Sinikka Langeland - Wolf Rune
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2021
Жанр: Modern Creative, Contemporary Jazz, World Fusion
Издатель (лейбл): ECM Records
Продолжительность: 00:42:02
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.comТреклист
1. Moose Rune (2:08)
2. Polsdance from Finnskogen (3:05)
3. Row My Ocean (4:29)
4. Kantele Prayer I (0:50)
5. The Eye Of The Blue Whale (3:37)
6. When I Was The Forest (7:04)
7. Kantele Prayer II (0:55)
8. Winter Rune (6:38)
9. Don't Come To Me With The Entire Truth (3:36)
10. The Girl In The Headlands (2:44)
11. I See Your Light (2:08)
12. Wolf Rune (4:56)Sinikka Langeland, vocal, kantele
Лог проверки качества
foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2021-04-10 08:25:41
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Analyzed: Sinikka Langeland / Wolf Rune
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DR Peak RMS Duration Track
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DR11 -12.19 dB -27.10 dB 2:08 01-Moose Rune
DR11 -11.18 dB -25.32 dB 3:05 02-Polsdance from Finnskogen
DR11 -7.58 dB -23.29 dB 4:29 03-Row My Ocean
DR16 -19.20 dB -40.92 dB 0:50 04-Kantele Prayer I
DR12 -6.62 dB -23.30 dB 3:37 05-The Eye Of The Blue Whale
DR13 -7.19 dB -24.39 dB 7:04 06-When I Was The Forest
DR13 -13.22 dB -32.09 dB 0:55 07-Kantele Prayer II
DR15 -2.24 dB -24.47 dB 6:38 08-Winter Rune
DR12 -11.22 dB -28.20 dB 3:36 09-Don't Come To Me With The Entire Truth
DR12 -9.20 dB -24.84 dB 2:44 10-The Girl In The Headlands
DR14 -10.71 dB -34.15 dB 2:08 11-I See Your Light
DR14 -6.44 dB -24.79 dB 4:56 12-Wolf Rune
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Number of tracks: 12
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2369 kbps
Codec: FLAC
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Об альбоме (сборнике)
Wolf Rune, the first solo recording in Sinikka Langeland’s ECM discography, sheds new light on the multifaceted work of the Norwegian folk singer and kantele player. Few artists embody the spirit of place as resolutely as Sinikka and her songs, compositions, poem settings and arrangements reflect, in different ways, the histories and mysteries of Finnskogen, Norway’s ‘Finnish forest’, which has long been both her home base and inspirational source.
The new album incorporates rune songs, spells and incantations, religious tunes and traditional folk dances, as well as verses that testify to the interlinked nature of all things. This pantheistic spirit is echoed in Sinikka’s choice of writers – from 13th century medieval mystic and philosopher Meister Eckhart (quoted and adapted on “When I was The Forest”) to contemporary playwright and poet Jon Fosse (“Row My Ocean”). Langeland’s own lyrics, too, have an almost shamanistic vibrancy as on “The Eye of the Blue Whale”: “The eye of the blue whale/It was already here/we were without a body/ swathed in sinew, flesh and blood/we were without words.”
Powerful images require appropriate musical settings and on Wolf Rune, Langeland expands the range and reach of her instruments accordingly. Ancient tones can be heard here, as well as sonorities that take the kantele toward new expressive areas. This journey, from the archaic through the worlds of Nordic folk to the experimental, has become an exploratory thread in Langeland’s work. Her earlier ECM recordings – beginning with Starflowers in 2006 - instigated collaboration with improvisers; in the process, her own playing has become emboldened.
Sinikka is playing three kanteles, of very different character and capacity, on the present recording. Her 39-string concert kantele, built by Hannu Koistinen, is heard on “Polsdance from Finnskogen”, “Row My Ocean”, “The Eye Of The Blue Whale”, “When I Was The Forest”, “Don’t Come to Me With The Entire Truth”, “The Girl In The Headlands” and “Wolf Rune”. Over the course of the album Sinikka makes full use of the instrument’s five and a half octaves. “The range is almost like an entire piano. Many people are surprised by how big and deep its bass is,” Langeland notes.
“Winter Rune” features both the concert kantele and a 5-string kantele made by Kaijo Säteri. The 5-string is also heard on the two “Kantele Prayer” pieces. Sinikka: “It’s a challenge to figure out how much music you can create with a few strings.” A 15-string kantele built by Erkki Okkonen is played with a bow on the opening “Moose Rune”, and plucked on “I See Your Light”. On “When I Was The Forest” the use of an E-bow coaxes new colours and textures from the concert kantele. But here, too, Langeland keeps in mind music’s time-honoured role of responding to and echoing the sounds of nature.
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发表于 2021-4-13 14:19:48
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