Joep Beving / Trilogy
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2021
Жанр: neoclassical, piano solo, contemporary, modern classical
Издатель (лейбл): Deutsche Grammophon
Продолжительность: 04:04:51
Наличие сканов в содержимом раздачи: (да)
Источник (релизер): highresaudio
Треклист:
I Solipsism
01 Midwayer 05:46
02 Etude 04:35
03 For Steven 04:44
04 Zoetrope 03:54
05 Saturday Morning 03:31
06 Day Dream 04:05
07 Sleeping Lotus 02:32
08 Wanderlust 05:43
09 The Light She Brings 02:53
10 Reflection #2 06:28
11 Autumn 03:26
II Prehension
12 Ab Ovo 04:48
13 Kawakaari 05:33
14 The Gift 03:46
15 Impermanence 04:55
16 A Heartfelt Silence 02:50
17 Sonderling 04:34
18 Le souvenir des temps gracieux 03:07
19 Pippa's Theme 03:18
20 The Man Who Carried The Wind 03:45
21 Seelenkind 03:41
22 432 04:14
23 Hanging D 05:32
24 A Heartfelt Silence 2 02:35
25 An Amalgamation Waltz 1839 04:07
26 Every Ending Is A New Beginning 04:27
III Henosis
27 Unus mundus 04:18
28 Into The Dark Blue 03:39
29 Whales 02:12
30 Sirius 01:35
31 Shepherd 07:22
32 Orvonton 05:02
33 Sol And Luna 05:52
34 Klangfall 06:15
35 Philemon 03:01
36 Noumenon 05:37
37 Saudade da Gaia 03:59
38 Apophis 07:05
39 Aeon 05:48
40 Implikigo 02:25
41 Venus 03:55
42 Anima 02:38
43 Adrift In Aether - Breathing 00:42
44 Adrift In Aether 03:21
45 The One As Two 05:15
46 Henosis 06:45
47 Anamnesis 03:37
48 Nebula 08:56
49 Morpheus' Dream 02:15
50 An Amalgamation Waltz 1839 (Vocal Version) 04:08
51 Klangfall (Piano Version) 05:51
52 Solitude 03:46
53 Orvonton (Piano Version) 04:39
54 September 04:08
55 Shepherd (Piano Version) 05:24
56 Ala 02:01
57 Sol And Luna (Piano Version) 04:25
Доп. информация: http://joepbeving.com/
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2021-09-09 12:02:30
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Analyzed: Joep Beving / Trilogy
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
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DR10 -0.90 dB -14.82 dB 5:46 01-Midwayer
DR11 -0.90 dB -15.55 dB 4:35 02-Etude
DR10 -0.90 dB -14.89 dB 4:44 03-For Steven
DR12 -0.90 dB -17.11 dB 3:54 04-Zoetrope
DR10 -1.05 dB -15.06 dB 3:31 05-Saturday Morning
DR11 -0.91 dB -17.98 dB 4:05 06-Day Dream
DR10 -0.90 dB -15.75 dB 2:32 07-Sleeping Lotus
DR11 -0.90 dB -16.44 dB 5:43 08-Wanderlust
DR11 -2.00 dB -16.98 dB 2:53 09-The Light She Brings
DR11 -0.90 dB -15.24 dB 6:28 10-Reflection #2
DR12 -0.90 dB -18.05 dB 3:26 11-Autumn
DR11 -2.65 dB -17.42 dB 4:48 12-Ab Ovo
DR11 -1.14 dB -17.98 dB 5:33 13-Kawakaari
DR10 -1.99 dB -16.59 dB 3:46 14-The Gift
DR9 -2.29 dB -15.12 dB 4:55 15-Impermanence
DR12 -13.35 dB -30.51 dB 2:50 16-A Heartfelt Silence
DR11 -2.39 dB -17.68 dB 4:34 17-Sonderling
DR10 -1.53 dB -16.00 dB 3:07 18-Le souvenir des temps gracieux
DR11 -2.41 dB -17.00 dB 3:18 19-Pippa's Theme
DR10 -3.31 dB -17.12 dB 3:45 20-The Man Who Carried The Wind
DR10 -3.62 dB -17.61 dB 3:41 21-Seelenkind
DR10 -2.80 dB -16.89 dB 4:14 22-432
DR9 -0.70 dB -11.79 dB 5:32 23-Hanging D
DR12 -13.06 dB -29.32 dB 2:35 24-A Heartfelt Silence 2
DR12 -5.36 dB -21.77 dB 4:07 25-An Amalgamation Waltz 1839
DR10 -1.79 dB -15.80 dB 4:27 26-Every Ending Is A New Beginning
DR12 -1.32 dB -18.06 dB 4:19 27-Unus mundus
DR11 -1.23 dB -16.55 dB 3:39 28-Into The Dark Blue
DR11 -0.99 dB -17.00 dB 2:11 29-Whales
DR10 -0.89 dB -14.17 dB 1:35 30-Sirius
DR9 -0.83 dB -13.33 dB 7:22 31-Shepherd
DR10 -0.85 dB -14.62 dB 5:02 32-Orvonton
DR9 -0.76 dB -14.55 dB 5:51 33-Sol And Luna
DR10 -0.93 dB -14.41 dB 6:15 34-Klangfall
DR12 -0.98 dB -18.91 dB 3:01 35-Philemon
DR11 -0.84 dB -15.95 dB 5:38 36-Noumenon
DR10 -0.82 dB -14.97 dB 3:59 37-Saudade da Gaia
DR10 -0.85 dB -14.45 dB 7:05 38-Apophis
DR8 -0.80 dB -13.62 dB 5:49 39-Aeon
DR10 -9.02 dB -21.04 dB 2:25 40-Implikigo
DR12 -1.84 dB -19.64 dB 3:54 41-Venus
DR11 -0.85 dB -16.25 dB 2:38 42-Anima
DR12 -5.37 dB -27.22 dB 0:42 43-Adrift In Aether - Breathing
DR11 -0.85 dB -16.43 dB 3:22 44-Adrift In Aether
