Richard Thompson / You? Me? Us?
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1996/2016
Жанр: Folk Rock
Издатель (лейбл): Capitol Records
Продолжительность: 01:13:59
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
Voltage Enhanced
01. Razor Dance
02. She Steers By Lightning
03. Dark Hand Over My Heart
04. Hide It Away
05. Put It There Pal
06. Business On You
07. No’s Not A Word
08. Am I Wasting My Love On You?
09. Bank Vault In Heaven
10. The Ghost Of You Walks
Nude
11. Baby Don’t Know What To Do With Herself
12. She Cut Off Her Long Silken Hair
13. Hide It Away
14. Burns Supper
15. Train Don’t Leave
16. Cold Kisses
17. Sam Jones
18. Razor Dance
19. Woods Of Darney
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Формат: PCM
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.16 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2017-09-12 20:09:07
--------------------------------------------------------------------------------
Анализ: Richard Thompson / You? Me? Us?
--------------------------------------------------------------------------------
DR Пики RMS Продолжительность трека
--------------------------------------------------------------------------------
DR7 -0.84 дБ -10.20 дБ 2:42 01-Razor Dance
DR7 -1.25 дБ -9.97 дБ 2:23 02-She Steers By Lightning
DR7 -0.82 дБ -9.42 дБ 3:55 03-Dark Hand Over My Heart
DR8 -1.37 дБ -10.75 дБ 4:23 04-Hide It Away
DR8 -0.90 дБ -10.52 дБ 6:15 05-Put It There Pal
DR7 -0.79 дБ -9.28 дБ 2:50 06-Business On You
DR7 -1.04 дБ -8.94 дБ 4:23 07-No's Not A Word
DR7 -0.97 дБ -8.97 дБ 2:58 08-Am I Wasting My Love On You?
DR7 -1.04 дБ -9.00 дБ 4:38 09-Bank Vault In Heaven
DR8 -1.66 дБ -11.16 дБ 3:40 10-The Ghost Of You Walks
DR9 -2.33 дБ -13.85 дБ 3:32 11-Baby Don't Know What To Do With Herself
DR9 -1.38 дБ -13.62 дБ 5:01 12-She Cut Off Her Long Silken Hair
DR8 -0.99 дБ -10.85 дБ 4:33 13-Hide It Away
DR9 -1.64 дБ -13.66 дБ 3:50 14-Burns Supper
DR7 -1.41 дБ -10.54 дБ 2:20 15-Train Don't Leave
DR8 -1.37 дБ -12.07 дБ 4:26 16-Cold Kisses
DR8 -1.27 дБ -11.26 дБ 3:57 17-Sam Jones
DR7 -1.19 дБ -10.62 дБ 2:29 18-Razor Dance
DR9 -1.50 дБ -13.12 дБ 5:43 19-Woods Of Darney
--------------------------------------------------------------------------------
Количество треков: 19
Реальные значения DR: DR8
Частота: 192000 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5388 кбит/с
Кодек: FLAC
================================================================================
Скриншот спектра частот
Источник (релизер): HDTracks
Состав
Richard Thompson – guitar, vocals, mandolin, hurdy-gurdy
Mitchell Froom – keyboards
Tchad Blake, Simon Nicol – guitar
Jerry Scheff – bass guitar
Pete Thomas, Jim Keltner – drums
Christine Collister, Teddy Thompson – backing vocals
Danny Thompson – double bass
Suzie Katayama – cello
Sid Page – violin
Об альбоме (сборнике)
Richard Thompson earned a Grammy nomination for this ambitious 1996 release, a double album split into electric (Voltage Enhanced) and acoustic (Nude) discs, all produced by Mitchell Froom. Thompson reprises two of the electric songs on the acoustic disc, contrasting his acoustic folk roots with his electric influences.
On the surface, you? me? us? appears to be a major statement from Richard Thompson. Spread out over two discs, the budget-priced album features 19 tracks, separated into an electric (“Voltage Enhanced”) disc and an acoustic (“Nude”) disc, which each runs around 40 minutes; “Razor Dance” and “Hide It Away” appear on both discs. Despite its appearance, you? me? us? isn’t one of Thompson’s major works. What sinks the album isn’t the songs — as always, Thompson has written a handful of gems — but Mitchell Froom’s production. Froom’s gauzy, pseudo-experimental approach masks the songs in an impenetrable haze, which neither Thompson’s guitar nor his voice can cut through. There is no texture to the album’s sound — it is mushy and colorless, which cuts away at the heart of Thompson’s direct, emotional songs. If the songs on you? me? us? were given the simple, direct production they deserve, it would have been a completely different, more compelling experience. As it stands, it’s a wildly uneven and unengaging listen, like the great majority of the Froom-produced Richard Thompson records.
AllMusic Review by Stephen Thomas Erlewine