Tom van der Geld · Children At Play - Out Patients
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Издание: Remastered
Год издания/переиздания диска: 1980/2019
Жанр: Free Jazz
Издатель (лейбл): ECM
Продолжительность: 00:47:15
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.comТреклист
1. Things Have Changed (06:13)
2. How Gently Sails The Moon Twixt The Arbour And The Bough (And The World Is Waiting For The Sun) (12:23)
3. Dreamer (04:47)
4. Ballade Matteotti (11:05)
5. I Hope It's You (12:47)Tom van der Geld, vibraharp
Roger Jannotta, tenor and alto saxophones, bass clarinet, oboe, flute, whistles
Wayne Darling, bass
Bill Elgart, drums, percussionRecorded July 1980 at Tonstudio Bauer, Ludwigsburg
Produced by Steve Lake and the band
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-09-03 20:37:14
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Analyzed: Tom van der Geld / Out Patients
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DR Peak RMS Duration Track
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DR12 -0.70 dB -16.95 dB 6:13 01-Things Have Changed
DR14 -0.70 dB -19.50 dB 12:23 02-How Gently Sails The Moon Twixt The Arbour And The Bough (And The World Is Waiting For The Sun)
DR13 -3.13 dB -23.75 dB 4:47 03-Dreamer
DR11 -0.70 dB -16.78 dB 11:05 04-Ballade Matteotti
DR12 -1.17 dB -18.43 dB 12:48 05-I Hope It's You
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Number of tracks: 5
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2973 kbps
Codec: FLAC
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Об альбоме (сборнике)
Vibraphonist-composer Tom van der Geld’s ECM initiation came by way of the JAPO sister label when, in 1976, the self-titled Children At Play introduced listeners to an album of uncompromising originality. Recorded in 1973, the same year of van der Geld’s permanent relocation to Germany (where the band’s reedman, Roger Jannotta, and drummer, Bill Elgart, would also find new homes), it’s a formative release not only for being Children At Play’s first, but also for sharing its uniquely sunlit sound with the world at large. Tropical and sweet, the album is a sparkling endeavor that favors the lived reality of jazz over its descriptive pitfalls. Patience (1978) was van der Geld’s first dip into ECM proper and stands out for its bright geography. This time, however, the tectonic plates shift more abstractly below with the heat of friction. The freedom of this sophomore effort offers plenty of room for the listener to find a story. On its heels came Path (1979), the phenomenal trio album with Jannotta and guitarist Bill Connors. Hewn in pastels rather than oils, it’s a decidedly softer and sometimes-haunting affair.
This brings us to 1980’s Out Patients, in which van der Geld closed the JAPO circle alongside the ever-versatile Jannotta (on tenor and alto saxophones, bass clarinet, oboe, flute, and whistles), bassist Wayne Darling, and Elgart on drums and percussion. Two of the vibraphonist’s compositions bookend the album, contrasting the free unity of “Things Have Changed” with the expressive rubato of “I Hope It’s You.” The first coheres into a loose brand of unity, the bass clarinet a noteworthy foil to van der Geld, who takes an early solo down a slippery slope yet maintains tactful balance within the rhythm section’s mosaic. The concluding tune finds Jannotta (on tenor) leading with truth. The reedman further contributes “Dreamer” for the listener’s fortunate consideration. It travels and unravels somewhere between starlight and sunrise, revealing a melodic core in Jannotta’s flute and Darling’s resonant bassing. The latter’s “Ballade Matteotti” awakens like a dawn chorus. Van der Geld describes so much of the image that, were his bandmates not so attuned, they might feel superfluous. Their ease of diction contributes to the group’s strength. Consequently, the music flips from intense to reflective at the turn of a phrase. Jannotta’s extended delivery in the second half is tour de force in the truest sense, for in it force prevails.
Yet nothing in the program surpasses Elgart’s “How Gently Sails The Moon Twixt The Arbour And The Bough (And The World Is Waiting For The Sun,” a tune as epic as its title, and one that adds some groove to the band’s loose equation. Smooth yet crisp, and brimming with a chamber jazz aesthetic, it explores a wide dynamic range, with a memorable midsection in which delicate utterances ripple through the quartet. Jannotta (now on alto) lends mystical qualities to the scene, finding scratchy-throated catharsis in the unfolding. Interpretive diffusions all around show a group becoming more unified the wilder it gets: proof that, at least in musical terms, letting go will sometimes be the key to being found.
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发表于 2021-4-13 14:19:43
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