Isaac Hayes – The Isaac Hayes Movement (1970/2004)
Жанр: Pop/Rock - R&B/Soul
Носитель: SACD
Год издания: 1970/2004
Издатель: Stax
Номер по каталогу: SXSA-1010-6
Аудиокодек: DSD64 2.0
Тип рипа: image (iso)
Продолжительность: 00:36:23
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Треклист:
01.I Stand Accused 11:40
02.One Big Unhappy Family 05:54
03.I Just Don’t Know What To Do With Myself 07:06
04.Something 11:44
SACD+Back
The Isaac Hayes Movement
The Isaac Hayes Movement was the third studio album released by Isaac Hayes. Released in 1970, it was the follow-up to “Hot Buttered Soul”, Hayes’ landmark 1969 album.
Marvell Thomas had come up with “The Isaac Hayes Movement” as a name for Hayes’ backup ensemble. He modeled the name after the Jimi Hendrix Experience. Similar in structure to Hot Buttered Soul, The Isaac Hayes Movement features only four long tracks, all with meticulous, complex and heavily orchestrated arrangements. However, unlike the previous album, this time all four songs are reworked covers of others’ material. This includes Jerry Butler’s “I Stand Accused”, which features a nearly five-minute long spoken intro that precedes the actual song, and The Beatles’ “Something”, which features violin soloing by John Blair. The other two songs included on the album were the Bacharach-David song, “I Just Don’t Know What to Do with Myself” and Chalmers and Rhodes’ “One Big Unhappy Family”.
Released in March 1970,The Isaac Hayes Movement spent a total of seven weeks at #1 on Billboard’s Soul Albums chart and remained in the top ten until the last week of November in that year. The album also reached #1 on the Jazz Albums chart and spent 75 weeks on the Billboard 200 chart, peaking at #8. An edited version of “I Stand Accused” was released as a single in July 1970. It reached #23 on the Soul Singles chart and #42 on the Pop chart.
Stax Records reissued The Isaac Hayes Movement in SACD format in 2004.
All Music Review
Although this is Isaac Hayes’ third long-player, he had long been a staple of the Memphis R&B scene — primarily within the Stax coterie — where his multiple talents included instrumentalist, arranger, and composer of some of the most beloved soul music of the ’60s. Along with his primary collaborator, David Porter, Hayes was responsible for well over 200 sides — including the genre-defining “When Something Is Wrong With My Baby,” “Soul Man,” “B-A-B-Y,” “Hold On, I’m Comin’,” and “I Had a Dream.” As a solo artist however, Hayes redefined the role of the long-player with his inimitably smooth narrative style of covering classic pop and R&B tracks, many of which would spiral well over ten minutes. The Isaac Hayes Movement (1970) includes four extended cuts from several seemingly disparate sources, stylistically ranging from George Harrison’s “Something” to Jerry Butler’s “I Stand Accused” and even Burt Bacharach and Hal David’s “I Just Don’t Know What to Do With Myself.” These early Hayes recordings brilliantly showcase his indomitable skills as an arranger — as he places familiar themes into fresh contexts and perspectives. For example, his lengthy one-sided dialogue that prefaces “I Stand Accused” is halting in its candor as Hayes depicts an aching soul who longs for his best friend’s fiancée. Even the most hard-hearted can’t help but have sympathy pains as he unravels his sordid emotional agony and anguish. Hayes’ lyrical orchestration totally reinvents the structure of “Something” — which includes several extended instrumental sections — incorporating equally expressive contributions from John Blair (violin). Both “I Just Don’t Know What to Do With Myself” and the comparatively short (at under six minutes) “One Big Unhappy Family” are more traditionally arranged ballads. Hayes again tastefully incorporates both string and horn sections to augment the languid rhythm, providing contrasting textures rather than gaudy adornment. These sides offer a difference between the proverbial “Black Moses of Soul” persona that would be responsible for the aggressive no-nonsense funk of Shaft (1971) and Truck Turner (1974).
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发表于 2020-12-8 16:03:45
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