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[摇滚] [TR24] [of] KUKANGENDAI - PALM - 2019 (Math Rock, Experimental Rock)

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发表于 2020-12-8 15:59:04 | 显示全部楼层 |阅读模式
Kukangendai - Palm
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2019
Жанр: Math Rock, Experimental Rock
Издатель (лейбл): Ideologic Organ
Продолжительность: 00:35:44
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Singou (4:23)
02. Mure (8:10)
03. Menomae (5:13)
04. Hi-Vision (5:37)
05. Sougei (5:24)
06. Chigaukoto wo Kangaeyo (6:57)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/48
Формат: WAV (flac.ape.wv)
Количество каналов: 2.0
Лог проверки качества

foobar2000 1.5.4 / Dynamic Range Meter 1.1.1
log date: 2020-07-11 14:44:08
--------------------------------------------------------------------------------
Analyzed: Kukangendai / Palm
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR12      -0.53 dB   -13.98 dB      4:23 01-Singou
DR13      -0.07 dB   -14.31 dB      8:10 02-Mure
DR10      -0.03 dB   -11.03 dB      5:13 03-Menomae
DR10      -0.03 dB   -11.14 dB      5:37 04-Hi-Vision
DR12      -0.04 dB   -13.72 dB      5:24 05-Sougei
DR13      -0.53 dB   -14.91 dB      6:57 06-Chigaukoto wo Kangaeyo
--------------------------------------------------------------------------------
Number of tracks:  6
Official DR value: DR12
Samplerate:        48000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1381 kbps
Codec:             FLAC
================================================================================

Источник (релизер): orpheus Состав
Junya Noguchi - guitar, vocals
Keisuke Koyano - bass
Hideaki Yamada - drums
Recorded at Soto, Kyoto.

Об альбоме (сборнике)
Kukangendai is a kick ass rock trio from Kyoto (Tokyo transplants). When I first hear this band live I was instantly transfixed by their minimalist yet illusory primitive, polyrythmic and structural, memory evoking rock narratives. Their energy is completely and transparently palpable yet handled with restraint of the pleasure of a disciplined form dealing with time and articulation. They are a power trio of bass, drums and guitar but the music they play is as much the limbic system of a forest than it is a geode. They started in 2006. They left Tokyo to Kyoto and started the cult venue Soto (“Outside”) “to listen to music they hadn’t heard yet” a few years later. They collaborated with Ryuichi Sakamoto last year. They reminded me of James Brown on a heavy binge of Bastro, there’s a deep current of both archaic musical tastes and the human desire for articulating that archaism in there, but you shake your ass and get the shouting in… in a punk basement … 13th century version of Breadwinner, the bare soul version. I’m honoured and proud to work with this tribe, and to count them amongst friends.
-- Stephen O’Malley, February 2019, Paris
                                                                                       
                       
                       
                       
                       
                       
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