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[摇滚] [TR24] [of] Sannhet - SO Numb - 2017 (Rock, Post Rock)

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发表于 2020-12-8 15:58:29 | 显示全部楼层 |阅读模式
Sannhet / So Numb
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2017
Жанр: Rock, Post Rock
Издатель (лейбл): Profound Lore
Продолжительность: 42:51
Источник (релизер): 7digital
Наличие сканов в содержимом раздачи: Front
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/88,2
Формат: PCM
Количество каналов: 2.0
Треклист:
1. Indigo Illusion (4:39)
2. Sapphire (4:27)
3. So Numb (3:30)
4. Fernbeds (7:29)
5. Salts (5:44)
6. Way Out (4:46)
7. Secondary Arrows (4:08)
8. Sleep Well (4:36)
9. Wind Up (3:36)
DR Log

foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2017-09-03 13:53:30
--------------------------------------------------------------------------------
Analyzed: Sannhet / So Numb
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR5       -0.37 dB    -6.50 dB      4:39 ?-Indigo Illusion
DR5       -0.37 dB    -7.24 dB      4:27 ?-Sapphire
DR6       -0.37 dB    -6.72 dB      3:30 ?-So Numb
DR6       -0.37 dB    -8.76 dB      7:29 ?-Fernbeds
DR4       -0.37 dB    -6.99 dB      5:44 ?-Salts
DR5       -0.37 dB    -6.18 dB      4:46 ?-Way Out
DR5       -0.37 dB    -8.13 dB      4:08 ?-Secondary Arrows
DR5       -0.47 dB    -6.82 dB      4:36 ?-Sleep Well
DR9       -0.37 dB   -13.31 dB      3:36 ?-Wind Up
--------------------------------------------------------------------------------
Number of tracks:  9
Official DR value: DR6
Samplerate:        88200 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2422 kbps
Codec:             FLAC
================================================================================


Состав
Guitar – Thom Wasluck (tracks: 4)
Keyboards – Thomas Bartlett
Bass – AJ Annunziata
Drums – Christopher Todd
Guitar – John Refano

Об исполнителе (группе)
The cover of Sannhet’s third album, So Numb, features a mother shielding her son’s eyes with her hands - an allegory depicting the protection one receives from their parents, but it isn’t meant to be sentimental. As the mother shelters her child, she inadvertently creates a false sense of safety. The child, in turn, spends it's life seeking comfort and escape in temporary solutions.
Though Sannhet meditate on life’s imperfect escapes, So Numb’s nine songs showcase the band facing life’s pain and joy with their eyes wide open. The collection’s emotional landscape is one of existential dread, melancholy, and loss - ammunition for escapists. Despite these existential conundrums, So Numb has an uplifting, euphoric feel.
The collection was recorded and produced by Peter Katis, who’s known for his work with Mercury Rev, Interpol, the National, and Oneida among others. Working with Katis, the production illuminates a more open sound for the band. While Sannhet’s second album, 2015’s Revisionist, was bigger and harsher than their 2013 debut, Known Flood, they offer a more wistful, melodic approach here.
The first track, “Indigo Illusion,” opens with Christopher Todd’s eviscerating, but anchoring drums locked in with AJ Annunziata’s driving bass and John Refano’s clamoring, unexpectedly coaxing guitar melodies—the song, a muscular anthem that mixes feedback and space, ends up sounding like a million crystals shattering in a dark room. Alternately, the heavier, more solemn and cavernous “Fernbeds” finds added pathos from guest guitar leads by one-man shoegaze-metal artist, Planning for Burial’s Thom Wasluck.
As on past Sannhet albums, the song titles are evocative (“Sapphire,” the churning “Sleep Well,” “Fernbeds,” “Way Out”), but not prescriptive. By the time you’ve gotten to the drifting, airy “Salts,” it’s clear Sannhet has become a more patient, painterly band. The collection ends with the massive “Sleep Well” followed by the eerie, ambient “Wind Up.” Those two songs offer a good example of what the band does well: moving between extremes to create a dynamic that feels both climactic and anticipatory, dramatic and comfortably calm.
Sannhet have always been hard to classify. Since 2010, the Brooklyn trio’s played instrumental music that’s heavy and light, cinematic and intimate, dense but minimal. You could call them “post” something, “experimental metal,” or “math rock,” but none of that’s quite right and the band has thrown another wrinkle into the mix with So Numb. While they don’t write lyrics, they do write subtexts. They pen love letters, extended epistles, and suicide notes, all without words. With So Numb, Sannhet create a new world out of very few ingredients.
                                                                                       
                       
                       
                       
                       
                       
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