Netherlands Symphony Orchestra, Jan Willem de Vriend - Mendelssohn: Symphonies Nos. 4 & 5
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания: 2014
Жанр: Classical, Orchestral
Издатель (лейбл): Challenge Classics
Продолжительность: 00:56:32
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 128(5,6 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Источник (релизер): spiritofturtle.comТреклист:
Symphony no. 4 in A major, opus 90 ‘Italian’ (1833)
1. Allegro vivace
2. Andante con moto
3. Con moto moderato
4. Saltarello: Presto
Symphony no. 5 in D major, opus 107 ‘Reformation’ (1830)
5. Andante - Allegro con fuoco
6. Allegro vivace
7. Andante
8. Andante con moto - Allegro maestosoExecutive producers: Anne de Jong & Marcel van den Broek
Recorded at: Muziekcentrum Enschede, The Netherlands
Recording dates Symphony no. 4: 8-11 April 2013
Recording dates Symphony no. 5: 3-5 February 2014
Recorded by: Northstar Recording Services
Recording Producer, editing & mastering: Bert van der Wolf
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-08-13 11:09:00
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Analyzed: The Netherlands Symphony Orchestra, Jan Willem de Vriend / Mendelssohn: Symphonies Nos. 4 & 5 - Complete Symphonies, Vol. 3
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DR Peak RMS Duration Track
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DR13 -6.12 dB -24.04 dB 11:03 01-Symphony No. 4 in A major, Op. 90 'Italian': I. Allegro vivace
DR13 -15.44 dB -34.49 dB 6:35 02-Symphony No. 4 in A major, Op. 90 'Italian': II. Andante con moto
DR16 -7.79 dB -30.70 dB 6:15 03-Symphony No. 4 in A major, Op. 90 'Italian': III. Con moto moderato
DR13 -6.12 dB -24.14 dB 5:42 04-Symphony No. 4 in A major, Op. 90 'Italian': IV. Saltarello: Presto
DR14 -6.11 dB -24.97 dB 11:00 05-Symphony No. 5 in D major, Op. 107 'Reformation': I. Andante - Allegro con fuoco
DR16 -7.01 dB -29.37 dB 5:03 06-Symphony No. 5 in D major, Op. 107 'Reformation': II. Allegro vivace
DR16 -7.96 dB -34.92 dB 3:23 07-Symphony No. 5 in D major, Op. 107 'Reformation': III. Andante con moto
DR12 -6.11 dB -22.64 dB 7:32 08-Symphony No. 5 in D major, Op. 107 'Reformation': IV. Andante con moto - Allegro maestoso
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Number of tracks: 8
Official DR value: DR14
Samplerate: 5644800 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 11290 kbps
Codec: DSD128
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Об альбоме (сборнике)
There could barely be a greater contrast between Mendelssohn’s Italian and Reformation symphonies.
The Italian: a fiery, vivacious Mendelssohn, a perfect illustration of his nervous and enthusiastic nature and a rousing romp through Italy.
The Reformation: often solemn, with a clearly religious bias; a work that might even be referred to as a ‘monument’.
But there is also a similarity. Mendelssohn never wanted either of these works to be published. Oddly enough, he was not satisfied with them. They came to be printed after the composer’s death. The composer’s symphonies are numbered according to their publication dates rather than chronologically by when they were written. ‘No. 4’, the Italian (written in 1833), was actually the third and ‘No. 5’, the Reformation (1830), the second.
The Italian is a real party piece. This was certainly the view following the work’s premiere in London on 13 May 1833, given by the Philharmonic Society. (Mendelssohn was highly acclaimed in London, where he had been commissioned to produce a new symphony).
The Reformation Symphony had its roots in quite different soil. In 1830, Germany was celebrating the 300th anniversary of the Confession of Augsburg. The Confession was a key document for Lutheranism, and its submission to Emperor Charles V in 1530 marked an enormous event for the Reformation, as Lutheranism became the official state religion. Mendelssohn wanted to make a contribution towards this national obeisance with a large-scale symphony. He incorporated two well-known Protestant melodies into the work.
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发表于 2021-4-13 14:09:44
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