Charles Mingus / The Music of Mingus '77
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1977/2017
Жанр: Jazz
Издатель (лейбл): High Fidelity Masters
Продолжительность: 00:52:13
Наличие сканов в содержимом раздачи: Нет
Треклист:
01 - Peggy's Blue Skylight 05:19
02 - Fables of Faubus 06:14
03 - Caroline Keikki Mingus 06:19
04 - Slop 05:08
05 - So Long Eric 04:36
06 - Farewell, Farewell 06:01
07 - Just for Laughs, Pt. 1 04:29
08 - It Might as Well Be Spring 05:35
09 - Duke Ellington's Sound of Love 05:57
10 - Just for Laughs, Pt. 2 02:35
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Количество каналов: 2.0
Другие дорожки звука: Loudness war example, trimmed at -0.03 dB.
Лог проверки качества
Lossless Audio Checker 2.0.7 logfile from Friday 05 March 2021 07:01:13 AM
File: D:\Temp\磁力下载：(论坛代下载服务)\Charles Mingus - The Music of Mingus '77 - 2021 (24-96)\01. Peggy's Blue Skylight.flac
Result: Clean
File: D:\Temp\磁力下载：(论坛代下载服务)\Charles Mingus - The Music of Mingus '77 - 2021 (24-96)\02. Fables of Faubus.flac
Result: Clean
File: D:\Temp\磁力下载：(论坛代下载服务)\Charles Mingus - The Music of Mingus '77 - 2021 (24-96)\03. Caroline Keikki Mingus.flac
Result: Clean
File: D:\Temp\磁力下载：(论坛代下载服务)\Charles Mingus - The Music of Mingus '77 - 2021 (24-96)\04. Slop.flac
Result: Clean
File: D:\Temp\磁力下载：(论坛代下载服务)\Charles Mingus - The Music of Mingus '77 - 2021 (24-96)\05. So Long Eric.flac
Result: Clean
File: D:\Temp\磁力下载：(论坛代下载服务)\Charles Mingus - The Music of Mingus '77 - 2021 (24-96)\06. Farewell, Farewell.flac
Result: Clean
File: D:\Temp\磁力下载：(论坛代下载服务)\Charles Mingus - The Music of Mingus '77 - 2021 (24-96)\07. Just for Laughs, Pt. 1.flac
Result: Clean
File: D:\Temp\磁力下载：(论坛代下载服务)\Charles Mingus - The Music of Mingus '77 - 2021 (24-96)\08. It Might as Well Be Spring.flac
Result: Clean
File: D:\Temp\磁力下载：(论坛代下载服务)\Charles Mingus - The Music of Mingus '77 - 2021 (24-96)\09. Duke Ellington's Sound of Love.flac
Result: Clean
File: D:\Temp\磁力下载：(论坛代下载服务)\Charles Mingus - The Music of Mingus '77 - 2021 (24-96)\10. Just for Laughs, Pt. 2.flac
Result: Clean
DR
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2021-03-05 07:02:14
--------------------------------------------------------------------------------
Analyzed: Charles Mingus / The Music of Mingus '77 (Remastered)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR8 -0.03 dB -9.69 dB 5:19 01-Peggy's Blue Skylight
DR8 -0.03 dB -9.19 dB 6:14 02-Fables of Faubus
DR9 -0.03 dB -11.19 dB 6:19 03-Caroline Keikki Mingus
DR7 -0.03 dB -8.73 dB 5:08 04-Slop
DR8 -0.03 dB -9.62 dB 4:36 05-So Long Eric
DR8 -0.03 dB -10.30 dB 6:01 06-Farewell, Farewell
DR7 -0.03 dB -8.42 dB 4:29 07-Just for Laughs, Pt. 1
DR6 -0.03 dB -7.58 dB 5:35 08-It Might as Well Be Spring
DR7 -0.03 dB -9.99 dB 5:57 09-Duke Ellington's Sound of Love
DR6 -0.03 dB -9.02 dB 2:35 10-Just for Laughs, Pt. 2
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Number of tracks: 10
Official DR value: DR7
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2722 kbps
Codec: FLAC
================================================================================
Скриншот спектра частот
Источник (релизер): HIGHRESAUDIO
Состав
Gerry Mulligan – baritone saxophone
Charlie Mingus – double bass
Dannie Richmond – drums
Peter Matt – french horn
Bob Neloms – piano
Lionel Hampton – vibraphone, producer
Ricky Ford – tenor saxophone
Paul Jeffrey – tenor saxophone, arranger
Jack Walrath, Woody Shaw – trumpet
Об исполнителе (группе)
Charles Mingus
One of the most important figures in twentieth century American music, Charles Mingus was a virtuoso bass player, accomplished pianist, bandleader and composer. Born on a military base in Nogales, Arizona in 1922 and raised in Watts, California, his earliest musical influences came from the church– choir and group singing– and from “hearing Duke Ellington over the radio when [he] was eight years old.” He studied double bass and composition in a formal way (five years with H. Rheinshagen, principal bassist of the New York Philharmonic, and compositional techniques with the legendary Lloyd Reese) while absorbing vernacular music from the great jazz masters, first-hand. His early professional experience, in the 40′s, found him touring with bands like Louis Armstrong, Kid Ory and Lionel Hampton.
