Mozart · Paisiello · Martín y Soler · Salieri - Liberta!
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Classical, Vocal
Издатель (лейбл): Harmonia Mundi
Продолжительность: 01:44:23
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.com
Трейлер: youtube.com
Треклист:
Wolfgang Amadeus Mozart
1. Lo sposo deluso, K. 430: Ouverture
2. Lo sposo deluso, K. 430, Act I, scene 1: Ah che ridere! (Pulcherio, Bocconio, Bettina, Don Asdrubale)
3. Lo sposo deluso, K. 431, Act I, scene 4: Dove mai trovar qual ciglio?
Giovanni Paisiello
4. Il barbiere di Siviglia, R 1.64, Act I, scene 6: Saper bramate
Wolfgang Amadeus Mozart
5. Bella mia fiamma, K. 528 (Titano)
6. Caro bell'idol moi, K. 562
7. L'oca del Cairo, K. 422, Act I, scene 6: Ogni momento dicon le donne (Chichibio)
8. Ridente la calma, K. 152
9. Idomeneo, re di Creta, K. 366, Act III, scene 2: Spiegarti non poss'io, K. 489
10. Se lontan, ben mio, tu sei, K. 438
11. Thamos, König in Ägypten, K. 345: Ouverture. Maestoso
Vicente Martín y Soler
12. Una cosa rara, o sia Bellezza ed onestà, Act I, scene 18: O quanto un sì bel giubilo! (La regina, Lilla, Ghita, Tito, Lubino)
Wolfgang Amadeus Mozart
13. Così dunque tradisci, K. 432 (Sebaste)
14. Nascoso è il mio sol, K. 557 (Donna Elvira, Donna Anna, Don Ottavio, Masetto)
15. Vado, ma dove?, K. 583
16. Per pietà, non ricercate, K. 420 (Il conte)
17. No, che non sei capace, K. 419 (Clorinda)
18. L'oca del Cairo, K. 422, Act I, scene 15: Corpo di Satanasso!
19. Thamos, König in Ägypten, K. 345: Ne pulvis et cinis, K. Anh 122
20. Thamos, König in Ägypten, K. 345, Act V, scene 7: Entracte
21. Der Schauspieldirektor, K. 486: Ouverture
22. Männer suchen stets zu naschen, K. 433
23. Io ti lascio, o cara, addio, K. Anh. 245
24. Der Schauspieldirektor, K. 486, Act I, scene 7: Da schlägt des Abschieds Stunde (Frau Herz)
Antonio Salieri
25. La scuola de' gelosi, Act I, scene 22: Con mille smanie al core (Blasio, Lumaca)
26. La scuola de' gelosi, Act I, Finale 1: Son le donne sopraffine (I tre pazzi, Le tre pazze)
Wolfgang Amadeus Mozart
27. Lo sposo deluso, Act I, scene 9: Ah che accidenti! (Bocconio, Don Asdrubale, Eugenia)
28. Più non si trovano, K. 549 (Fiordiligi, Dorabella, Ferrando, Guglielmo)
Исполнители:
Sabine Devieilhe, soprano
Siobhan Stagg, soprano
Serena Malfi, mezzo
Linard Vrielink, tenor
John Chest, baritone
Nahuel di Pierro, bass-baritone
Pygmalion
Raphaël Pichon, conductor
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-08-30 18:21:11
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Analyzed: S.Devielhe, S.Stagg, S.Malfi, L.Vriekink, J.Crest, N. di Pierro, Pygmalion & Raphaël Pichon / Libertà!
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DR Peak RMS Duration Track
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DR12 -0.46 dB -17.71 dB 5:05 01-Lo sposo deluso, K. 430: Ouverture
DR13 -0.27 dB -16.46 dB 5:22 02-Lo sposo deluso, K. 430, Act I, scene 1: Ah che ridere! (Pulcherio, Bocconio, Bettina, Don Asdrubale)
DR14 -0.93 dB -18.61 dB 4:13 03-Lo sposo deluso, K. 431, Act I, scene 4: Dove mai trovar qual ciglio?
