J.S. Bach
Complete Orchestral Suites, BWV 1066-1069
Freiburger BarockorchesterГод издания: 2011 | Жанр: Classical
Издатель: harmonia mundi | Продолжительность: 01:33:39
Наличие сканов: Sleeve, Digital Booklet Контейнер: FLAC (*.flac) | Тип рипа: tracks
Разрядность: 24bit / 44.1kHz | Количество каналов: 2.0
Треклист
Johann Sebastian Bach (1685-1750)
Suite No. 4 in D Major, BWV 1069
01. I. Ouverture (11:26)
02. II. Bourrées I & II (2:51)
03. III. Gavotte (1:55)
04. IV. Menuets I & II alternativement (4:15)
05. V. Réjouissance (2:35)
Suite No. 2 in B Minor, BWV 1067
06. I. Ouverture (10:42)
07. II. Rondeau (1:29)
08. III. Sarabande (2:37)
09. IV. Bourrées I & II alternativement (2:05)
10. V. Polonaise & Double (3:18)
11. VI. Menuet (1:05)
12. VII. Badinerie (1:23)
Suite No. 1 in C Major, BWV 1066
13. I. Ouverture (9:18)
14. II. Courante (2:19)
15. III. Gavottes I & II alternativement (3:14)
16. IV. Forlane (1:13)
17. V. Menuets I & II alternativement (3:16)
18. VI. Bourrées I & II alternativement (2:42)
19. VII. Passepieds I & II (3:32)
Suite No. 3 in D Major, BWV 1068
20. I. Ouverture (9:49)
21. II. Air (4:38)
22. III. Gavottes I & II alternativement (4:00)
23. IV. Bourrée (1:10)
24. V. Gigue (2:48)
О релизе
Called ‘Ouvertüren' in Germany, because they began with a large-scale overture à la française, Bach's Suites for orchestra offer a unique synthesis of the French and the Italian styles. The Leipzig Cantor did not content himself with a mere set of amiable dances for his ‘Collegium Musicum': he revived the genre in his own manner, accenting the contrasts, refining the orchestration, and introducing a hitherto unknown contrapuntal element. Two centuries later these admirable orchestral works continue to represent an indispensable treasure of the Baroque.
To appreciate J.S. Bach's four Orchestral Suites in authentic style on period instruments, one need only turn to the Freiburg Baroque Orchestra for a truly exquisite historical recreation. This double-disc package from Harmonia Mundi offers the scintillating tone colors, lively rhythms, and spontaneous ornamentation that historically informed performances yield, and Bach's music is played with the enthusiasm and expertise that the best early music specialists can provide. Add to this the musicians' extraordinary presence, the spacious and resonant recording space, and audio reproduction that is the best that can be found on standard CDs, and the knowledgeable listener will be quick to snap up this album. The suites -- called Ouvertüren in Germany because each opens with a French overture -- have varied characters, marked by their different keys and instrumentation, and they are equally as popular as the composer's famed Brandenburg Concertos; listeners who are familiar with those works will find the suites similarly appealing. In terms of performance, the chamber-sized Freiburg Baroque Orchestra plays with exceptional unity and accuracy, and the group sounds like a gathering of world-class soloists, so personally and distinctively are the parts expressed. There may be recordings of the suites by other period ensembles that match this one for excellence, but it's unlikely that any surpass it. --AllMusic Review by Blair Sanderson
Personnel:
Freiburger Barockorchester:
