Richard Thompson - Mirror Blue
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Издание: Reissue
Год издания/переиздания диска: 1994/2016
Жанр: Folk-Rock
Издатель(лейбл): Capitol Records
Продолжительность: 55:20
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. For The Sake Of Mary (4:22)
02. I Can't Wake Up To Save My Life (3:13)
03. MGB-GT (3:36)
04. The Way That It Shows (6:13)
05. Easy There, Steady Now (4:46)
06. King Of Bohemia (3:46)
07. Shane And Dixie (4:06)
08. Mingus Eyes (4:48)
09. I Ride In Your Slipstream (4:07)
10. Beeswing (5:34)
11. Fast Food (2:44)
12. Mascara Tears (3:37)
13. Taking My Business Elsewhere (4:28)
Personnel:
Richard Thompson – guitar, vocals, mandolin
Mitchell Froom – keyboards
Jerry Scheff – bass guitar, double bass
Pete Thomas – drums, percussion
Christine Collister, Michael Parker – backing vocals
John Kirkpatrick - accordion, concertinas
Danny Thompson - double bass on "Easy There, Steady Now"
Alistair Anderson - concertina, Northumbrian pipes
Tom McConville - fiddle
Martin Dunn - flute
Philip Pickett - shawms
AllMusic Review by Mark Deming
1991's Rumor and Sigh was among Richard Thompson's best-selling and most warmly received albums, even gaining a bit of radio and MTV exposure which introduced Thompson to a wider audience than ever before. But while Thompson has often expressed his desire to reach a greater number of listeners, he's (thankfully) unwilling to dumb his music down, and it's probably no coincidence that he followed up his most user-friendly album with the more difficult Mirror Blue. Mirror Blue was constructed on a more modest scale, with the arrangements scaled down and the mix putting the instruments in greater relief. While Mitchell Froom's production added both polish and punch to Rumor and Sigh, his work on Mirror Blue marked the point where he began to interfere more than he helped; the tinny, crashing sound he imposes on Thompson's guitar and Pete Thomas' drums soon wears out its welcome, and Froom's washes of retro-styled keyboards are more prominent than they need to be. And while song for song Mirror Blue boasts material just as strong as Rumor and Sigh (if not stronger), the tone is more dour, with the few rockers decidedly less friendly ("Mascara Tears" sounds downright mean) and the ballads more mournful (though "King Of Bohemia" and "Beeswing" are beautiful and affecting if you don't mind a good cry). But Thompson had a great set of songs here, and he performs them with typical fire and precision; his guitar work is glorious, and his vocals are passionate and unusually well controlled. Mirror Blue suggests that, after making an album with the mass audience in mind, Richard Thompson decided to make one for the fans -- and himself -- and if Froom's production sometimes gets in the way, loyalists will find plenty to revel in here.
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2017-01-25 10:07:18
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Analyzed: Richard Thompson / Mirror Blue
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DR Peak RMS Duration Track
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DR7 -0.92 dB -9.89 dB 4:22 01-For The Sake Of Mary
DR7 -0.78 dB -9.29 dB 3:13 02-I Can't Wake Up To Save My Life
DR8 -0.53 dB -10.22 dB 3:36 03-MGB-GT
DR7 -0.91 dB -10.04 dB 6:13 04-The Way That It Shows
DR7 -1.07 dB -10.59 dB 4:46 05-Easy There, Steady Now
DR11 -1.23 dB -15.99 dB 3:46 06-King Of Bohemia
DR8 -0.01 dB -9.82 dB 4:06 07-Shane And Dixie
DR8 -0.68 dB -10.79 dB 4:48 08-Mingus Eyes
DR8 -1.03 dB -10.72 dB 4:07 09-I Ride In Your Slipstream
DR10 -1.03 dB -13.76 dB 5:34 10-Beeswing
DR8 -1.36 dB -10.83 dB 2:44 11-Fast Food
DR7 -0.71 dB -9.13 dB 3:37 12-Mascara Tears
DR9 -0.51 dB -13.07 dB 4:28 13-Taking My Business Elsewhere
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Number of tracks: 13
Official DR value: DR8
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5955 kbps
Codec: FLAC
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发表于 2020-12-8 15:58:31
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