DR15 -4.35 dB -25.88 dB 4:57 04-Il barbiere di Siviglia, R 1.64, Act I, scene 6: Saper bramate
DR13 -0.79 dB -18.27 dB 9:39 05-Bella mia fiamma, K. 528 (Titano)
DR11 -4.72 dB -19.88 dB 2:01 06-Caro bell'idol moi, K. 562
DR13 -2.82 dB -19.49 dB 1:18 07-L'oca del Cairo, K. 422, Act I, scene 6: Ogni momento dicon le donne (Chichibio)
DR13 -3.99 dB -21.47 dB 4:22 08-Ridente la calma, K. 152
DR13 -2.60 dB -19.55 dB 3:26 09-Idomeneo, re di Creta, K. 366, Act III, scene 2: Spiegarti non poss'io, K. 489
DR11 -9.02 dB -25.09 dB 1:42 10-Se lontan, ben mio, tu sei, K. 438
DR12 -0.44 dB -17.16 dB 3:50 11-Thamos, König in Ägypten, K. 345: Ouverture. Maestoso
DR13 -0.38 dB -18.36 dB 3:59 13-Così dunque tradisci, K. 432 (Sebaste)
DR11 -5.29 dB -21.65 dB 2:13 14-Nascoso è il mio sol, K. 557 (Donna Elvira, Donna Anna, Don Ottavio, Masetto)
DR13 -1.21 dB -19.97 dB 4:37 15-Vado, ma dove?, K. 583
DR15 -0.25 dB -19.43 dB 6:34 16-Per pietà, non ricercate, K. 420 (Il conte)
DR12 -0.05 dB -16.20 dB 4:17 17-No, che non sei capace, K. 419 (Clorinda)
DR11 -0.26 dB -15.13 dB 5:14 18-L'oca del Cairo, K. 422, Act I, scene 15: Corpo di Satanasso!
DR11 -0.25 dB -16.68 dB 3:05 19-Thamos, König in Ägypten, K. 345: Ne pulvis et cinis, K. Anh 122
DR13 -0.12 dB -16.39 dB 1:18 20-Thamos, König in Ägypten, K. 345, Act V, scene 7: Entracte
DR12 -0.26 dB -17.04 dB 4:17 21-Der Schauspieldirektor, K. 486: Ouverture
DR13 -3.57 dB -20.25 dB 2:19 22-Männer suchen stets zu naschen, K. 433
DR15 -5.84 dB -26.05 dB 4:36 23-Io ti lascio, o cara, addio, K. Anh. 245
DR12 -0.26 dB -17.59 dB 4:05 24-Der Schauspieldirektor, K. 486, Act I, scene 7: Da schlägt des Abschieds Stunde (Frau Herz)
DR16 -1.61 dB -24.83 dB 1:20 25-La scuola de' gelosi, Act I, scene 22: Con mille smanie al core (Blasio, Lumaca)
DR15 -0.09 dB -20.44 dB 2:19 26-La scuola de' gelosi, Act I, Finale 1: Son le donne sopraffine (I tre pazzi, Le tre pazze)
DR14 -0.25 dB -18.80 dB 2:58 27-Lo sposo deluso, Act I, scene 9: Ah che accidenti! (Bocconio, Don Asdrubale, Eugenia,)
DR12 -4.35 dB -21.14 dB 3:21 28-Più non si trovano, K. 549 (Fiordiligi, Dorabella, Ferrando, Guglielmo)
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Number of tracks: 27
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2505 kbps
Codec: FLAC
================================================================================
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-08-30 18:21:12
--------------------------------------------------------------------------------
Statistics for: 12-Una cosa rara, o sia Bellezza ed onestà, Act I, scene 18: O quanto un sì bel giubilo! (La regina, Lilla, Ghita, Tito, Lubino)
Number of samples: 12071680
Duration: 2:06
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Left Right
Peak Value: -0.51 dB --- -0.99 dB
Avg RMS: -16.24 dB --- -17.44 dB
DR channel: 12.18 dB --- 12.08 dB
--------------------------------------------------------------------------------
Official DR Value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2697 kbps
Codec: FLAC
================================================================================
Об альбоме (сборнике)
Between Die Entführung aus dem Serail and the advent of the famous Da Ponte trilogy, Mozart threw himself frantically into the search for the right libretto, capable of taking the spectator to lands still unexplored where the drama and the psychology of the characters would be sublimated by the music.
Hence, in the years between 1782 and 1786, Mozart set up a veritable laboratory for dramatic music: a musical corpus of concert arias, sketches and stylistic exercises like the canon - brilliantly organised here as an imaginary dramma giocoso in three scenes, each heralding in its own way one of the summits to come: Figaro, Don Giovanni, Così…
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发表于 2021-4-13 14:09:43
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