John Coltrane / Standard Coltrane
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1962/2019
Жанр: Hard Bop
Издатель (лейбл): Prestige / Analogue Productions
Продолжительность: 00:34:53
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
01. Don’t Take Your Love From Me
02. I’ll Get By
03. Spring is Here
04. InvitationBass – Paul Chambers (3)
Drums – Jimmy Cobb
Piano – Red Garland
Tenor Saxophone – John Coltrane
Trumpet – Wilbur HardinКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: CPRJ7243SA
Engineer – Rudy Van Gelder, recorded in Hackensack, NJ; July 11, 1958.
All mastered from the original analog master tapes by mastering maestro Kevin Gray
Не путать с 2002 Analogue Productions release [CAPJ 7243 SA], mastered by Doug Sax.
Источник (релизер): jazzyman (PS³SACD) https://www.analogueseduction.net/music-sacds/john-coltrane-standard-coltrane-sacd-cprj-7243-sa.html https://store.acousticsounds.com/d/82058/John_Coltrane-Standard_Coltrane-Hybrid_Stereo_SACD
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2019-11-07 18:16:22
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Анализ: John Coltrane / Standard Coltrane
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DR Пики RMS Продолжительность трека
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DR14 -10.94 дБ -27.92 дБ 9:17 01-Don't Take Your Love From Me
DR15 -8.38 дБ -26.03 дБ 8:13 02-I'll Get By
DR15 -7.68 дБ -26.41 дБ 6:58 03-Spring Is Here
DR14 -7.87 дБ -26.70 дБ 10:25 04-Invitation
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Количество треков: 4
Реальные значения DR: DR14
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD
All mastered from the original analog master tapes by mastering maestro Kevin Gray
“The title could not have been more accurate. By 1962, Coltrane’s leadership role was undeniable; he was a standard-bearer of musical commitment, and intense, bold exploration. As well, all four tunes on the album were truly ‘standards’: 32-bar tunes originally crafted for Broadway or Hollywood projects, adopted by jazz instrumentalists to interpret and explore. There’s another meaning to be gleaned from the album’s title. In 1958, when Coltrane recorded the tracks, he often favored melodies that had attained popularity during his teen years—familiar and unfamiliar alike—all in a search to find new structures and fresh inspiration. This indeed was standard Coltrane—in ’58, and well into the ’60s.” — All Music Guide