Incubus - A Crow Left Of The Murder…
Жанр: Alternative Rock, Funk Rock
Год выпуска диска: 2004
Производитель диска: Epic/Immortal EH 92863
Аудио кодек: DST 2.0, 5.1
Тип рипа: image (ISO)
Битрейт аудио: 5645 kbps, 16934 kbps
Продолжительность: 58:41
Наличие сканов в содержимом раздачи: да
Источник (релизер):
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper v0.21
Дополнительно: http://www.amazon.com/dp/B0002JP1V2
Треклист:
1. Megalomaniac 04:55
2. A Crow Left Of The Murder 03:31
3. Agoraphobia 03:53
4. Talk Shows On Mute 03:49
5. Beware! Criminal 03:49
6. Sick Sad Little World 06:23
7. Pistola 04:24
8. Southern Girl 03:41
9. Priceless 04:08
10. Zee Deveel 03:52
11. Made For TV Movie 03:38
12. Smile Lines 03:59
13. Here In My Room 04:20
14. Leech 04:19A Crow Left of the Murder… is the fifth studio album by alternative rock band Incubus, released on February 3, 2004. The album marks the first appearance of bassist Ben Kenney, following the departure of founding member Alex Katunich.
All Music Review
At the beginning of their career, Incubus was rightly lumped in with the legions of post-Korn alt metal/rap-rock bands swarming America in the latter days of the 20th century. But by their third album, 1999′s Make Yourself, they had separated from the pack, as indicated by the presence of producer Scott Litt, best-known for his work with R.E.M.. It signaled that the band was serious, and they began expanding their rap-metal template on that album and its follow-up, 2001′s Morning View, completing their transition from juvenelia to maturity with 2003′s Crow Left of the Murder. Switching from Litt to producer Brendan O’Brien, a man who has been with Pearl Jam longer than any of their drummers, Incubus has opted for a clean, crisp yet heavy sound which allows them to aggressively switch from crunching metallic riffs to jazzy prog interludes. It’s an expansive musical vision charged with some righteous anger; although vocalist Brandon Boyd doesn’t write explicit protests, there sure are enough allusions to social turbulence to make this the first politically aware alt metal album in many a year. This maturation is even more evident in the music, how the band actually swings on “Zee Deveel,” or how guitarist Michael Einzinger’s jazz-influenced solos seem both carefully constructed and casually tossed off, or how Boyd’s voice shifts from song to song (or during a song, as on the opening “Megalomaniac,” which sounds like a bizarre blend of Mr. Mister’s Richard Page and John Lydon). All this maturation does mean that Incubus may shed some older fans, since the naked ambitions on this record are far removed from the earnest, angst-ridden earlier records, but so be it — A Crow Left of the Murder… is far more interesting than any of their other records, or their peers’. At times, they may stretch themselves a little too far here, but the ambition is admirable and the achievements are tangible — a real breakthrough for the band.
/1 
发表于 2020-12-8 15:48:42
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