Willie Nelson - Always On My Mind
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Издание: Reissue
Год издания/переиздания диска: 1982/2013
Жанр: Country
Издатель(лейбл): Columbia Nashville
Продолжительность: 33:24
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Do Right Woman, Do Right Man (2:58)
02. Always On My Mind (3:33)
03. A Whiter Shade Of Pale (4:02)
04. Let It Be Me (3:30)
05. Staring Each Other Down (2:16)
06. Bridge Over Troubled Water (4:39)
07. Old Fords And A Natural Stone (2:32)
08. Permanently Lonely (2:41)
09. Last Thing I Needed First Thing This Morning (4:22)
10. The Party's Over (2:51)
Personnel:
Willie Nelson – guitar, vocals
Gene Chrisman – drums
Johnny Christopher – guitar, background vocals
Bobby Emmons – keyboards
Mike Leech – bass
John Marett – saxophone
Grady Martin – guitar
Chips Moman – guitar, background vocals, producer, engineer
Mickey Raphael – harmonica
Gary Talley – vocals
Virginia Team – art direction
Toni Wine – keyboards, vocals
Bobby Wood – keyboards, vocals
Reggie Young – guitar
Waylon Jennings – vocals on "A Whiter Shade Of Pale"
Rec.: Moman's Recording Studio, Nashville, TN and Pedernales Studio, Spicewood, TX.
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2016-12-23 16:08:33
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Analyzed: Willie Nelson / Always On My Mind
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DR Peak RMS Duration Track
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DR10 -1.77 dB -17.31 dB 2:58 01-Do Right Woman, Do Right Man
DR11 -1.87 dB -18.22 dB 3:33 02-Always On My Mind
DR10 -1.71 dB -16.85 dB 4:02 03-A Whiter Shade Of Pale
DR11 -1.89 dB -17.45 dB 3:30 04-Let It Be Me
DR12 -2.66 dB -21.17 dB 2:16 05-Staring Each Other Down
DR15 -0.92 dB -21.04 dB 4:39 06-Bridge Over Troubled Water
DR13 -3.35 dB -19.44 dB 2:32 07-Old Fords And A Natural Stone
DR12 -2.13 dB -19.12 dB 2:41 08-Permanently Lonely
DR11 -2.80 dB -16.99 dB 4:22 09-Last Thing I Needed First Thing This Morning
DR13 -1.57 dB -19.30 dB 2:51 10-The Party's Over
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Number of tracks: 10
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2734 kbps
Codec: FLAC
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Скриншот спектра частот
Об альбоме (сборнике)
AllMusic Review by Stephen Thomas Erlewine
Whether intentionally or not, the first album after a greatest-hits collection always raises the curtain on a new era, and in Willie Nelson's case, the difference between the era recapped on 1981's Greatest Hits (& Some That Will Be) and the one started with 1982's Always on My Mind is startling. Throughout the late '70s, Nelson's freewheeling, organically eclectic music was not just the biggest thing in country, it was also some of its best, most adventurous music. Sometimes, it could fall a little flat, particularly when he kept replicating Stardust, but that was part of the charm of Nelson's unpredictability. With Always on My Mind, he teams with producer Chips Moman and embarks on a period of pernicious predictability, giving himself completely over to Moman, who moves him toward rock covers and adult contemporary pop with this record. At the time, it was a huge, huge hit -- his biggest ever, actually, spending 22 weeks at the top of the country charts, selling over four million copies, launching a platinum single with the title track (which reached number five on the pop charts), and winning the CMA's Album of the Year award. Listening to it now, all that success seems undeserved since the album not only plays as the country-pop record Willie avoided making all these years, but by consisting primarily of familiar rock covers, it also plays as pandering to the mass audience he's achieved. This is uniformly pleasant, but it's also rather straight-jacketed, hemmed in by Moman's sterile, synth-heavy productions. With "Always on My Mind" and, to a lesser extent, "Let It Be Me," it works because his production style suits the songs and Nelson sings well, but "Do Right Woman, Do Right Man," "A Whiter Shade of Pale" (complete with vocals from Waylon Jennings), and "Bridge Over Troubled Water" are all flat readings, never showing the spark in either delivery or arrangement that marks Nelson as one of popular music's great interpretive singers. Here, he sounds as he's sleepwalking and turning out product for the first time in his career (at least the early Liberty recordings were a hungry attempt at hits). It may have been a hit, but years later, it clearly sounds like one of his worst records.
Источник: hdtracks.com
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发表于 2020-12-8 15:59:43
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