Iron And Wine, Ben Bridwell / Sing Into My Mouth
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2015/2017
Жанр: Rock, Folk, Indie Rock
Издатель (лейбл): Black Cricket Recording Co. Brown Records
Продолжительность: 00:44:51
Наличие сканов в содержимом раздачи: Front
Источник (релизер): 7digital
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0
Треклист:
01. This Must Be The Place
02. Done This One Before
03. Anyday Woman
04. You Know More Than I Know
05. Bullet Proof Soul
06. No Way Out Of Here
07. God Knows (You Gotta Give To Get)
08. Straight And Narrow
09. Magnolia
10. Am I A Good Man
11. Ab's Song
12. Coyote
Лог проверки качества
foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2018-03-05 18:13:40
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Analyzed: Iron And Wine, Ben Bridwell / Sing Into My Mouth
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DR Peak RMS Duration Track
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DR9 0.00 dB -10.31 dB 3:32 ?-This Must Be The Place
DR7 0.00 dB -8.37 dB 2:59 ?-Done This One Before
DR8 0.00 dB -10.04 dB 2:51 ?-Anyday Woman
DR7 0.00 dB -8.80 dB 3:29 ?-You Know More Than I Know
DR10 0.00 dB -11.30 dB 4:39 ?-Bullet Proof Soul
DR6 0.00 dB -8.61 dB 4:38 ?-No Way Out Of Here
DR7 0.00 dB -8.89 dB 3:22 ?-God Knows (You Gotta Give To Get)
DR8 0.00 dB -9.37 dB 5:16 ?-Straight And Narrow
DR8 0.00 dB -9.82 dB 3:52 ?-Magnolia
DR6 0.00 dB -7.05 dB 3:48 ?-Am I A Good Man
DR10 -0.06 dB -13.02 dB 1:19 ?-Ab's Song
DR5 0.00 dB -6.75 dB 5:06 ?-Coyote
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Number of tracks: 12
Official DR value: DR8
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1657 kbps
Codec: FLAC
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Состав
Accordion – Rob Burger
Acoustic Guitar – Jim Becker
Bass – Matthew Lux
Bass Clarinet – Joe Adamik
Drums – Joe Adamik
Electric Guitar – Jim Becker
Electric Piano – Rob Burger
Harmonica – Jim Becker
Mellotron – Rob Burger
Metallic Guitar – Jim Becker
Moog Bass – Rob Burger
Organ – Rob Burger
Pedal Steel Guitar – Paul Niehaus
Percussion – Joe Adamik
Piano – Rob Burger
Violin – Jim Becker
Vocals – Ben Bridwell, Sam Beam
Об исполнителе (группе)
Singer/songwriter Sam Beam, who rose to prominence with a blend of whispered vocals and softly homespun indie folk, chose the moniker Iron & Wine after coming across a dietary supplement named "Beef Iron & Wine" while working on a film. Raised in South Carolina, Beam received his bachelor's degree in art from Virginia Commonwealth University in Richmond and later his Master of Fine Arts degree from Florida State University film school. Although Beam would later expand his sound to include electric instruments and rich, lush textures, he was firmly exploring the former style when several of his lo-fi recordings caught the ear of Jonathan Poneman, co-owner of Sub Pop Records. The songs had been recorded in Beam's bedroom without the aid of studio flourishes, but Poneman nevertheless requested that additional material be sent to the label for submission, and Beam responded by sending two CDs in the mail - both of them full-length albums. Poneman considered releasing them both, but instead slimmed the set down to 12 songs and released it in September 2002 as The Creek Drank the Cradle. The similarly themed The Sea & the Rhythm EP followed in 2003.
It was Beam's 2004 full-length, Our Endless Numbered Days, that signaled his arrival on the indie pop scene. Recorded in Chicago with producer Brian Deck, the album was resolutely hi-fi, but the addition of a full band only illuminated Beam's deft lyricism and intimate vocal delivery, resulting in one of the most critically acclaimed albums of the year. Late 2004 found the newly marketable Iron & Wine popping up on television commercials and movie soundtracks (In Good Company, Garden State), culminating in a busy 2005 that saw Beam release two EPs, the lush Woman King and In the Reins, a collaboration with Arizona spaghetti Western aficionados Calexico. The politically charged Shepherd's Dog, Beam and company's most diverse - and most listenable - record to date, was released in 2007. A two-disc collection of B-sides, rarities, soundtrack inclusions, and discarded tracks from the Iron & Wine archives called Around the Well arrived in early 2009. Kiss Each Other Clean, Iron & Wine's first collection of new music in nearly three years and one that found Beam further expanding the group's sound, was released in January 2011 by their new label, Warner Bros. After a move to 4AD and Nonesuch, Iron & Wine released the more relaxed and intimate Ghost on Ghost in early 2013. The Brian Deck-produced album featured jazz drummer Brian Blade and bassist Tony Garnier of Bob Dylan's band, among others.
Over the next few years, Beam stayed busy working with other artists. In 2015 he and Band of Horses frontman Ben Bridwell released an album of covers called Sing into My Mouth, and in 2016 Beam and singer/songwriter Jesca Hoop collaborated on Love Letter for Fire. Later that year, Beam went back to the studio with a band that included longtime Iron & Wine collaborators keyboardist Rob Burger, percussionist Joe Adamik, and string player Jim Becker, and began work on the next Iron & Wine album. It was produced by Beam in stripped-down fashion using mostly live takes and minimal overdubs. Fittingly, the return to the way he used to make records was matched by a return to the band's old label, Sub Pop. They issued Beast Epic in August of 2017. https://en.wikipedia.org/wiki/Iron_%26_Wine http://www.ironandwine.com/
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发表于 2020-12-8 15:59:17
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