foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2021-09-12 18:39:07
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Analyzed: Peter Gregson / Patina
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DR Peak RMS Duration Track
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DR10 -0.32 dB -15.68 dB 6:16 01-Gregson: Hidden
DR10 -0.32 dB -13.60 dB 4:11 02-Gregson: Patina
DR10 -0.32 dB -16.10 dB 6:17 03-Gregson: Sense
DR10 -0.32 dB -15.70 dB 5:05 04-Gregson: Cluster
DR9 -0.32 dB -15.44 dB 3:44 05-Gregson: Schema
DR10 -0.32 dB -14.94 dB 5:20 06-Gregson: Sequence (Seven)
DR11 -0.95 dB -16.41 dB 4:39 07-Gregson: Over
DR10 -0.32 dB -15.08 dB 4:22 08-Gregson: Don't Wake
DR11 -0.32 dB -16.43 dB 6:09 09-Gregson: Continuum
DR8 -61.94 dB -77.45 dB 0:19 10-Gregson: Continuum (Outro)
DR7 -0.32 dB -11.68 dB 2:41 11-Gregson: Cluster (Edit)
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Number of tracks: 11
Official DR value: DR10
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2807 kbps
Codec: FLAC
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Об исполнителе (рус.) | About Artist (ru)
Питер Грегсон
Питер Грегсон — один из ведущих виолончелистов и композиторов Великобритании, выпускник Королевской академии музыки. Первой его крупной авторской работой в кино стал саундтрек к «Версальскому роману» Алана Рикмана ('A Little Chaos', directed by Alan Rickman), который принес Грегсону две номинации на премии Public Choice Award и World Soundtrack Award. До этого Питер много работал со студией Remote Control Productions Ханса Циммера как сольный виолончелист в многочисленных фильмах и телепроектах.
На своих сольных концертах он исполняет произведения таких композиторов как Стив Райх, Джоби Тэлбот, Говард Гудолл, Макс Рихтер и Йохан Йоханнссон. С последними двумя он записал мини-альбом. В 2012 году британский композитор Габриэль Прокофьев, внук Сергея Прокофьева, написал сюиту для девяти виолончелей, которую Грегсон мастерски сыграл с использованием сложных современных техник. В результате получилась уникальная запись на стыке американского минимализма, электроники и современной камерной музыки. Теплый, полнокровный звук виолончели Питера вступает здесь в конфликт с колючими электронными ритмическими текстурами.
Другой яркой работой Питера стал альбом, в котором он переосмысливает сюиты для виолончели Баха, написанные в XVII веке. Диск вошел в серию Recomposed немецкого лейбла Deutsche Grammophon. Грегсон собрал ансамбль из пяти виолончелистов и укутал сюиты, которые играл с детства, в простыню из мягких электронных звуков. Как он сам отмечает, слушать его версию произведений Баха — все равно что смотреть на них через другой объектив. В 2018 году композитор стал одним из составителей плейлистов Apple Music с классической симфонической музыкой, а также одним из трех музыкантов, которым было доверено курировать музыкальные каналы, посвященные Моцарту, Бетховену и Баху. Не обходит стороной Питер и поп-музыку. Так, Грегсон записал струнные аранжировки для Rag’n’Bone Man и группы Public Service Broadcasting, а также дирижировал струнными и играл соло на виолончели в покорившем чарты альбоме Эда Ширана «÷». https://www.last.fm/ru/music/Peter+Gregson
Об исполнителе (англ.) | About Artist (en)
Peter Gregson
Peter Gregson (b.1987) is a renowned Composer, Cellist, and Deutsche Grammophon recording artist set to release his fifth studio album ‘Patina’ on September 10th 2021.
His music is regularly sought out by the most exciting choreographers and dance companies in the world, recently including Theatrehaus Stuttgart / Gauthier Dance, Joffrey Ballet, PA Ballet, Dutch National Ballet, and Ballet BC.
