Beethoven · Bartók · Bach - PRISM III
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2021
Жанр: Classical
Издатель (лейбл): ECM New Series
Продолжительность: 01:16:47
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.com
Треклист:
Ludwig van Beethoven
String Quartet No. 14 in C-Sharp Minor, Op. 131
1. 1. Adagio ma non troppo e molto espressivo (8:09)
2. 2. Allegro molto vivace (3:00)
3. 3. Allegro moderato - Adagio (0:51)
4. 4. Andante ma non troppo e molto cantabile - Allegretto (14:48)
5. 5. Presto (5:16)
6. 6. Adagio quasi un poco andante (2:29)
7. 7. Allegro (6:39)
Béla Bartók
String Quartet No. 1, Op. 7, Sz. 40
8. 1. Lento (10:23)
9. 2. Allegretto (8:37)
10. 3a. Introduzione. Allegro (1:43)
11. 3b. Allegro vivace (10:19)
Johann Sebastian Bach
The Well-Tempered Clavier, Book 1
12. Fugue in C-Sharp Minor, BWV 849 (Arr. Förster for Strings) (4:16)
Исполнители:
Danish String Quartet
Лог проверки качества
foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2021-03-12 18:08:59
--------------------------------------------------------------------------------
Analyzed: Danish String Quartet / Prism III
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
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DR13 -7.68 dB -26.97 dB 8:09 01-1. Adagio ma non troppo e molto espressivo
DR14 -6.25 dB -25.43 dB 3:00 02-2. Allegro molto vivace
DR13 -10.05 dB -29.34 dB 0:51 03-3. Allegro moderato - Adagio
DR17 -5.91 dB -27.93 dB 14:48 04-4. Andante ma non troppo e molto cantabile - Allegretto
DR16 -4.65 dB -25.88 dB 5:16 05-5. Presto
DR13 -14.51 dB -32.27 dB 2:29 06-6. Adagio quasi un poco andante
DR14 -3.40 dB -22.68 dB 6:39 07-7. Allegro
DR12 -5.92 dB -24.56 dB 10:23 08-1. Lento
DR14 -3.59 dB -22.96 dB 8:37 09-2. Allegretto
DR12 -6.81 dB -24.34 dB 1:43 10-3a. Introduzione. Allegro
DR14 -1.37 dB -21.00 dB 10:25 11-3b. Allegro vivace
DR11 -5.40 dB -23.15 dB 4:19 12-Fugue in C-Sharp Minor, BWV 849 (Arr. Förster for Strings)
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Number of tracks: 12
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2711 kbps
Codec: FLAC
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Об альбоме (сборнике)
The third volume of the Danish String Quartet’s ongoing Prism series, which shows how the radiance of Bach’s fugues is refracted through Beethoven’s quartets to illuminate the work of later composers. “Beethoven had taken a fundamentally linear development from Bach,” the Danes note, “and exploded everything into myriads of different colours, directions and opportunities – much in the same way as a prism splits a beam of light.” Here the quartet follow the beam from Johann Sebastian Bach’s Fugue in c-sharp minor through Ludwig van Beethoven’s String Quartet no.14 to Béla Bartók’s String Quartet No.1.
“Inevitably, we base our work on what we know, as individuals and as a group, but the important thing to us as musicians is that these connections be experienced widely on an intuitive level. We hope the listener will join us in the wonder of these beams of music that travel all the way from Bach through Beethoven as far as to our own times.”
Danish String Quartet violist Asbjørn Nørgaard elaborated on the origins of the Prism project in an interview with the Boston Globe: “The idea came when I was reading Lewis Lockwood’s book about Beethoven. [Beethoven: The Music and the Life] He writes about Beethoven’s lifelong obsession with Bach and, in particular, The Well-Tempered Clavier. In his last years, Beethoven basically spent all his time studying Bach and writing string quartets. Most of the musical material that he used to craft his last five string quartets can be more or less directly found in specific fugues by Bach.”
In the liner notes for Prism III, Paul Griffiths traces the ways in which the essence of Bach’s c-sharp minor fugue is transformed in Beethoven’s op. 131.
In turn, Bartók’s First String Quartet, completed in 1909, when the composer was just 27, and still in the process of discovering his own artistic voice, paid direct homage to Beethoven’s String Quartet no. 14. The first movement begins in the same spirit as Beethoven’s quartet, and as Bartók biographer David Cooper has suggested, “one might argue that there is an even more direct correspondence between Bartók’s overlapping entries and his pairing of instruments and the approach taken by Beethoven in the fourth movement of op. 131.”
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发表于 2022-3-13 14:33:26
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