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[古典] [Tr24] [] J.S. Bach - Sonatas和Solo Violoncello Piccolo的Partitas - Mario Brunello - 2019(古典)

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发表于 2021-4-13 14:09:44 | 显示全部楼层 |阅读模式
J.S. Bach - Sonatas and Partitas for Solo Violoncello Piccolo
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Classical
Издатель (лейбл): Arcana
Продолжительность: 02:40:28
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.com
Интервью: 'Bach a mountain' by Mario Brunello
Треклист:
Sonata No. 1 in G Minor, BWV 1001
1. I. Adagio (04:07)
2. II. Fuga (Allegro) (06:56)
3. III: Siciliana (03:20)
4. IV. Presto (04:23)
Partita No. 1 in B Minor, BWV 1002
5. I. Allemanda - Double (09:47)
6. II. Corrente - Double (Presto) (10:05)
7. III: Sarabande - Double (06:00)
8. IV. Tempo di Borea - Double (08:23)
Sonata No. 2 in A Minor, BWV 1003
9. I. Grave (03:57)
10. II. Grave (09:23)
11. III: Andante (05:22)
12. IV. Allegro (07:04)
Partita No. 2 in D Minor, BWV 1004
13. I. Allemanda (04:03)
14. II: Corrente (03:20)
15. III: Sarabanda (04:41)
16. IV: Giga (05:09)
17. V. Ciaccona (16:00)
Sonata No. 3 in C Major, BWV 1005
18. I. Adagio (04:34)
19. II: Fuga (13:07)
20. III: Largo (03:52)
21. IV. Allegro assai (06:13)
Partita No. 3 in E Major, BWV 1006
22. I. Preludio (04:40)
23. II: Loure (03:55)
24. III. Gavotte en rondeau (03:14)
25. IV. Menuet I (01:49)
26. V. Menuet II (02:41)
27. VI. Bourrée (02:08)
28. VII. Gigue (02:15)

Исполнители:
Mario Brunello, cello

Лог проверки качества

foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2019-10-15 21:39:18
--------------------------------------------------------------------------------
Analyzed: Mario Brunello / Bach: Sonatas and Partitas for Solo Violoncello Piccolo
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR9       -1.00 dB   -13.70 dB      4:07 01-Sonata No. 1 in G Minor, BWV 1001: I. Adagio
DR7       -1.00 dB   -10.23 dB      6:56 02-Sonata No. 1 in G Minor, BWV 1001: II. Fuga (Allegro)
DR9       -1.00 dB   -13.88 dB      3:20 03-Sonata No. 1 in G Minor, BWV 1001: III: Siciliana
DR10      -1.00 dB   -14.19 dB      4:23 04-Sonata No. 1 in G Minor, BWV 1001: IV. Presto
DR12      -1.00 dB   -16.04 dB      9:47 05-Partita No. 1 in B Minor, BWV 1002: I. Allemanda - Double
DR13      -1.00 dB   -17.21 dB     10:05 06-Partita No. 1 in B Minor, BWV 1002: II. Corrente - Double (Presto)
DR13      -1.33 dB   -18.44 dB      6:00 07-Partita No. 1 in B Minor, BWV 1002: III: Sarabande - Double
DR11      -1.00 dB   -14.55 dB      8:23 08-Partita No. 1 in B Minor, BWV 1002: IV. Tempo di Borea - Double
DR9       -1.00 dB   -14.00 dB      3:57 09-Sonata No. 2 in A Minor, BWV 1003: I. Grave
DR7       -1.00 dB   -10.43 dB      9:23 10-Sonata No. 2 in A Minor, BWV 1003: II. Grave
DR11      -1.00 dB   -16.92 dB      5:22 11-Sonata No. 2 in A Minor, BWV 1003: III: Andante
DR10      -1.00 dB   -13.53 dB      7:04 12-Sonata No. 2 in A Minor, BWV 1003: IV. Allegro
DR10      -1.00 dB   -13.69 dB      4:03 13-Partita No. 2 in D Minor, BWV 1004: I. Allemanda
DR10      -1.00 dB   -13.02 dB      3:20 14-Partita No. 2 in D Minor, BWV 1004: II: Corrente
DR13      -1.00 dB   -17.61 dB      4:41 15-Partita No. 2 in D Minor, BWV 1004: III: Sarabanda
DR10      -1.00 dB   -13.99 dB      5:09 16-Partita No. 2 in D Minor, BWV 1004: IV: Giga
DR9       -1.00 dB   -14.03 dB     16:00 17-Partita No. 2 in D Minor, BWV 1004: V. Ciaccona
DR11      -1.00 dB   -15.99 dB      4:34 18-Sonata No. 3 in C Major, BWV 1005: I. Adagio
DR8       -1.00 dB   -11.92 dB     13:07 19-Sonata No. 3 in C Major, BWV 1005: II: Fuga
DR11      -1.00 dB   -16.26 dB      3:52 20-Sonata No. 3 in C Major, BWV 1005: III: Largo
DR10      -1.00 dB   -13.55 dB      6:13 21-Sonata No. 3 in C Major, BWV 1005: IV. Allegro assai
DR10      -1.00 dB   -13.29 dB      4:40 22-Partita No. 3 in E Major, BWV 1006: I. Preludio
DR13      -1.00 dB   -17.33 dB      3:55 23-Partita No. 3 in E Major, BWV 1006: II: Loure
DR11      -1.00 dB   -14.66 dB      3:14 24-Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau
DR12      -1.00 dB   -15.78 dB      1:49 25-Partita No. 3 in E Major, BWV 1006: IV. Menuet I
DR11      -1.00 dB   -15.23 dB      2:41 26-Partita No. 3 in E Major, BWV 1006: V. Menuet II
DR12      -1.00 dB   -15.01 dB      2:08 27-Partita No. 3 in E Major, BWV 1006: VI. Bourrée
DR12      -1.00 dB   -15.80 dB      2:15 28-Partita No. 3 in E Major, BWV 1006: VII. Gigue
--------------------------------------------------------------------------------
Number of tracks:  28
Official DR value: DR10
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2702 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
Since winning the Tchaikovsky Competition in Moscow in 1986, Mario Brunello has established himself as one of the foremost living cellists. An eclectic musician, for some years Brunello has also taken an interest in the world of historically informed performance practice and the rediscovery of the four-string ‘violoncello piccolo’. This instrument, slightly smaller than the cello, is known today for its presence in some sacred cantatas of Bach, but it was surely used much more widely in the seventeenth and eighteenth centuries than the currently known repertory would lead us to think.This recording of the Sonate & Partite per violino solo inaugurates the collaboration on the Arcana label with a ‘Bach Brunello Series’ of three CDs, in which important compositions for the violin from his catalogue will be performed on the violoncello piccolo. The booklet includes texts by Bach scholar Peter Wollny and Italian writer Alessandro Baricco.
‘I want to approach the Sonatas and Partitas “from the ground up”, in every sense. Violinists “fly high”, they are always on top of the melody, they see the music from above. I am therefore not proposing an imitation of the violin, but rather a specular reading, a conquest of the summit by another route. A mountain seen from the south or from the north changes the perspective, but not the substance.’ (Mario Brunello)
                                                                                       
                       
                       
                       
                       
                       
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