Amongst his film credits, Roger Michell’s ‘Blackbird’ (starring Kate Winslet and Susan Sarandon) and the late Alan Rickman’s ‘A Little Chaos’ as well as the Soundtrack for the popular video game ‘Boundless’ receiving critical acclaim.
His music has featured on some of the most popular TV series - from Netflix’s hit ‘Bridgeton’ to HBO’s ‘The New Pope’ by Paolo Sorrentino. Brands including Balenciaga, Burberry, Dior, Ralph Lauren, Pat McGrath have all featured Gregson’s music in recent campaigns and runway shows.
As a cellist, he has performed all around world, from The Royal Albert Hall in London to a jazz club in Beijing; from the Elbphilharmonie in Hamburg to Capitol Studios in Hollywood, which was filmed and released in January 2021.
He is a prolific artist, most recently releasing the stunning ‘Somina’ which was commissioned for ‘World Sleep Day’.
Patina is his most expansive and expressive work to date, featuring an astonishing array of analogue electronics instruments, a string ensemble and his unique solo cello, brought together to explore the theme of absence. https://petergregson.co.uk/about
Об альбоме (англ.) | About Album (en)
Info for 'Peter Gregson: Patina'
Prolific composer, producer and cellist Peter Gregson has built up a truly impressive profile and might be the most successful composer you have yet to hear of. He has successfully composed music for films, games, ballets and mega hit series such as Bridgerton, and with an astonishing amount of appearances on recordings ranging from Hans Zimmer, BBC HIT Sherlock to Ed Sheeran.
Starting to play cello from when he was four, the instrument is still his composing instrument of choice, although his experiments with sound in production take him well beyond cello concertos, The New Yorker describing him as ‘at the forefront of the new music scene’. Not shying away from modern production, Gregson’s flair for melody, the big lyrical gesture and dreamlike evocations in the lineage of great British composers. With ‘Patina’, his fifth studio album, he delivers his most personal album yet.
The idea of ‘the presence of absence’ was key to the composition of every track on Patina. Gregson would begin writing the music and then, over time, delete their main melodies to see how the harmonies, basslines, and textures would rearrange themselves around that void. Much like how the stain on your table remains where you’ve put your coffee cup, or how glaciers have changed the shape of the earth while they have long since disappeared. “This is a collection of pieces where the sounds have aged, where the music has lived a life.”
He describes the role of his cello like this: “I like the idea of treating my cello as if it were a human voice – singing these modern ‘songs without words’, I wanted the cello to sound like it sounds under my ear when I'm playing, not how a cello sounds half way back in a concert hall.”
The music on Patina was produced to sound a particular way with much accuracy and honesty; valve reverbs, spring reverbs, plate reverbs, analogue delays, Harmonizers, Vocoders, digital reverbs from the 80s were all used to convey the intimacy Gregson sought, explaining in great part why Patina does not sound like a typical classical music release. “It's a very processed and crafted record. The production is absolutely of equal importance as its composition. It’s something unreal, but not unbelievable”
"I wanted the cello to sound like it sounds under my ear when I’m playing, not how a cello sounds halfway back in a concert hall. This music was produced to sound a particular way from where I’m sitting, and that’s the same position where I wanted the listener as well. This is where it’s happening." (Peter Gregson) https://www.highresaudio.com/en/album/view/iarger/peter-gregson-patina
Состав | Artists
Peter Gregson, cello, programmer, mellotron, synthesizer programming
Additional musicians:
Richard Harwood, cello
Matthew Denton, violin
Richard Blayden, violin
James Boyd, viola
Eoin Schmidt-Martin, viola
Meghan Cassidy, viola
Stephanie Edmundson, viola
Reinoud Ford, cello
Warren Zielinski, violin
Ben Chappell, cello
Tim Lowe, cello
Magnus Johnston, violin
Anthony Weeden, conductor
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发表于 2022-3-13 14:33:25
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