Emily Granger - In Transit
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2022
Жанр: Classical
Издатель (лейбл): AVIE Records
Продолжительность: 01:00:11
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.com
Треклист:
Tristan Coelho
1. In Transit (7:02)
Ross Edwards
The Harp and the Moon
2. I. Lento e molto languido (4:49)
3. II. Allegro grazioso (2:32)
Laura Zaerr
4. River Right Rhumba (5:19)
Sally Greenaway
5. Liena (2:32)
Libby Larsen
6. Theme and Deviations (5:29)
Elena Kats-Chernin
7. Blue Silence (Transcribed for Harp by Emily Granger) (8:34)
Kate Moore
8. Spin Bird (3:52)
Augusta Read Thomas
9. Eurythmy Etude “Still Life” (3:56)
Tristan Coelho
10. The Old School (4:12)
Sally Whitwell
11. Undiminished (5:01)
Nancy Gustavson
12. Great Day (2:29)
Deborah Henson-Conant
13. The Nightingale (4:31)
Исполнители:
Emily Granger, harp
Лог проверки качества
foobar2000 1.6.6 / Dynamic Range Meter 1.1.1
log date: 2022-03-12 15:23:00
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Analyzed: Emily Granger / In Transit
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DR Peak RMS Duration Track
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DR13 -1.00 dB -19.95 dB 7:02 01-In Transit
DR13 -1.48 dB -20.05 dB 4:49 02-The Harp and the Moon: I. Lento e molto languido
DR12 -1.00 dB -17.17 dB 2:32 03-The Harp and the Moon: II. Allegro grazioso
DR13 -1.00 dB -19.19 dB 5:19 04-River Right Rhumba
DR14 -1.00 dB -18.98 dB 2:32 05-Liena
DR11 -1.00 dB -16.62 dB 5:29 06-Theme and Deviations
DR12 -1.00 dB -19.24 dB 8:34 07-Blue Silence (Transcribed for Harp by Emily Granger)
DR12 -4.02 dB -23.36 dB 3:52 08-Spin Bird
DR18 -0.99 dB -25.53 dB 3:56 09-Eurythmy Etude “Still Life”
DR13 -1.00 dB -18.43 dB 4:12 10-The Old School
DR14 -1.00 dB -19.47 dB 5:01 11-Undiminished
DR11 -1.00 dB -16.03 dB 2:29 12-Great Day
DR14 -1.00 dB -20.74 dB 4:31 13-The Nightingale
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Number of tracks: 13
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2141 kbps
Codec: FLAC
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Об альбоме (сборнике)
Inspired by her life as an American artist living in Australia, Emily Granger makes her solo recording debut performing contemporary works that reveal the breadth and beauty of harp music from the two countries. With themes of travel and isolation, serenity and solitude, this music paints a vivid portrait of an artist's life In Transit between opposite sides of the globe.
Memories and moods infuse Tristan Coehlo's evocative title track as well as the composer's The Old School, recalling an artists' residence in Australia's Blue Mountains where he first met Emily. Laura Zaerr's rhythmical River Right Rhumba is inspired by West African drumming, whilst Sally Greenaway's Liena, named after Melbourne-born harpist Liena Lacey, draws upon jazz and Latin dance music. Ross Edwards evokes a fantasia in his hypnotic The Harp and the Moon, whilst Libby Larsen's bold Theme and Deviations is a tease on the traditional musical form. Sally Whitwell's Undiminished is just that both harmonically and in spirit. Emily's virtuosity is on full display in Kate Moore's soaring Spin Bird, inspired by Jonathan Livingston Seagull, and in Nancy Gustavson's Great Day, steeped in colourful glissandi showing off the harp in all its glory.
Turning her hand to arranging, Emily has adapted Elena Kats-Chernin's Blue Silence, originally for cello and piano, underscoring the works calming, healing and meditative properties; and Augusta Read Thomas' Eurythmy Etude "Still Life", originally for solo piano, stemming from the Greek meaning for beautiful and harmonious rhythm. Emily closes the album with Deborah Henson-Conant's The Nightingale, one of her earliest musical memories as a young harpist.
Emily Granger has established herself as one of the leading harpists in Australia. She has performed as Guest Principal Harp with the Chicago, Sydney, Tasmanian Symphony Orchestras, Lyric Opera of Chicago, and Opera Australia Orchestra, and presented chamber recitals at Carnegie Hall, The Kennedy Centre, Melbourne Recital Centre, and Sydney Opera House Utzon Room. Emily has collaborated with top ensembles and instrumentalists in Australia and the US, including the International Chamber Ensemble, Flinders Quartet, Ensemble Offspring, Omega Ensemble, and Nexas Saxophone Quartet. She was a finalist in the 2021 APRA Art Music Awards for Performance of the Year. Emily studied harp performance at Indiana University Jacobs School of Music and the Chicago College of the Performing Arts with Susann McDonald and Sarah Bullen.
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发表于 2022-3-13 14:33:24
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