Makaya McCraven Quartet / Makaya McCraven Quartet
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2017
Жанр: Jazz
Издатель (лейбл): International Phonograph, Inc.
Продолжительность: 33:50
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
1. Suite Module No. 1 7:46
2. Suite Module No. 2 11:10
3. Suite Module No. 3 9:15
4. Suite Module No. 4 (Fades Out) 5:15
Контейнер: DFF (*.dff)
Тип рипа: tracks
Разрядность: 1/11289,6
Формат: DSD256
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-05-04 15:20:15
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Analyzed: Makaya McCraven Quartet / Makaya McCraven Quartet
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DR Peak RMS Duration Track
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DR12 -2.09 dB -18.00 dB 7:45 01-Suite Module No. 1
DR13 -2.33 dB -20.77 dB 11:19 02-Suite Module No. 2
DR13 -2.03 dB -22.97 dB 9:09 03-Suite Module No. 3
DR12 -6.14 dB -24.43 dB 5:38 04-Suite Module No. 4 (Fades Out)
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Number of tracks: 4
Official DR value: DR13
Samplerate: 11289600 Hz / PCM Samplerate: 352800 Hz
Channels: 2
Bits per sample: 1
Bitrate: 22579 kbps
Codec: DSD256
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Об исполнителе (группе)
McKaya McCraven is not your typical jazz drummer. No indeed he is not--his music spans so many generations of jazz. He and his groups are always pushing the boundaries of jazz and in an unique way. Case in point, here he is found with a quartet (drums, vibes, bass and cello) of world class musicians playing rhythmic layers and textures of sound somewhat reminiscent of Miles’ “In A Silent Way.” Further enhancing the experience, the sound was captured on the highest quality equipment using a custom Studer 8-track tape deck and world-renown vintage tube microphones. The result is a recording of startling presence and of natural sound. Many have commented that the vibes and drum sound on this recording are as good as ever recorded. Combined with an original, yet easy-to-listen-to performance, this is a true gem of modern jazz and a true delight for those interested in the highest quality sound.
Об альбоме (сборнике)
Recorded 10 March 2016 at Pro Musica, Chicago, Illinois by Jonathan
Horwich, assisted by Ken Christianson, to a custom Studer/Revox 8-track recorder
at 15ips/lEC, through a Manley mic preamp.
Microphones were a stereo custom tube KMF on drum overheads, a
Neumann U67 on snare, kick drum= Shure 57, on vibes a custom
stereo tube KMF, on bass a Telefunken 251e, and on cello a Neumann
254.
Stereo Image: Drums are located between center and right channel. Vibes located in center. Bass is located between center and right. Cello is located between center and left.
Transferred from the 15ips master tape to DSD256 by Jonathan Horwich