Flute - Karl Kaiser
Oboes - Katharina Arfken, Andreas Helm, Thomas Meraner
Bassoon - Javier Zafra
Trumpets - Friedemann Immer, Jaroslav Roucek, François Petit-Laurent
Timpani - Charlie Fischer
Violins 1 - Petra Müllejans / Gottfried von der Goltz, Beatrix Hülsemann, Anne Katharina Schreiber, Kathrin Tröger
Violins 2 - Petra Müllejans / Gottfried von der Goltz, Martina Graulich, Christa Kittel, Brigitte Täubl
Violas - Annette Schmidt, Christian Goosses, Werner Saller
Violoncellos - Guido Larisch, Stefan Mühleisen
Double bass - Dane Roberts
Harpsichord - Torsten Johann
Recorded: January - February 2011, Freiburg, Paulussaal
Отчёты
Динамический диапазон
foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
log date: 2015-07-10 12:23:29
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Analyzed: Freiburger Barockorchester / Bach: Orchestral Suites
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DR Peak RMS Duration Track
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DR15 -0.30 dB -19.16 dB 11:26 01-Suite No. 4 in D Major, BWV 1069 - I. Ouverture
DR15 -2.08 dB -21.81 dB 2:51 02-Suite No. 4 in D Major, BWV 1069 - II. Bourrées I & II
DR13 -0.44 dB -18.34 dB 1:55 03-Suite No. 4 in D Major, BWV 1069 - III. Gavotte
DR12 -6.00 dB -22.58 dB 4:15 04-Suite No. 4 in D Major, BWV 1069 - IV. Menuets I & II alternativement
DR14 -0.30 dB -18.98 dB 2:35 05-Suite No. 4 in D Major, BWV 1069 - V. Réjouissance
DR14 -6.91 dB -24.30 dB 10:42 06-Suite No. 2 in B Minor, BWV 1067 - I. Ouverture
DR11 -12.27 dB -26.79 dB 1:29 07-Suite No. 2 in B Minor, BWV 1067 - II. Rondeau
DR10 -11.55 dB -25.43 dB 2:37 08-Suite No. 2 in B Minor, BWV 1067 - III. Sarabande
DR12 -8.28 dB -23.73 dB 2:05 09-Suite No. 2 in B Minor, BWV 1067 - IV. Bourrées I & II alternativement
DR12 -5.56 dB -22.27 dB 3:18 10-Suite No. 2 in B Minor, BWV 1067 - V. Polonaise & Double
DR12 -9.46 dB -23.88 dB 1:05 11-Suite No. 2 in B Minor, BWV 1067 - VI. Menuet
DR14 -7.20 dB -24.12 dB 1:23 12-Suite No. 2 in B Minor, BWV 1067 - VII. Badinerie
DR13 -4.26 dB -20.71 dB 9:18 13-Suite No. 1 in C Major, BWV 1066 - I. Ouverture
DR13 -9.06 dB -25.23 dB 2:19 14-Suite No. 1 in C Major, BWV 1066 - II. Courante
DR13 -4.49 dB -21.85 dB 3:14 15-Suite No. 1 in C Major, BWV 1066 - III. Gavottes I & II alternativement
DR13 -5.49 dB -20.47 dB 1:13 16-Suite No. 1 in C Major, BWV 1066 - IV. Forlane
DR14 -5.00 dB -23.30 dB 3:16 17-Suite No. 1 in C Major, BWV 1066 - V. Menuets I & II alternativement
DR13 -6.05 dB -22.26 dB 2:42 18-Suite No. 1 in C Major, BWV 1066 - VI. Bourrées I & II alternativement
DR13 -5.79 dB -21.14 dB 3:32 19-Suite No. 1 in C Major, BWV 1066 - VII. Passepieds I & II
DR15 -0.30 dB -19.18 dB 9:49 20-Suite No. 3 in D Major, BWV 1068 - I. Ouverture
DR13 -12.27 dB -31.36 dB 4:38 21-Suite No. 3 in D Major, BWV 1068 - II. Air
DR14 -1.89 dB -20.12 dB 4:00 22-Suite No. 3 in D Major, BWV 1068 - III. Gavottes I & II alternativement
DR13 -0.30 dB -19.07 dB 1:10 23-Suite No. 3 in D Major, BWV 1068 - IV. Bourrée
DR14 -0.30 dB -18.32 dB 2:48 24-Suite No. 3 in D Major, BWV 1068 - V. Gigue
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Number of tracks: 24
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1466 kbps
Codec: FLAC
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