更具备新世纪音乐的特质。风笛的特点在这里得到了最大程度的展现，每一个听过Hevia的作品的人都无法忘记他那标志性的演奏方式——急促跃动的32分音连绵不绝的蜂拥而出，让人瞬间淹没在好像无休无止的绝妙音符中。而融合了中亚、阿拉伯等异域风情的曲风又使风笛不再局限于爱尔兰的范畴，而开辟了一片更辽阔的发展空间。风笛在他手中已不再只是一件乐器，更是一件魔术师手中的魔法道具，由此变化出令人赞叹、惊讶、耳眩神迷的神奇魅力。 by Alex Henderson
The bagpipes are a primary instrument in traditional Scottish/Celtic music, but
José ángel Hevia
(who simply goes by Hevia on this CD) is one bagpiper who cannot be considered a traditionalist or a purist. Hevia isn't Scottish -- he's from the Asturias region of Spain -- and Tierra de Nadie isn't a traditional Celtic recording. Rather, the risk-taking Hevia combines Scottish/Celtic elements with everything from pop, rock, hip-hop, and new age to Spanish and Middle Eastern music. On the haunting "Busindre Reel" (a major hit in Spain), Hevia even employs the didgeridoo, a wind instrument that is associated with Australian aboriginals. And Hevia doesn't confine the bagpipes to an acoustic environment: On this CD, the instrumentalist often uses an electronic MIDI bagpipe that can be made to sound like a violin, an accordion, and other instruments. Tierra de Nadie won't appeal to Celtic purists, but world music lovers who are open to experimentation will find it to be generally interesting, if a bit uneven.
专辑曲目
01 Busindre Reel
02 Naves
03 Si la Nieve
04 Gaviotes
05 El Garrotin
06 El Ramu
07 La Linea Trazada (The Drawn Line)
08 Llacian
09 Sobrpena
10 Barganaz
11 Anada
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发表于 2020-1-19 13:38:51
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