Hannu Lintu, Tampere Philharmonic Orchestra
George Enescu – Symphony No. 2 & Chamber Symphony
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2012/2015
Жанр: Classical
Издатель (лейбл): Ondine
Продолжительность: 01:09:21
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
Symphony No. 2, Op. 17
1 I. Vivace ma non troppo 20’09
2 II. Andante giusto 14’27
3 III. Un poco lento, marziale – 4’01
4 IV. Allegro vivace, marziale 14’39
Chamber Symphony for 12 instruments, Op. 33
5 I. Molto moderato, un poco maestoso 5’54
6 II. Allegretto molto 3’54
7 III. Adagio 2’04
8 IV. Allegro molto moderato 3’58
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2020-01-22 17:07:16
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Анализ: Tampere Philharmonic Orchestra, Hannu Lintu / Enescu: Symphony No. 2 & Chamber Symphony in E Major, Op. 33
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DR Пики RMS Продолжительность трека
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DR14 -9.01 дБ -29.27 дБ 20:10 01-Symphony No. 2 in A Major, Op. 17: I. Vivace, ma non troppo
DR14 -13.21 дБ -33.66 дБ 14:27 02-Symphony No. 2 in A Major, Op. 17: II. Andante giusto
DR14 -8.93 дБ -28.62 дБ 4:02 03-Symphony No. 2 in A Major, Op. 17: III. Un poco lento, marziale
DR13 -8.38 дБ -26.39 дБ 14:49 04-Symphony No. 2 in A Major, Op. 17: IV. Allegro vivace, marziale
DR12 -15.61 дБ -33.47 дБ 5:54 05-Chamber Symphony in E Major, Op. 33: I. Molto moderato, un poco maestoso
DR13 -12.58 дБ -31.77 дБ 3:55 06-Chamber Symphony in E Major, Op. 33: II. Allegretto molto moderato
DR12 -13.24 дБ -32.57 дБ 2:04 07-Chamber Symphony in E Major, Op. 33: III. Adagio
DR12 -12.02 дБ -29.42 дБ 4:00 08-Chamber Symphony in E Major, Op. 33: IV. Allegro molto moderato
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Количество треков: 8
Реальные значения DR: DR13
Частота: 2822400 Гц / Частота PCM: 44100 Гц
Каналов: 2
Разрядность: 1
Битрейт: 5645 кбит/с
Кодек: DSD64
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Источник (релизер): https://www.chandos.net/products/catalogue/OD%201196
Оркестр: Tampere Philharmonic Orchestra
Hannu Lintu , conductor
Об альбоме (сборнике)
There is a pedigreed narrative about the emergence of canonic composers in the eastern half of Europe in the late nineteenth and early twentieth centuries. Like social modernisation, cultural renewal during the nineteenth century was supposedly a response to ideas and practices from the charismatic cultural capitals of Western Europe: an appropriation and then a transformation of modalities developed elsewhere.
And because of this response mode, so it is argued, there was initially an element of ‘forms without substance’ about the process. Then, as this response slowly fused with a developing nationalist commitment, music in these regions found its ‘historical moment’, initially in the Czech lands, and then in Hungary, Poland and Romania. When the conditions were right, significant composers, including Béla Bartók, Karol Szymanowski and George Enescu, appeared on cue.
George Enescu is best remembered for his evergreen Roumanian Rhapsody No. 1, but most of his music has taken a long time to enter the western repertoire. Because the Symphony No. 2 in A major and the Chamber Symphony for 12 instruments have been treated to a handful of recordings, they are perhaps more familiar to listeners than most of his works, though limited availability still keeps them from a wider audience. That’s why Hannu Lintu’s recording of these works for Ondine is an important contribution to the catalog, because his clear and cogent readings with the Tampere Philharmonic Orchestra have the potential to establish these pieces outside Romania. Enescu’s youthful energy, gift for memorable thems, and lush post-Romantic orchestration in the style of Richard Strauss make the Symphony No. 2 an engaging piece that listeners will immediately appreciate. The Chamber Symphony was Enescu’s last composition, left incomplete because of a stroke, so the work was finished by Marcel Mihalovici. It is somewhat less ingratiating because of its serious mood and comparatively thin textures, but its lyrical lines and coherent development make it accessible. Ondine’s recording of the symphony is spacious and vibrant, and all the details of the score are presented in gorgeous colors. However, the sound of the Chamber Symphony is dry and close to the instruments, making its sonorities sharp and austere. ~~AllMusic Review by Blair Sanderson
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发表于 2021-4-13 14:09:42
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