found difficult to match. On Wired, with first-rate material and collaborators on hand, one of rock’s most compelling guitarists is in top form.
/1 
发表于 2020-12-8 15:46:58
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