Mieczysław Weinberg - Chamber Music
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Classical
Издатель (лейбл): Deutsche Grammophon
Продолжительность: 00:58:47
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.comТреклист
Three Pieces for Violin and Piano
1. I. Nocturne
2. II. Scherzo
3. III. Traum von einer Puppe
Piano Trio in A Minor, Op. 24
4. I. Praeludium and Aria
5. II. Toccata
6. III. Poem
7. IV. Finale
Sonata No. 6 for Violin and Piano, Op. 136bis
8. I. Moderato
9. II. Adagio
10. III. ModeratoGidon Kremer, violin
Yulianna Avdeeva, piano
Giedrė Dirvanauskaitė, cello
Лог проверки качества
foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2019-10-17 18:43:57
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Analyzed: Gidon Kremer, Giedre Dirvanauskaite, Yulianna Avdeeva / Weinberg: Chamber Music
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DR Peak RMS Duration Track
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DR15 -1.20 dB -22.67 dB 6:34 01-1. Nocturne
DR15 -0.20 dB -21.56 dB 2:19 02-2. Scherzo
DR14 -1.01 dB -22.99 dB 6:12 03-3. Traum von einer Puppe
DR14 -1.25 dB -21.04 dB 5:38 04-1. Praeludium and Aria
DR12 -1.26 dB -17.23 dB 4:06 05-2. Toccata
DR14 -1.25 dB -21.02 dB 9:43 06-3. Poem
DR14 -1.26 dB -20.30 dB 10:02 07-4. Finale
DR13 -1.26 dB -19.44 dB 6:28 08-1. Moderato
DR15 -3.33 dB -25.17 dB 2:56 09-2. Adagio
DR14 -1.26 dB -20.64 dB 4:50 10-3. Moderato
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Number of tracks: 10
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2561 kbps
Codec: FLAC
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Об альбоме (сборнике)
Following the success of the Weinberg Symphonies 2 & 21 with conductor Mirga Grazinyte-Tyla, Deutsche Grammophon now features chamber music by Mieczysław Weinberg under the direction of Gidon Kremer.
Included among others are his “Three Pieces for Violin and Piano”, which Weinberg completed in the winter of 1934/35 when he was only 15 years old and had not yet received any compositional training.
What connects Weinberg’s works is not only their compositional perfection, but above all their constant commitment to beauty. It is a confession that in Weinberg’s music is above all pain and suffering.