Bob Dylan – Bringing It All Back Home (1965/2013)
Жанр: Rock, Folk, Folk Rock
Носитель: SACD
Год издания: 1965/2013
Издатель: Mobile Fidelity
Номер по каталогу: UDSACD 2096
Аудиокодек: DSD64 2.0
Тип рипа: image (iso)
Продолжительность: 00:47:22
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Треклист:
01.Subterranean Homesick Blues 02:22
02.She Belongs To Me 02:51
03.Maggie’s Farm 04:02
04.Love Minus Zero / No Limit 02:51
05.Outlaw Blues 03:05
06.On The Road Again 02:38
07.Bob Dylan’s 115th Dream 06:36
08.Mr. Tambourine Man 05:26
09.Gates Of Eden 05:45
10.It’s Alright, Ma (I’m Only Bleeding) 07:33
11.It’s All Over Now, Baby Blue 04:13
SACD+Back
Bringing It All Back Home
Bringing It All Back Home is singer-songwriter Bob Dylan’s fifth studio album, released in March 1965 by Columbia Records.
The album is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band – a move that further alienated him from some of his former peers in the folk song community. Likewise, on the acoustic second side of the album, he distanced himself from the protest songs with which he had become closely identified (such as “Blowin’ in the Wind” and “A Hard Rain’s a-Gonna Fall”), as his lyrics continued their trend towards the abstract and personal.
The album reached #6 on Billboard’s Pop Albums chart, the first of Dylan’s LPs to break into the US top 10. It also topped the UK charts later that Spring. The lead-off track, “Subterranean Homesick Blues”, became Dylan’s first single to chart in the US, peaking at #39.
All Music Review
With Another Side of Bob Dylan, Dylan had begun pushing past folk, and with Bringing It All Back Home, he exploded the boundaries, producing an album of boundless imagination and skill. And it’s not just that he went electric, either, rocking hard on “Subterranean Homesick Blues,” “Maggie’s Farm,” and “Outlaw Blues”; it’s that he’s exploding with imagination throughout the record. After all, the music on its second side — the nominal folk songs — derive from the same vantage point as the rockers, leaving traditional folk concerns behind and delving deep into the personal. And this isn’t just introspection, either, since the surreal paranoia on “It’s Alright, Ma (I’m Only Bleeding)” and the whimsical poetry of “Mr. Tambourine Man” are individual, yet not personal. And that’s just the tip of the iceberg, really, as he writes uncommonly beautiful love songs (“She Belongs to Me,” “Love Minus Zero/No Limit”) that sit alongside uncommonly funny fantasias (“On the Road Again,” “Bob Dylan’s 115th Dream”). This is the point where Dylan eclipses any conventional sense of folk and rewrites the rules of rock, making it safe for personal expression and poetry, not only making words mean as much as the music, but making the music an extension of the words. A truly remarkable album.
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发表于 2020-12-8 16:00:51
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