Eventually he settled in New York where he played and recorded with the leading musicians of the 1950′s– Charlie Parker, Miles Davis, Bud Powell, Art Tatum and Duke Ellington himself. One of the few bassists to do so, Mingus quickly developed as a leader of musicians. He was also an accomplished pianist who could have made a career playing that instrument. By the mid-50′s he had formed his own publishing and recording companies to protect and document his growing repertoire of original music. He also founded the “Jazz Workshop,” a group which enabled young composers to have their new works performed in concert and on recordings.
Mingus soon found himself at the forefront of the avant-garde. His recordings bear witness to the extraordinarily creative body of work that followed. They include: Pithecanthropus Erectus, The Clown, Tijuana Moods, Mingus Dynasty, Mingus Ah Um, The Black Saint and the Sinner Lady, Cumbia and Jazz Fusion, Let My Children Hear Music. He recorded over a hundred albums and wrote over three hundred scores. Although he wrote his first concert piece, “Half-Mast Inhibition,” when he was seventeen years old, it was not recorded until twenty years later by a 22-piece orchestra with Gunther Schuller conducting. It was the presentation of “Revelations” which combined jazz and classical idioms, at the 1955 Brandeis Festival of the Creative Arts, that established him as one of the foremost jazz composers of his day.
In 1971 Mingus was awarded the Slee Chair of Music and spent a semester teaching composition at the State University of New York at Buffalo. In the same year his autobiography, Beneath the Underdog, was published by Knopf. In 1972 it appeared in a Bantam paperback and was reissued after his death, in 1980, by Viking/Penguin and again by Pantheon Books, in 1991. In 1972 he also re-signed with Columbia Records. His music was performed frequently by ballet companies, and Alvin Ailey choreographed an hour program called “The Mingus Dances” during a 1972 collaboration with the Robert Joffrey Ballet Company.
He toured extensively throughout Europe, Japan, Canada, South America and the United States until the end of 1977 when he was diagnosed as having a rare nerve disease, Amyotropic Lateral Sclerosis. He was confined to a wheelchair, and although he was no longer able to write music on paper or compose at the piano, his last works were sung into a tape recorder.
From the 1960′s until his death in 1979 at age 56, Mingus remained in the forefront of American music. When asked to comment on his accomplishments, Mingus said that his abilities as a bassist were the result of hard work but that his talent for composition came from God.
Mingus received grants from the National Endowment for the Arts, The Smithsonian Institute, and the Guggenheim Foundation (two grants). He also received an honorary degree from Brandeis and an award from Yale University. At a memorial following Mingus’ death, Steve Schlesinger of the Guggenheim Foundation commented that Mingus was one of the few artists who received two grants and added: “I look forward to the day when we can transcend labels like jazz and acknowledge Charles Mingus as the major American composer that he is.” The New Yorker wrote: “For sheer melodic and rhythmic and structural originality, his compositions may equal anything written in western music in the twentieth century.”
He died in Mexico on January 5, 1979, and his wife, Sue Graham Mingus, scattered his ashes in the Ganges River in India. Both New York City and Washington, D.C. honored him posthumously with a “Charles Mingus Day.” (Source: www.mingusmingusmingus.com)
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发表于 2021-4-13 14:19:49
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