Richard Wagner - Overtures and Preludes
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Classical
Издатель (лейбл): RCA Red Seal
Продолжительность: 01:21:05
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/48
Формат: PCM
Количество каналов: 2.0
Источник (релизер): prestomusic.comТреклист
Der fliegende Holländer, WWV 63
1. Overture
Lohengrin, WWV 75
2. Act I: Prelude
Tristan und Isolde, WWV 90
3. Act I: Prelude
4. Act III: Isoldens Liebestod
Parsifal, WWV 111
5. Act I: Prelude
Tannhäuser, WWV 70
6. Overture
Rienzi, der Letzte der Tribunen, WWV 49
7. OvertureFrankfurt Radio Symphony
Andrés Orozco-Estrada, conductor
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-09-02 22:15:39
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Analyzed: Andrés Orozco-Estrada / Wagner Overtures and Preludes (Live)
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DR Peak RMS Duration Track
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DR10 -0.20 dB -15.17 dB 10:22 01-Der fliegende Holländer, WWV 63: Overture (Live)
DR14 -0.20 dB -20.90 dB 9:10 02-Lohengrin, WWV 75, Act I: Prelude (Live)
DR15 -0.40 dB -21.01 dB 11:57 03-Tristan und Isolde, WWV 90, Act I: Prelude (Live)
DR13 -0.40 dB -19.34 dB 8:02 04-Tristan und Isolde, WWV 90, Act III: Isoldens Liebestod (Live)
DR14 -0.37 dB -20.55 dB 15:01 05-Parsifal, WWV 111, Act I: Prelude (Live)
DR11 -0.21 dB -16.55 dB 15:10 06-Tannhäuser, WWV 70: Overture (Live)
DR10 -0.20 dB -14.72 dB 12:04 07-Rienzi, der Letzte der Tribunen, WWV 49: Overture (Live)
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Number of tracks: 7
Official DR value: DR13
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1487 kbps
Codec: FLAC
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Об альбоме (сборнике)
Leading the Frankfurt Radio orchestra, the hr-Sinfonie Orchester, conductor Andrés Orozco-Estrada is performing and recording the great repertoire of symphonic music. His 100% Wagner programme brings together a selection of overtures and preludes. No singing: just orchestral music. Siegfried is absent here, as is the Tetralogia, along with the preludes from the third acts of Parsifal and Lohengrin. But as a whole, the record – a single disc, unlike Marek Janowski's double album for PentaTone – is well-put together.
Heading the German outfit, Orozco-Estrada blazes a new path among the operas of the great Builder of Bayreuth. The programme moves through the pieces in chronological order of composition. The Flying Dutchman starts the proceedings, followed by Lohengrin and Tristan and Isolde forms a bridge to the high point that is Parsifal. Then the clock turns back, as Tannhäuser leads us on at last to Rienzi. It's a daring move to finish on this work from Wagner's youth! That said, the listener will recognise the value of this precious overture. Of course, in the middle of the score, the rolling snare drums herald the rather pompous tone of the final military march, punctuated with cymbal crashes. But that shouldn't overshadow the passages of great beauty which recall – and come on, you've just listened to it – Tannhäuser, in particular the combination of the choral pilgrims' motif against a barrage of strings.
The Flying Dutchman, the first work to break with opera in the same manner as Meyerbeer, greets us in medias res, in Wagner's dramatic laboratory, where wonderful worlds are born. Impeccable brass and agile strings, an interplay of finely-balanced volumes, structures and textures: the orchestra buffets the Dutchman, sets Lohengrin aflame, rumbles around Tannhäuser and demonstrates how these pages contain all the ingredients – thematic, dramatic, lyrical – of the drama, in embryo. We will wait faithfully for a complete Wagner with these superb musicians in the pit!
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发表于 2022-3-13 14:33:27
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