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[有损AAC-iTunes] [iTunes LP] (Pop-Rock) Train - California 37 - 2012 [Web], AAC (Tracks), 256 kbps

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发表于 2021-9-25 13:29:37 | 显示全部楼层 |阅读模式
Train / California 37
Жанр: Pop-Rock
Страна: US
Год издания: 2012
Издатель (лейбл): Columbia/Sony
Аудио кодек: AAC
Тип рипа: tracks
Битрейт аудио: 256 kbps
Продолжительность: 00:40:01
Источник: iTunes Store
Вшитые тексты: не добавлены
Наличие сканов в содержимом раздачи: да
Треклист:
1. "This'll Be My Year"
2. "Drive By"
3. "Feels Good at First"
4. "Bruises" (featuring Ashley Monroe)
5. "50 Ways to Say Goodbye"
6. "You Can Finally Meet My Mom"
7. "Sing Together"
8. "Mermaid"
9. "California 37"
10. "We Were Made for This"
11. "When the Fog Rolls In"
12. "To Be Loved"
Об исполнителе (группе)
Train was inescapable during the turn of the 21st century, when songs like "Calling All Angels" and "Drops of Jupiter" made the San Francisco residents some of America's most popular balladeers. Although formed during the glory days of post-grunge, the group found more success in the pop/rock world, where Train straddled the line between adult contemporary and family-friendly alternative rock. The hits began drying up after 2003, but Train continued releasing material throughout the rest of the decade and even returned to the charts in 2010, when the single "Hey, Soul Sister" became a surprise Top 10 hit.
Following the dissolution of his Led Zeppelin cover band, singer Pat Monahan left his hometown of Erie, PA, in late 1993. He resettled in California and crossed paths with Rob Hotchkiss, the former frontman of a Los Angeles group named the Apostles. The two formed their own duo and began playing local coffeehouse shows, eventually expanding the group to a trio with the addition of former Apostles guitarist Jim Stafford. Bassist Charlie Colin and drummer Scott Underwood also climbed aboard, thus solidifying Train's lineup in 1994.
Over the course of several years, Train developed a sizable audience in the San Francisco area. The band also toured the country, opening shows for the likes of Barenaked Ladies and Counting Crows while drumming up enough money to record an album. Although few labels showed interest at first, Train eventually attracted the interest of Columbia Records, who signed the band to one of its smaller labels -- Aware Records -- and issued the self-financed debut record Train in 1998. "Meet Virginia" became a Top 40 hit one year later, but the band truly hit its stride in 2001, when Drops of Jupiter became a multi-platinum success thanks to its titular single. The song remained in the Top 40 for nearly 40 weeks, while the album itself sold more than three million copies.
My Private Nation followed in 2003 and went platinum, largely due to the successful single "Calling All Angels." Although the album didn't yield any more Top 40 hits, three of its songs fared well on the adult contemporary charts, a sign that Train had traded its alternative rock roots for an older fan base. For Me, It's You followed in 2006, but sales proved to be the lowest of Train's career. Accordingly, Monahan briefly turned his focus inward, releasing a solo album in 2007 and briefly touring behind it. He returned to the fold shortly thereafter, though, and Train issued its fifth album, Save Me, San Francisco, in 2009. The album helped rejuvenate Train's career, with "Hey, Soul Sister" peaking at number three on the Billboard 100. In 2012 the band released its sixth studio album, California 37.

Об альбоме (сборнике)
Heading down the road from Save Me, San Francisco, Train take a journey on California 37, creating a pseudo-concept album about either the Golden State or Pat Monahan grappling with middle-aged crazies or perhaps a combination of the two. As always with Train, it's nigh on impossible to discern where sincerity ends and satire begins, or if the band even bothers to draw a distinction between the two extremes. When faced with a song like "You Can Finally Meet My Mom," where Monahan either mourns the death of his mother by declaring that he'd rather spend time in heaven with her, not Gilda Radner, Chris Farley, or "the dude that had Pop Rocks and soda,” or he's expressing elation that his beloved can, as the song claims, finally meet his mom in the afterlife, what is the appropriate reaction? On a certain level, Monahan means it, man, when he's tackling a big, universal issue, one that is indeed difficult to capture in a four-minute pop tune, but Train's tackiness envelops whatever trace of recognizable emotion lies within...and not just because the arrangement is so goopy the gospel choir barely registers. It all goes back to Monahan's maddening lyrics, so overstuffed with Gen-X pop culture allusions -- some fresh, most some iteration of TMZ's "'memba them?" signature -- that he undercuts whatever larger meaning he may have. This reduces California 37's opening salvo "This'll Be My Year," an update of Billy Joel's "We Didn't Start the Fire," into a capsule history that dismisses any hint that we're all swept along by forces larger than us and reduces it to a solipsistic celebration of Monahan's life and times. To an extent, he's always written this way, but back in the days of Drops of Jupiter there was some semblance of grit within their rhythms, but in the wake of the near-novelty "Hey Soul Sister," the singalong ditty riddled with naughty rhymes, Train feel free to shed any suggestion that they get down and dirty. California 37 is all sunshine and open roads, all light and bright colors, chirpy pop intent on wearing down your defenses. And that relentless cheer surely suits Train, who happily exist in the surfaces of the modern world, so California 37, in a sense, is a purer record for the trio than even Drops of Jupiter. Here, there's nothing preventing them from indulging in the silliest rhymes, baffling name-drops, nagging hooks, and earworm melodies. You may hate California 37, but you'll never be able to get it out of your head.
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