DR11 -0.86 dB -15.85 dB 5:15 45-The One As Two
DR10 -0.83 dB -13.99 dB 6:45 46-Henosis
DR12 -0.85 dB -17.44 dB 3:37 47-Anamnesis
DR8 -0.80 dB -13.38 dB 8:57 48-Nebula
DR12 -0.85 dB -18.84 dB 2:15 49-Morpheus' Dream
DR10 -0.74 dB -14.05 dB 4:11 50-An Amalgamation Waltz 1839 (Vocal Version)
DR11 -0.83 dB -15.21 dB 5:53 51-Klangfall (Piano Version)
DR11 -0.90 dB -15.60 dB 3:46 52-Solitude
DR9 -1.88 dB -14.11 dB 4:40 53-Orvonton (Piano Version)
DR12 -2.51 dB -18.28 dB 4:06 54-September
DR9 -0.82 dB -13.65 dB 5:25 55-Shepherd (Piano Version)
DR9 -1.28 dB -13.96 dB 2:01 56-Beving: Ala
DR12 -0.92 dB -15.53 dB 4:27 57-Sol And Luna (Piano Version)
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Number of tracks: 57
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1328 kbps
Codec: FLAC
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Об исполнителе (рус.) | About Artist (ru)
Юп Бевинг
История успеха нидерландского пианиста Юпа Бевинга (род. 9 января 1976 г., Дутинхем, провинция Гелдерланд, Нидерланды) – яркий пример того, как современные технологии и средства коммуникации перевернули устои мира «высокой музыки», сделав его куда более демократичным и непредсказуемым. Много лет музыкант-любитель Юп Бевинг трудился в рекламной компании MassiveMusic, где занимался саунд-дизайном. Зарисовки на пианино он сочинял и записывал дома по ночам – хобби, отдушина, не более того. Однако ближе к сорокалетию Бевинга ждал сюрприз.
Свой первый альбом “Solipsism” (2015) он выпустил самиздатом, просто загрузил на Spotify. Релиз выстрелил, и сегодня на странице Юпа уже более 85 миллионов прослушиваний его произведений. Примерно столько же, как и на страницах Шопена или Равеля – любимых композиторов музыканта из Амстердама. Бевинг признается, что от осознания этого факта ему становится неловко. Он по-прежнему не считает себя профессиональным композитором. Зато музыканта всерьез воспринимает его издатель, культовый лейбл Deutche Grammophone. В момент сенсационного прорыва студийного дебюта немецкая компания выиграла схватку за контракт с Юпом и уже в 2017 году выпустила второй его альбом – “Prehension”.
В 2018 году вышел третий альбом Юпа “Conatus” (лат. усилие), который почти весь состоял из переработок музыки Бевинга с предыдущих альбомов в коллаборации с другими артистами.
А в 2019 году нидерландский пианист Юп Бевинг получил престижную награду в категории «Неоклассика» за свой четвертый альбом “Henosis” (лат. мистический союз, единство). Вместе с ним за приз боролись Ströme немецкого композитора Мартина Кольштедта (Martin Kohlstedt) и ретроспектива знаменитого исландского неоклассика Йохана Йоханнссона (Johann Johannsson).
Юп подходит к процессу сочинения с глубиной, присущей философам. В музыке он видит универсальный язык коммуникации, спасение в современном неспокойном мире. Обозреватели причисляют Бевинга к последователям Филипа Гласса. Бевинг же признает, что вдохновляется его работами, но собственную музыку находит куда более простой: «Мои альбомы – это по сути своей лаунж. Музыка для расслабления, созерцания, покоя. И не более того».
ДИСКОГРАФИЯ
Solipsism (2015)
Prehension (2017)
Conatus (2018)
Henosis (2019) https://neoclassica.ru/beving/
Об исполнителе (англ.) | About Artist (en)
Joep Beving
Joep Beving has been one with the piano from an early age. He was forced to end his musical studies at the conservatory and instead continued at university to get a degree in public policy and public administration. However, his love for his instrument never perished. Where once his goal was to hit as many notes per minute as physically possible, his style of playing has changed over the years, searching for a particular aesthetic essence. His path was illuminated by a piano that Beving inherited from his grandmother when she passed away in 2009. This German instrument insisted on a more gentle touch and a gracious pace, which eventually led Beving to adapt to a more classical vocabulary to tell his story.
