The Doors / Waiting For The Sun
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1968/2013
Жанр: Psychedelic Rock, Classic Rock
Издатель (лейбл): Elektra / Analogue PRoductions
Продолжительность: 00:33:00
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
1. Hello, I Love You 02:16
2. Love Street 02:52
3. Not To Touch The Earth 03:55
4. Summer’s Almost Gone 03:22
5. Wintertime Love 01:53
6. The Unknown Soldier 03:22
7. Spanish Caravan 02:59
8. My Wild Love 02:52
9. We Could Be So Good Together 02:23
10. Yes, The River Knows 02:38
11. Five To One 04:29Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 5.1; 2.0Доп. информация: Released 22 July 1968 (2013 AP Remaster)
Recorded February–May 1968
Analogue PRoductions CAPP 74024 SA
Producer Paul Rothchild
Источник (релизер): pssacd (PS³SACD) http://www.elusivedisc.com/The-Doors-Waiting-For-The-Sun-Hybrid-Multi-Channel-Ste...info/APSAM74024/
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2018-09-18 19:29:33
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Анализ: The Doors / Waiting For The Sun
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DR Пики RMS Продолжительность трека
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DR12 -0.51 дБ -16.82 дБ 2:40 01-Hello, I Love You
DR11 -0.90 дБ -18.05 дБ 2:57 02-Love Street
DR11 -0.31 дБ -16.93 дБ 4:01 03-Not To Touch The Earth
DR12 -0.62 дБ -18.23 дБ 3:23 04-Summer's Almost Gone
DR11 -0.56 дБ -16.40 дБ 1:56 05-Wintertime Love
DR12 -0.48 дБ -17.84 дБ 3:27 06-The Unknown Soldier
DR12 -0.54 дБ -19.74 дБ 3:03 07-Spanish Caravan
DR15 -1.92 дБ -25.00 дБ 3:01 08-My Wild Love
DR13 -0.49 дБ -19.87 дБ 2:24 09-We Could Be So Good Together
DR11 -0.50 дБ -19.71 дБ 2:42 10-Yes, The River Knows
DR12 -0.49 дБ -18.75 дБ 4:34 11-Five To One
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Количество треков: 11
Реальные значения DR: DR12
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 6
Разрядность: 24
Битрейт: 16934 кбит/с
Кодек: DST64
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Анализ: The Doors / Waiting For The Sun
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DR Пики RMS Продолжительность трека
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DR11 -7.76 дБ -21.67 дБ 2:16 01-Hello, I Love You
DR11 -8.41 дБ -22.52 дБ 2:52 02-Love Street
DR11 -7.34 дБ -22.46 дБ 3:55 03-Not To Touch The Earth
DR12 -5.20 дБ -20.95 дБ 3:22 04-Summer's Almost Gone
DR11 -8.11 дБ -21.48 дБ 1:53 05-Wintertime Love
DR9 -6.80 дБ -20.66 дБ 3:22 06-The Unknown Soldier
DR11 -7.42 дБ -22.68 дБ 2:59 07-Spanish Caravan
DR15 -6.91 дБ -25.36 дБ 2:52 08-My Wild Love
DR12 -4.33 дБ -19.41 дБ 2:23 09-We Could Be So Good Together
DR11 -7.07 дБ -22.40 дБ 2:38 10-Yes, The River Knows
DR11 -8.02 дБ -22.62 дБ 4:29 11-Five To One
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Количество треков: 11
Реальные значения DR: DR11
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
Waiting for the Sun is the third studio album by the American rock band The Doors. It was released in July 1968 and became the band’s first and only number one album, spawning their second US number one single, “Hello, I Love You.” It also became the band’s first hit album in the UK, where it peaked at #16 in the chart. With the exception of two songs, the material for this album was written after the band’s initial songs from the formation of the group had been recorded for their debut album and second album, Strange Days. The centerpiece of this album was supposed to be the lengthy theatrical piece “Celebration of the Lizard,” but in the end only the “Not to Touch the Earth” section was used. The album has sold over 7 million copies.
Allmusic Review
The Doors’ 1967 albums had raised expectations so high that their third effort was greeted as a major disappointment. With a few exceptions, the material was much mellower, and while this yielded some fine melodic ballad rock in “Love Street,” “Wintertime Love,” “Summer’s Almost Gone,” and “Yes, the River Knows,” there was no denying that the songwriting was not as impressive as it had been on the first two records. On the other hand, there were first-rate tunes such as the spooky “The Unknown Soldier,” with antiwar lyrics as uncompromisingly forceful as anything the band did, and the compulsively riff-driven “Hello, I Love You,” which nonetheless bore an uncomfortably close resemblance to the Kinks’ “All Day and All of the Night.” The flamenco guitar of “Spanish Caravan,” the all-out weirdness of “Not to Touch the Earth” (which was a snippet of a legendary abandoned opus, “The Celebration of the Lizard”), and the menacing closer “Five to One” were also interesting. In fact, time’s been fairly kind to the record, which is quite enjoyable and diverse, just not as powerful a full-length statement as the group’s best albums.
/1 
发表于 2020-12-8 16:03:30
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