Emily Jane White / They Moved in Shadow All Together
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2016
Жанр: Rock, Folk, Folk Rock, Acoustic
Издатель (лейбл): Talitres
Продолжительность: 40:54
Наличие сканов в содержимом раздачи: Буклет PDF
Источник (релизер): qobuz
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Треклист:
01. Frozen Garden
02. Pallid Eyes
03. Hands
04. Nightmares on Repeat
05. Rupturing
06. Moulding
07. The Ledge
08. The Black Dove
09. Antechamber
10. Womankind
11. Behind the Glass
Лог проверки качества
foobar2000 1.1.10 / Dynamic Range Meter 1.1.1
log date: 2017-10-06 19:17:18
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Analyzed: Emily Jane White / They Moved In Shadow All Together
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DR Peak RMS Duration Track
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DR5 0.00 dB -6.64 dB 3:56 ?-Frozen Garden
DR5 0.00 dB -8.39 dB 3:54 ?-Pallid Eyes
DR6 0.00 dB -9.58 dB 3:22 ?-Hands
DR5 0.00 dB -6.88 dB 4:39 ?-Nightmares on Repeat
DR5 0.00 dB -7.81 dB 4:29 ?-Rupturing
DR6 0.00 dB -8.50 dB 3:20 ?-Moulding
DR5 0.00 dB -8.69 dB 3:02 ?-The Ledge
DR4 0.00 dB -7.02 dB 3:33 ?-The Black Dove
DR6 0.00 dB -9.04 dB 2:45 ?-Antechamber
DR6 0.00 dB -8.72 dB 4:20 ?-Womankind
DR6 0.00 dB -7.75 dB 3:32 ?-Behind the Glass
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Number of tracks: 11
Official DR value: DR6
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2962 kbps
Codec: FLAC
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Состав
Cello, Bass – Shawn Alpay
Drums, Percussion – Nick Ott
Vocals, Piano, Guitar, Organ – Emily Jane White
Об исполнителе (группе)
With a title that references the opening of Cormac McCarthy's novel Outer Dark, They Moved in Shadow All Together is the fifth album by indie balladeer Emily Jane White. Stripped back somewhat from the lusher, more electronic character of her previous album, Blood/Lines, it marks a return to spooky acoustic form. The opening track sets the stage with echoing percussion, acoustic guitar, bass, and cooing backing vocals set to a minor-key waltz. Its tone is reflected in lyrics that use words like dusty, overgrown, and forsaken. The song ends with the disheartening promise "someday I'll forgive." The album's haunted atmosphere is stated explicitly in "Nightmares on Repeat," a song about hanging on literally and figuratively ("Holding your hand keeps me here"). Arpeggiated guitar and, later, piano converge near the end with its lilting melody into a swirl of repeated words. Later, whether seen as a topical offering or a timeless one, "Womankind" speaks to the practice of suffering in silence and calls for an end to it from "everyone who cares for others' lives." Its flowing piano and strings seem to symbolize momentum. In contrast, the closer "Behind the Glass" has an almost rousing pulse that moves across multiple instruments. The otherwise spare arrangement includes mostly backing and lead vocals that question the notion of authenticity and warn "Behind the glass is something/But it might not be what you're wanting." The set of nocturnes maintains a mood so consistent that it's an all-or-nothing affair for listeners, and a likely boon for established fans. https://en.wikipedia.org/wiki/Emily_Jane_White
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发表于 2020-12-8 16:01:06
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