This story started to manifest itself relatively late in life, when in 2014 at age 38, he was forced to stay home from work and decided to answer the draw of his piano. In search of tranquility of mind and some form of essence, music started to present itself that he had never played before in his life. Minimal pieces that he later once described as ‘simple music for complex emotions’. Turned down by the only label he approached, Joep decided to self release his debut album Solipsism in 2015.
The sound of his piano found its way to the ears of Deutsche Grammophon’s A&R manager Christian Badzura when visiting his favorite Bar in Berlin. This led to the signing of Beving to the worlds foremost classical label and consequently the release of equally succesful sophomore album ‘Prehension’ in 2017, making Joep one of the most listened to living pianist in the world at that time.
He has attributed much of his music’s broad appeal to the stream of consciousness in which some of the pieces were conceived. Claiming that the music is already out there and that one has to ‘just’ create the circumstances for it to land. In 2018 he took this idea one step further with the release of ‘Conatus’ of which he said: “If you see music as a living organism then it is not unthinkable that it has it’s own innate inclination to continue to exist and enhance itself.” On Conatus, Beving sees compositions from his first two albums, travel through the minds of artists he admires (a.o. Suzanne Ciani, Collin Benders, Andrea Belfi) and result in new pieces of music adding new layers and dimensions which would serve as the upbeat to his next major solo project as would become apparant in April 2019.
As part of the art piece ‘Franchise Freedom’ by acclaimed artist duo Studio Drift, Joep travels to Burning Man at the end of 2018 to perform in the desert of Black Rock City in front of his largest audience to date. Inspired by the display of human creativity and inclusivity he returns home to finish his third solo album.
April 2019 sees the release of HENOSIS, Joep Beving’s closing chapter in a trilogy of albums – marking the end of an intensely personal four-year spiritual and philosophical exploration.
On HENOSIS the Dutch composer continues his minimalist and at times romantic style of writing, but this time explores new territories. It sets off where his sophomore album Prehension left us, the warm intimate sound of the Schimmel piano. With the help of producer Gijs van Klooster and through collaborations with Cappella Amsterdam, Echo Collective and Maarten Vos, Joep Beving opens up new musical worlds using orchestral and electronic sounds alongside the familiar piano.
His debut album ‘Solipsism’ investigates the self and how it is related to the other by trying to show we have a shared understanding of what it is to be human. For ‘Prehension’ Beving describes realizing he had zoomed out from the individual level to the level of the collective. HENOSIS is the last step, in which Beving’s destination is the vastness of the cosmos – that great, black void – in search of “ultimate reality and emptiness of the mind”. Asked about the album Joep says:
“I envisioned it as a journey into the cosmos, far away from the self where it had started. In search of what is fundamental in reality, beyond the immediate perceivable. Henosis means oneness or unity with the source of all that is. The outward journey reflects the inward journey, much as the build up of our inner workings reflects that of the macro-cosmos. Once that idea starts to dawn on you, the level of connection deepens beyond imagination.
Everything is connected. Think about it. If you see the other as merely a physically alternate representation of yourself it will be very difficult not to feel some form of empathy. The same goes for any other life form. I realize it is not all that straightforward and I don’t want to postulate this as being the truth. However, to me this realization has come closest to a somewhat hopeful and admirable version of it. It completes the circle that started with a growing sense of alienation from reality I dealt with at the time of Solipsism, to a growing sense of becoming one with it.”
In November 2019 Henosis was awarded with an Edison.
Amsterdam, February 2020
Об альбоме (англ.) | About Album (en)
Info for 'Joep Beving - Trilogy'It has been the words that carried my thoughts, that got me into a state of relative despair at a point in my life. I found myself curled up in a skein of doubts and questions, drifting away from normality. In my attempt to make sense of things again, I was drawn to the piano that I had inherited from my grandmother. Out came music that I had never played before in my life. It felt like I was communicating again, without the words, without the need to explain myself. Instead it ended up giving me answers.
– Joep BevingOver the past six years, Joep Beving, the Dutch composer and piano pioneer of the 21st century, has completed his trilogy of albums. Starting with the album Solipsism, his quintessential debut, Beving’s ‘simple music for complex emotions’ has reached an audience of millions around the globe. Through his follow up albums, Prehension and Henosis we join the composer’s journey into expanding worlds of sounds and composition.
We’re very pleased to present Beving’s complete trilogy of albums, plus a bonus vinyl with rarities previously only released as digital formats, as a limited, deluxe boxset. Simply titled ‘Trilogy’ the box contains 7 high quality pressing, 180 gram vinyls, all featuring stunning new artwork by Beving’s long-time visual collaborator Rahi Rezvani.
Only the first edition boxes are hand-signed by Joep Beving himself. https://www.deutschegrammophon.com/en/catalogue/products/trilogy-joep-beving-12375
Состав | Artists
Joep Beving, piano
Music composed and performed by Joep Beving
Image conceived by Rahi Rezvani
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发表于 2022-3-13 14:33:25
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