The Band – The Band (1969/2013)
Жанр: Rock
Носитель: SACD
Год издания: 1969/2013
Издатель: Mobile Fidelity
Номер по каталогу: UDSACD 2129
Аудиокодек: DSD64 2.0
Тип рипа: image (iso)
Продолжительность: 00:44:00
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Треклист:
01.Across The Great Divide 02:54
02.Rag Mama Rag 03:05
03.The Night They Drove Old Dixie Down 03:33
04.When You Awake 03:14
05.Up On Cripple Creek 04:35
06.Whispering Pines 04:00
07.Jemima Surrender 03:32
08.Rockin’ Chair 03:43
09.Look Out Cleveland 03:10
10.Jawbone 04:21
11.The Unfaithful Servant 04:17
12.King Harvest (Has Surely Come) 03:36
SACD+Back
The Band
The Band is the eponymous second studio album by The Band, released on September 22, 1969. It is also known as The Brown Album. According to Rob Bowman’s liner notes for the 2000 reissue, The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana. Thus, the songs on this album draw from historic themes for “The Night They Drove Old Dixie Down”, “King Harvest (Has Surely Come)” and Richard Manuel’s “Jawbone” (which was composed in the unusual 6/4 time signature.)
All Music Review
The Band’s first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the group’s second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though a Canadian, Robertson focused on a series of American archetypes from the union worker in “King Harvest (Has Surely Come)” and the retired sailor in “Rockin’ Chair” to, most famously, the Confederate Civil War observer Virgil Cane in “The Night They Drove Old Dixie Down.” The album effectively mixed the kind of mournful songs that had dominated Music from Big Pink, here including “Whispering Pines” and “When You Awake” (both co-written by Richard Manuel), with rollicking uptempo numbers like “Rag Mama Rag” and “Up on Cripple Creek” (both sung by Levon Helm and released as singles, with “Up on Cripple Creek” making the Top 40). As had been true of the first album, it was The Band’s sound that stood out the most, from Helm’s (and occasionally Manuel’s) propulsive drumming to Robertson’s distinctive guitar fills and the endlessly inventive keyboard textures of Garth Hudson, all topped by the rough, expressive singing of Manuel, Helm, and Rick Danko that mixed leads with harmonies. The arrangements were simultaneously loose and assured, giving the songs a timeless appeal, while the lyrics continued to paint portraits of 19th century rural life (especially Southern life, as references to Tennessee and Virginia made clear), its sometimes less savory aspects treated with warmth and humor.