Illinois Jacquet - Swing's The Thing
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1956/2016
Жанр: Jazz, Post Bop, Swing
Издатель (лейбл): Verve / Analogue Productions
Продолжительность: 00:34:20
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Las Vegas Blues
02. Harlem Nocturne
03. Can’t We Be Friends
04. Achtung
05. Have You Met Miss Jones
06. Lullaby Of The Leaves
Контейнер: DFF (*.dff)
Тип рипа: tracks
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0 MONO
Лог проверки качества
foobar2000 1.6.4 / Dynamic Range Meter 1.1.1
log date: 2021-02-22 11:29:26
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Analyzed: Illinois Jacquet / Swing's The Thing
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DR Peak RMS Duration Track
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DR14 -6.06 dB -25.08 dB 6:17 01-Las Vegas Blues
DR13 -8.52 dB -25.92 dB 4:32 02-Harlem Nocturne
DR14 -8.85 dB -25.75 dB 6:43 03-Can't We Be Friends
DR14 -6.35 dB -22.76 dB 5:07 04-Achtung
DR16 -6.88 dB -24.99 dB 5:56 05-Have You Met Miss Jones
DR14 -7.40 dB -23.92 dB 5:45 06-Lullaby of the Leaves
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Number of tracks: 6
Official DR value: DR14
Samplerate: 2822400 Hz / PCM Samplerate: 352800 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
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Источник (релизер): [url=https://store.acousticsounds.com/d/94077/Illinois_Jacquet-Swings_The_Thing-DSD_Single_Rate_28MHz64fs_磁力下载:(论坛代下载服务)]acousticsounds.com[/url]
Состав
Illinois Jacquet, tenor saxophone
Ray Brown, bass
Roy Eldridge, trumpet
Herb Ellis, guitar
Jimmy Jones, piano
Jo Jones, drums
Об альбоме (сборнике)
Mastered by George Marino at Sterling Sound from the original analog master tapes to vinyl and PCM. The DSD was sourced from the PCM. George listened to all of the different A/D converters he had before he chose which to use, and he felt the George Massenburg GML 20 bit A/D produced the best and most synergistic sound for the project.
Illinois Jacquet's 1956 album Swing's The Thing features Roy Eldridge, Jimmy Jones, Herb Ellis, Ray Brown and Jo Jones. Throughout his career, Jacquet, who was born of a Sioux mother and a Creole father, played marvelous swing music. He was famed for his imaginative improvisations and gave brilliant shows with the Count Basie orchestra and at a number of Jazz At The Philharmonic concerts. The man from Louisiana performed swing at every live appearance - no wonder, then, that Norman Granz chose this theme as the title of the present recording, which was set down in October 1956. This time, however, Jimmy Jones on the piano was not responsible for providing the background for a vocal soloist; rather he delivers airy chords for the swinging tenor sax. That all musicians are superb interpreters of ballads is testified to in "Harlem Nocturne," where Illinois Jacquet's sound can best be described as "soulful." Мои раздачи>>>