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[摇滚] [TR24] [of] The Lumineers - III - 2019 (Indie-Rock, Folk)

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发表于 2020-12-8 16:01:25 | 显示全部楼层 |阅读模式
The Lumineers - III
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Indie-Rock, Folk
Издатель (лейбл): Decca
Продолжительность: 00:50:49
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44.1
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.comТреклист
01. Donna
02. Life In The City
03. Gloria
04. It Wasn’t Easy To Be Happy For You
05. Leader Of The Landslide
06. Left For Denver
07. My Cell
08. Jimmy Sparks
09. April
10. Salt And The Sea
11. Democracy (Bonus Track)
12. Old Lady (Bonus Track)
13. Soundtrack Song (Bonus Track)
Лог проверки качества

foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-09-13 08:32:13
--------------------------------------------------------------------------------
Analyzed: The Lumineers / III
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR9       -1.00 dB   -13.46 dB      3:06 01-Donna
DR7       -1.00 dB    -9.88 dB      3:51 02-Life In The City
DR6       -1.00 dB    -9.01 dB      3:36 03-Gloria
DR6       -1.00 dB    -9.56 dB      3:34 04-It Wasn't Easy To Be Happy For You
DR7       -1.00 dB   -11.45 dB      5:55 05-Leader Of The Landslide
DR9       -1.00 dB   -13.25 dB      3:17 06-Left For Denver
DR6       -1.00 dB   -11.14 dB      3:16 07-My Cell
DR6       -1.00 dB   -10.93 dB      5:56 08-Jimmy Sparks
DR12      -3.43 dB   -21.78 dB      0:50 09-April
DR8       -1.00 dB   -11.40 dB      4:31 10-Salt And The Sea
DR8       -1.00 dB   -11.24 dB      6:44 11-Democracy (Bonus Track)
DR7       -1.00 dB   -12.09 dB      4:17 12-Old Lady (Bonus Track)
DR6       -1.00 dB    -8.96 dB      2:01 13-Soundtrack Song (Bonus Track)
--------------------------------------------------------------------------------
Number of tracks:  13
Official DR value: DR7
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1621 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
On The Lumineers’ audacious new album, III, every note, every syllable, and every moment of silence in between is emotionally charged. Through its course, songwriters Wesley Schultz and Jeremiah Fraites make it emphatically clear that the arrangements don’t have to be dense for the songs to be intense.
For this pivotal project, Schultz and Fraites brought Simone Felice back into the fold and added violinist Lauren Jacobson. Felice helmed the group’s chart-topping, certified platinum second album, Cleopatra (2016), and Jacobson has now appeared on all three Lumineers’ albums and has played with them since 2011. She has also joined the band as a touring member, joining pianist Stelth Ulvang, bassist/backing vocalist Byron Isaacs and multi-instrumentalist Brandon Miller. (After eight years, cellist/vocalist Neyla Pekarek left the group in 2018 to embark on a solo career.)
The work is titled III not just because it’s The Lumineers’ third full-length album, but more significantly because nine songs are presented in three chapters, each focusing on one of three main characters (in addition to the nine songs the album contains an instrumental plus three more bonus songs that don’t fit in the narrative). The chapters also serves as the visual bookend for a sequential video series comprising the nine tracks, each directed by Kevin Phillips (whose 2017 film Super Dark Times is streaming on Netflix).
III is so taut in its narrative progression that one might assume it was created with premeditation, but that couldn’t be further from the truth. On the contrary, the work willed itself into existence out of a series of seemingly unconnected elements that magically locked together into a coherent whole.
These elements included detailed notes presciently scrawled by Schultz in a journal more than a decade ago: depicting both the harrowing experience of trying to save an alcoholic close relative from herself, and Schultz’s memories of a deeply absurd family portrait at Sears when he was a child. Another crucial component was a song commissioned and subsequently rejected by a filmmaker, which features a haunting piano passage repurposed by Fraites from years earlier, when he barely knew how to play the instrument. You can’t make this stuff up—but you can use it to make a musically powerful and psychologically complex artistic statement. For the longtime partners, the third time was indeed the charm, on all kinds of levels.
“The chapter idea started percolating back in 2007,” Schultz explains. “I have notes in my journal from that time about three EPs all tying together, but each one having a theme and forming an album. We were going to call it Love, Loss and Crimes. It just never happened—I had the title, but I didn’t have the songs. We initially considered naming this new album Love, Loss and Crimes, because we thought it had a good sound to it, but we ended up going with the Roman numeral III.”
                                                                                       
                       
                       
                       
                       
                       
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