Wishbone Ash / Argus
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1972/2016
Жанр: Progressive rock; Folk rock; Hard rock
Издатель(лейбл): Geffen / Universal Japan
Продолжительность: 01:20:44
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
1. Time Was 09:45
2. Sometime World 06:56
3. Blowin’ Free 05:20
4. The King Will Come 07:08
5. Leaf And Stream 03:56
6. Warrior 05:55
7. Throw Down The Sword 05:57
Bonustracks:
8 No Easy Roads 03:37
9 Jail Bait – Live From Memphis 04:56
10 The Pilgrim – Live From Memphis 10:09
11 Phoenix – Live From Memphis 17:06Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Released 28 April 1972
Recorded De Lane Lea Studios, London, England January 1972
Geffen UIGY-15033. SHM-SACD
Producer Derek Lawrence
Источник (релизер): pssacd (PS³SACD) http://888777.ru/product_7069.html
Лог DR
Об альбоме (сборнике)
Argus is the third album by the rock band Wishbone Ash. It is the most popular Wishbone Ash album and widely considered the greatest by fans and reviewers. It was named “Album of the Year” in the 1972 year-end issue of Sounds magazine. The album features a blend of progressive rock, folk, and hard rock, and is considered a landmark album in the progression of twin-lead guitar harmonization later adopted by bands such as Thin Lizzy and Iron Maiden. The sound engineer on Argus was Martin Birch, who also worked with Deep Purple, later with Iron Maiden and other hard rock / heavy metal bands. The bulk of the melodies and lyrics were provided by bassist / lead vocalist Martin Turner, although all members contributed to the song arrangements. With the success of Argus, the band also became one of the most popular live attractions of the day.
All Music Review
If Wishbone Ash can be considered a group who dabbled in the main strains of early-’70s British rock without ever settling on one (were they a prog rock outfit like Yes, a space rock unit like Pink Floyd, a heavy metal ensemble like Led Zeppelin, or just a boogie band like Ten Years After?), the confusion compounded by their relative facelessness and the generic nature of their compositions, Argus, their third album, was the one on which they looked like they finally were going to forge their own unique amalgamation of all those styles into a sound of their own. The album boasted extended compositions, some of them (“Time Was,” “Sometime World”) actually medleys of different tunes, played with assurance and developing into imaginative explorations of new musical territory and group interaction. The lyrics touched on medieval themes (“The King Will Come,” “Warrior”) always popular with British rock bands, adding a majestic tone to the music, but it was the arrangements, with their twin lead guitar parts and open spaces for jamming, that made the songs work so well. Argus was a bigger hit in the U.K., where it reached the Top Five, than in the U.S., where it set up the commercial breakthrough enjoyed by the band’s next album, Wishbone Four, but over the years it came to be seen as the quintessential Wishbone Ash recording, the one that best realized the group’s complex vision.