Bob Dylan / Bob Dylan (Mono)
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1962/2017
Жанр: Rock, Folk, country blues
Издатель (лейбл): Columbia / Mobile Fidelity
Продолжительность: 00:37:15
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
1. You’re No Good 01:42
2. Talkin’ New York 03:22
3. In My Time of Dyin’ 02:42
4. Man of Constant Sorrow 03:11
5. Fixin’ to Die 02:23
6. Pretty Peggy-O 03:27
7. Highway 51 02:53
8. Gospel Plow 01:47
9. Baby, Let Me Follow You Down 02:37
10. House of the Risin’ Sun 05:21
11. Freight Train Blues 02:21
12. Song to Woody 02:45
13. See That My Grave Is Kept Clean 02:44Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0 MONOДоп. информация: Released March 19, 1962
Recorded November 20 and 22, 1961 @ Columbia Recording Studio, New York City
Producer John H. Hammond
Mobile Fidelity UDSACD 2177
The ISO image is created using sacd-ripper for PS3 version 0.21.
Источник (релизер): pssacd (PS³SACD) http://www.mofi.com/product_p/udsacd2177m.htm
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2017-06-11 20:18:55
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Анализ: Bob Dylan / Bob Dylan
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DR Пики RMS Продолжительность трека
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DR10 -1.41 дБ -12.77 дБ 1:37 01-You're No Good
DR11 -0.76 дБ -14.70 дБ 3:17 02-Talkin' New York
DR10 -3.33 дБ -15.90 дБ 2:37 03-In My Time of Dyin'
DR11 -0.96 дБ -15.20 дБ 3:05 04-Man of Constant Sorrow
DR10 -1.87 дБ -14.79 дБ 2:18 05-Fixin' to Die
DR10 -0.52 дБ -13.04 дБ 3:21 06-Pretty Peggy-O
DR11 -1.53 дБ -15.71 дБ 2:49 07-Highway 51
DR11 -0.83 дБ -13.76 дБ 1:43 08-Gospel Plow
DR11 -1.32 дБ -15.18 дБ 2:33 09-Baby, Let Me Follow You Down
DR10 -0.89 дБ -15.72 дБ 5:16 10-House of the Risin' Sun
DR10 -1.03 дБ -13.41 дБ 2:16 11-Freight Train Blues
DR9 -3.75 дБ -16.58 дБ 2:40 12-Song to Woody
DR10 -2.24 дБ -16.25 дБ 2:44 13-See That My Grave Is Kept Clean
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Количество треков: 13
Реальные значения DR: DR10
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia’s legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, “Talkin’ New York” and “Song to Woody”.
All Music Review
Bob Dylan’s first album is a lot like the debut albums by the Beatles and the Rolling Stones — a sterling effort, outclassing most, if not all, of what came before it in the genre, but similarly eclipsed by the artist’s own subsequent efforts. The difference was that not very many people heard Bob Dylan on its original release (originals on the early-’60s Columbia label are choice collectibles) because it was recorded with a much smaller audience and musical arena in mind. At the time of Bob Dylan’s release, the folk revival was rolling, and interpretation was considered more important than original composition by most of that audience. A significant portion of the record is possessed by the style and spirit of Woody Guthrie, whose influence as a singer and guitarist hovers over “Man of Constant Sorrow” and “Pretty Peggy-O,” as well as the two originals here, the savagely witty “Talkin’ New York” and the poignant “Song to Woody”; and it’s also hard to believe that he wasn’t aware of Jimmie Rodgers and Roy Acuff when he cut “Freight Train Blues.” But on other songs, one can also hear the influences of Bukka White, Blind Lemon Jefferson, Blind Willie Johnson, and Furry Lewis, in the playing and singing, and this is where Dylan departed significantly from most of his contemporaries. Other white folksingers of the era, including his older contemporaries Eric Von Schmidt and Dave Van Ronk, had incorporated blues in their work, but Dylan’s presentation was more in your face, resembling in some respects (albeit in a more self-conscious way) the work of John Hammond, Jr., the son of the man who signed Dylan to Columbia Records and produced this album, who was just starting out in his own career at the time this record was made. There’s a punk-like aggressiveness to the singing and playing here. His raspy-voiced delivery and guitar style were modeled largely on Guthrie’s classic ’40s and early-’50s recordings, but the assertiveness of the bluesmen he admires also comes out, making this one of the most powerful records to come out of the folk revival of which it was a part. Within a year of its release, Dylan, initially in tandem with young folk/protest singers like Peter, Paul & Mary and Phil Ochs, would alter the boundaries of that revival beyond recognition, but this album marked the pinnacle of that earlier phase, before it was overshadowed by this artist’s more ambitious subsequent work. In that regard, the two original songs here serve as the bridge between Dylan’s stylistic roots, as delineated on this album, and the more powerful and daringly original work that followed. One myth surrounding this album should also be dispelled here — his version of “House of the Rising Sun” here is worthwhile, but the version that was the inspiration for the Animals’ recording was the one by Josh White.
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发表于 2020-12-8 15:59:50
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